Dupondius (Coin) Portraying Antonia (50-54): Artwork and History
Dupondius (Coin) Portraying Antonia at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Dupondius (Coin) Portraying Antonia (50-54) is in the Art Institute of Chicago collection. The museum lists its creator attribution as Roman.
The work and its context
The Art Institute of Chicago describes the work:
The purpose of the first portrait coins was to identify the ruler. The front side became a mirror of the sovereign’s self-image. The back was often used to communicate the ruler’s accomplishments or intentions. The profile portrait was used because it suited the very shallow depth and limited surface of the coin. The tiny images were carved by engravers into bronze dies, one for the front and another for the back. The coins were then struck, one by one, in a process similar to how modern coins are created today. Since few citizens actually saw their sovereign, recognizable symbols such as crowns, robes, and regalia served to identify the ruler. The emperor in his role as head priest is shown with covered head, holding a ladle in the act of sacrificing to the gods.
Object facts
- Title: Dupondius (Coin) Portraying Antonia
- Date: 50-54
- Artist attribution: Roman
- Place of origin: Roman Empire
- Medium: Bronze
- Dimensions: Diam.: 2.8 cm (1 1/8 in.)
- Type: Coin
- Department: Arts of Greece, Rome, and Byzantium
- Reference number: 1923.1297
Collection credit
Gift of Mrs. William Nelson Pelouze
View the original
Explore the artwork in the Art Institute's collection, including its image and the museum's current catalogue details.
The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.



