Peony (1920): Art, History and Details
Peony at the Cleveland Museum of Art: 1920, plain weave cotton, printed. Explore the work's context, creator attribution and collection history.
Lifestyle archive — Page 94
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Canteen with a Katsina-like Face (1890): Art, History and Details
Canteen with a Katsina-like Face at the Cleveland Museum of Art: 1890, ceramic, slip. Explore the work's context, creator attribution and collection history.
Storage Bag (late 1800s): Art, History and Details
Storage Bag at the Cleveland Museum of Art: late 1800s, Native-tanned hide, glass beads, dyed horsehair, tin cones, sinew thread. Explore the work's context, creator attribution and collection history.
Blanket Strip (c. 1900): Art, History and Details
Blanket Strip at the Cleveland Museum of Art: c. 1900, Native-tanned hide, glass beads, metal beads, sinew thread. Explore the work's context, creator attribution and collection history.
Pipe or Tobacco Bag (c. 1870): Art, History and Details
Pipe or Tobacco Bag at the Cleveland Museum of Art: c. 1870, Native-tanned hide, yellow pigment, glass beads, red trade cloth, tin cones, sinew thread. Explore the work's context, creator attribution and collection history.
Water Jar (Olla) with Rainbird (1850–60): Art, History and Details
Water Jar (Olla) with Rainbird at the Cleveland Museum of Art: 1850–60, ceramic, slip. Explore the work's context, creator attribution and collection history.
Fourth-Phase Chief Blanket Style Rug (c. 1900): Art, History and Details
Fourth-Phase Chief Blanket Style Rug at the Cleveland Museum of Art: c. 1900, wool (handspun, Germantown, and bayeta): tapestry weave. Explore the work's context, creator attribution and collection history.
Monolithic Pillar (600s–700s): Art, History and Details
Monolithic Pillar at the Cleveland Museum of Art: 600s–700s, red sandstone. Explore the work's context, creator attribution and collection history.
Balustrade Fragment with Animals from the residence of Hajji Hasan ibn Ibrahim ibn Muhammad (1303–4): Art, History and Details
Balustrade Fragment with Animals from the residence of Hajji Hasan ibn Ibrahim ibn Muhammad at the Cleveland Museum of Art: 1303–4, limestone. Explore the work's context, creator attribution and collection history.
Boy in a Blue Coat (1915): Art, History and Details
Boy in a Blue Coat at the Cleveland Museum of Art: 1915, oil on canvas. Explore the work's context, creator attribution and collection history.
Idiophone/Staff (ahianmwẹn-ọrọ) (possibly 1800s): Art, History and Details
Idiophone/Staff (ahianmwẹn-ọrọ) at the Cleveland Museum of Art: possibly 1800s, Copper alloy. Explore the work's context, creator attribution and collection history.
Smelting Works at Denver (1892): Art, History and Details
Smelting Works at Denver at the Cleveland Museum of Art: 1892, watercolor and gouache. Explore the work's context, creator attribution and collection history.
Ancestral Commemorative Head (uhunmwun-elao) (possibly mid-1500s or early 1600s): Art, History and Details
Ancestral Commemorative Head (uhunmwun-elao) at the Cleveland Museum of Art: possibly mid-1500s or early 1600s, Copper alloy and iron. Explore the work's context, creator attribution and collection history.
Dish with Falcon Attacking a Water Bird (1100s): Art, History and Details
Dish with Falcon Attacking a Water Bird at the Cleveland Museum of Art: 1100s, Fritware with carved decoration and underglaze design, Lakabi ware. Explore the work's context, creator attribution and collection history.
Cranes and Serpents (475–221 BCE): Art, History and Details
Cranes and Serpents at the Cleveland Museum of Art: 475–221 BCE, lacquered wood with polychromy. Explore the work's context, creator attribution and collection history.
Singing Man (1928): Art, History and Details
Singing Man at the Cleveland Museum of Art: 1928, bronze. Explore the work's context, creator attribution and collection history.
