Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Embroidered Border: The Making of Unleavened Bread and the Israelites Sent Away at the Cleveland Museum of Art: 1500s-1600s, Plain weave linen; embroidery in silk; attached border of needle lace. Explore the work's context, creator attribut
Embroidered Border: The Baking of Unleavened Bread at the Cleveland Museum of Art: 1500s-1600s, Plain weave linen; embroidery in silk; attached border of needle lace. Explore the work's context, creator attribution and collection history.
Embroidered Border: The Death of the First Born and the Israelites Sent Away at the Cleveland Museum of Art: 1500s-1600s, Plain weave linen; embroidery in silk; attached border of needle lace. Explore the work's context, creator attribution
The Nativity at the Cleveland Museum of Art: 1470–75, engraving. Explore the work's context, creator attribution and collection history.
Furnishing textile at the Cleveland Museum of Art: 1800s, Cotton, silk, dye. Explore the work's context, creator attribution and collection history.
Border with Mounted and Standing Figures, Chariots, and Animals at the Cleveland Museum of Art: 1800s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions). Explore the work's context, creator attrib
Silk Decorative Tunic Band with a Hunter at the Cleveland Museum of Art: 700s, Silk: complementary weft-faced twill with inner warps (samit). Explore the work's context, creator attribution and collection history.
Fragment with peacocks in ogival pattern at the Cleveland Museum of Art: 1004–1260 (radiocarbon date, 95% probability), Silk: plain weave with supplementary weft. Explore the work's context, creator attribution and collection history.
Double-Sided Leaf from a Qur'an at the Cleveland Museum of Art: 1100s, opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Page from a Qur'an, Sura al-Nisa 4, Verses 157–58 at the Cleveland Museum of Art: 1100s, opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Page from a Qur'an, Sura al-Nisa 4, verses 159–60 at the Cleveland Museum of Art: 1100s, ink, gold, and colors on paper. Explore the work's context, creator attribution and collection history.
Animal-Headed Figure Pendant at the Cleveland Museum of Art: 1–800 CE, cast gold. Explore the work's context, creator attribution and collection history.
Pan of Rohallion at the Cleveland Museum of Art: 1890, bronze. Explore the work's context, creator attribution and collection history.
Dance of Death: Death the Strangler at the Cleveland Museum of Art: 1850, woodcut. Explore the work's context, creator attribution and collection history.
Copy of a Roman Statue of a Seated Woman at the Cleveland Museum of Art: c. 1450–94, pen and brown ink (two different colors) with graphite; framing lines in pen and brown ink. Explore the work's context, creator attribution and collection
![Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto] (c. 1570; Cleveland 1939.670)](https://openaccess-cdn.clevelandart.org/1939.670/1939.670_web.jpg)
Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto] at the Cleveland Museum of Art: c. 1570, pen and brown ink (iron gall) and brush and brown wash. Explore the work's context, creat
Various Sketches of the Madonna and Child (recto) at the Cleveland Museum of Art: c. 1580, pen and brown ink (iron gall) and brush and brown wash. Explore the work's context, creator attribution and collection history.
![Single Leaf Excised from an Antiphonary: Inital A[spiciens a longe] with Christ in Majesty (c. 1330–1350; Cleveland 1939.677)](https://openaccess-cdn.clevelandart.org/1939.677/1939.677_web.jpg)
Single Leaf Excised from an Antiphonary: Inital A[spiciens a longe] with Christ in Majesty at the Cleveland Museum of Art: c. 1330–1350, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection histor
The Letter at the Cleveland Museum of Art: 1934, oil on canvas. Explore the work's context, creator attribution and collection history.
Plate: Diana and Acteon at the Cleveland Museum of Art: 1522, tin-glazed earthenware with gold and red lustre (maiolica). Explore the work's context, creator attribution and collection history.
Candelabrum Pair at the Cleveland Museum of Art: 1757–1758, silver. Explore the work's context, creator attribution and collection history.
Candelabrum at the Cleveland Museum of Art: 1757–1758, silver. Explore the work's context, creator attribution and collection history.
Candelabrum at the Cleveland Museum of Art: 1757–58, silver. Explore the work's context, creator attribution and collection history.
Sauce Boat at the Cleveland Museum of Art: 1743, silver. Explore the work's context, creator attribution and collection history.
Pair of Lace Lappets at the Cleveland Museum of Art: 1800s, Silk: bobbin lace. Explore the work's context, creator attribution and collection history.
Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404) at the Cleveland Museum of Art: 1404–1410, vizille alabaster. Explore the work's context, creator attribution and collection history.
Mourner from the Tomb of John the Fearless and Margaret of Bavaria at the Cleveland Museum of Art: 1443–45, salins alabaster. Explore the work's context, creator attribution and collection history.
Head of Shiva at the Cleveland Museum of Art: 1100s, sandstone. Explore the work's context, creator attribution and collection history.
Teapot at the Cleveland Museum of Art: c. 1755–60, Silver, Wood. Explore the work's context, creator attribution and collection history.
Christ in the Garden of Gethsemane and The Kiss of Judas (pair) at the Cleveland Museum of Art: 1522–1526, pot-metal and white glass, silver stain and sanguine. Explore the work's context, creator attribution and collection history.
Christ in the Garden of Gethsemane at the Cleveland Museum of Art: 1522–26, pot-metal and white glass, silver stain and sanguine. Explore the work's context, creator attribution and collection history.
The Kiss of Judas at the Cleveland Museum of Art: 1522–1526, pot-metal and white glass, silver stain and sanguine. Explore the work's context, creator attribution and collection history.
Dovizia (Plenty) at the Cleveland Museum of Art: c. 1520–29, glazed terracotta. Explore the work's context, creator attribution and collection history.
Chasse at the Cleveland Museum of Art: c. 1225–50, copper: repoussé, engraved, stippled, and gilded; champlevé enamel; oak core. Explore the work's context, creator attribution and collection history.
Fragment at the Cleveland Museum of Art: 1800s, Linen, silk, dye. Explore the work's context, creator attribution and collection history.
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso) at the Cleveland Museum of Art: 1510–11, red chalk over black chalk or charcoal. Explore the work's context, creator attribution and co
Study for the Nude Youth over the Prophet Daniel (recto) at the Cleveland Museum of Art: 1510–1511, red chalk over black chalk or charcoal. Explore the work's context, creator attribution and collection history.
Figure Studies for the Sistine Ceiling (verso) at the Cleveland Museum of Art: 1510–11, red chalk heightened with traces of white. Explore the work's context, creator attribution and collection history.
The Last Supper (pair) at the Cleveland Museum of Art: c. 1500, engraving on two sheets printed from two plates. Explore the work's context, creator attribution and collection history.
The Last Supper at the Cleveland Museum of Art: c. 1500, engraving on two sheets printed from two plates. Explore the work's context, creator attribution and collection history.