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Friar Pedro Shoots El Maragato as His Horse Runs Off (c. 1806): Artwork and History

Friar Pedro Shoots El Maragato as His Horse Runs Off at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

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Friar Pedro Shoots El Maragato as His Horse Runs Off (c. 1806; Art Institute 1933.1075)
Art Institute of Chicago; Mr. and Mrs. Martin A. Ryerson Collection · CC0 1.0 / Public Domain

Friar Pedro Shoots El Maragato as His Horse Runs Off (c. 1806) is in the Art Institute of Chicago collection. The museum lists its creator attribution as Francisco José de Goya y Lucientes (Spanish, 1746–1828).

The work and its context

The Art Institute of Chicago describes the work:

In the summer of 1806 in Spain, on the run after a prison escape, the dreaded bandit El Maragato overtook a family in their home and held them hostage. Among the family members was Pedro de Zaldivia, a lay Franciscan brother who stopped by the house to beg for alms. The humble monk ended up turning the tables on his captor, seizing El Maragato’s rifle and shooting him in the thigh to subdue him before he could grab another gun from his horse. The story of the heroic friar swept through Spain, not only via reports in newspapers and pamphlets but also in ballads and prints. Although at the time Francisco Goya was chief painter to the Spanish king, he was interested in the range of human experience, including current events, and the tale of Zaldivia and El Maragato evidently captured his imagination. This small, lively painting belongs to a series of six at the Art Institute, which, like a modern-day comic strip, dramatically illustrates the story. The climactic scene here presents the bandit’s degrading and humorous downfall. As in all the panels, Goya’s broad, quick brushwork dispenses with unnecessary detail to pinpoint the essential drama of the moment. This narrative series stands in marked contrast to the portraits of royalty and nobility that make up much of Goya’s painted works. His other small-format paintings similarly treat traditional pastimes, superstitions, and scenes from daily life with a popular realism that is oft en darkly comic in tone. Goya may have created the El Maragato series for his own amusement rather than as a commission, since they were still listed among his possessions in an 1812 inventory.

Object facts

  • Title: Friar Pedro Shoots El Maragato as His Horse Runs Off
  • Date: c. 1806
  • Artist attribution: Francisco José de Goya y Lucientes (Spanish, 1746–1828)
  • Place of origin: Spain
  • Medium: Oil on panel
  • Dimensions: 29.2 × 38.5 cm (11 1/2 × 15 5/8 in.); Framed: 41.3 × 51.4 × 6.4 cm (16 1/4 × 20 1/4 × 2 1/2 in.)
  • Type: Painting
  • Department: Painting and Sculpture of Europe
  • Reference number: 1933.1075

Collection credit

Mr. and Mrs. Martin A. Ryerson Collection

View the original

Explore the artwork in the Art Institute's collection, including its image and the museum's current catalogue details.

The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.

Sources

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