Columbarium Tomb Plaque with the Monogram of Christ (400–800): Art, History and Details
Columbarium Tomb Plaque with the Monogram of Christ at the Cleveland Museum of Art: 400–800, terracotta. Explore the work's context, creator attribution and collection history.
Temptation of Saint Anthony of Egypt (c. 1400s): Art, History and Details
Temptation of Saint Anthony of Egypt at the Cleveland Museum of Art: c. 1400s, stone. Explore the work's context, creator attribution and collection history.
Saint Andrew (c. 1515–20): Art, History and Details
Saint Andrew at the Cleveland Museum of Art: c. 1515–20, oak with traces of paint. Explore the work's context, creator attribution and collection history.
Jar (481–221 BCE): Art, History and Details
Jar at the Cleveland Museum of Art: 481–221 BCE, earthenware with stamped decoration. Explore the work's context, creator attribution and collection history.
Albano, Italy (c. 1872): Art, History and Details
Albano, Italy at the Cleveland Museum of Art: c. 1872, watercolor with gouache over graphite. Explore the work's context, creator attribution and collection history.
The Ruby Range, Nevada (1879): Art, History and Details
The Ruby Range, Nevada at the Cleveland Museum of Art: 1879, watercolor, gouache and graphite. Explore the work's context, creator attribution and collection history.
Crucified Christ (c. 1525–1530): Art, History and Details
Crucified Christ at the Cleveland Museum of Art: c. 1525–1530, lindenwood. Explore the work's context, creator attribution and collection history.
Vesperbild (Pietà) (c. 1515–20): Art, History and Details
Vesperbild (Pietà) at the Cleveland Museum of Art: c. 1515–20, lindenwood, polychromed and gilded. Explore the work's context, creator attribution and collection history.
Fragment with peacocks and inscription (1000–1100s): Art, History and Details
Fragment with peacocks and inscription at the Cleveland Museum of Art: 1000–1100s, Silk warp and cotton weft (mulham): plain weave; silk, gilt, and silver thread: embroidery, couched and split stitches. Explore the work's context, creator a
Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) (Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)): Art, History a
Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina), Covers: Gum tempera, col
Folio 1 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) (Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of A
Folio 1 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina),
Prajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) (Sunday, September 14, 1119 (ye
Prajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of
Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) (Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina
Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina), Covers
Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday,
Preaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) (Sunday, September
Preaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119
Text, folio 186 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) (Sunday, September 14, 1119 (year 239 of the Newar Samvat in the mo
Text, folio 186 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of As
Prajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) (Sunday, September 14, 1119 (
Prajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239
End of the Perfection of Wisdom in Eight Thousand Lines; Haribhadra’s final remarks; beginning of colophon, folio 187 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (As
End of the Perfection of Wisdom in Eight Thousand Lines; Haribhadra’s final remarks; beginning of colophon, folio 187 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at th
Bottom cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) (Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashv
Bottom cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina), Gum
Punch Bowl (c. 1770): Art, History and Details
Punch Bowl at the Cleveland Museum of Art: c. 1770, soft-paste porcelain. Explore the work's context, creator attribution and collection history.
The Old Road to the Sea (c. 1893): Art, History and Details
The Old Road to the Sea at the Cleveland Museum of Art: c. 1893, oil on canvas. Explore the work's context, creator attribution and collection history.
Landscape with the Town on a River and the Cottage between Trees (1551): Art, History and Details
Landscape with the Town on a River and the Cottage between Trees at the Cleveland Museum of Art: 1551, etching. Explore the work's context, creator attribution and collection history.
A Young Woman Buying a Pink from a Young Man (c. 1740): Art, History and Details
A Young Woman Buying a Pink from a Young Man at the Cleveland Museum of Art: c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper. Explore the work's context, creator attribution and collection history.
A Flying Angel (recto); Studies of Hands Playing Instruments (verso) (1723–27): Art, History and Details
A Flying Angel (recto); Studies of Hands Playing Instruments (verso) at the Cleveland Museum of Art: 1723–27, black chalk heightened with traces of white chalk. Explore the work's context, creator attribution and collection history.