Christ as the Man of Sorrows between the Virgin and St. John (1470–75): Art, History and Details

Christ as the Man of Sorrows between the Virgin and St. John (1470–75) is in the Cleveland Museum of Art collection. The museum's creator attribution is Martin Schongauer (German, c. 1450–1491).

The work and its context

The museum's open-access catalogue describes the work:

Prints of the Man of Sorrow were widely widespread in Northern Europe after the mid-15th century. The image portrays Christ naked above the waist, wearing the crown of thorns, and displaying the wounds of the Passion marking his hands and side. The Virgin Mary and Saint John the Evangelist flank Christ and mourn his death. Images like these functioned as devotional tools meant to help the faithful to meditate on the Lord's suffering. By showing Christ's hand over his chest and the Virgin's hand on his side, he focused the viewer's attention on Christ's wounds. Similarly, Saint John's compassionate gaze provides a model of empathy for the beholder.

Object facts

• Title: Christ as the Man of Sorrows between the Virgin and St. John
• Date: 1470–75
• Creator attribution: Martin Schongauer (German, c. 1450–1491)
• Culture: Germany
• Type: Print
• Technique: engraving
• Collection: PR - Engraving
• Department: Prints
• Accession number: 1939.67

A detail from the museum

The Virgin's garment gently intrudes into the space of the viewer, as if to invite the beholder to participate more closely in this scene of compassion.

Collection credit

Dudley P. Allen Fund

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.