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Jesus Mocked by the Soldiers (1865): Artwork and History

Jesus Mocked by the Soldiers at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

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Jesus Mocked by the Soldiers (1865; Art Institute 1925.703)
Art Institute of Chicago; Gift of James Deering · CC0 1.0 / Public Domain

Jesus Mocked by the Soldiers (1865) is in the Art Institute of Chicago collection. The museum lists its creator attribution as Édouard Manet (French, 1832–1883).

The work and its context

The Art Institute of Chicago describes the work:

Throughout his career Édouard Manet managed to shock and confound the public with his bold technique and unorthodox approach to subject matter. The most startling feature of this painting is that he painted it at all. Following the advent of the Realist movement, which grounded art in the here and now, avant-garde artists in France did not pursue religious themes. While Manet was primarily a painter of secular subjects, he was also interested in art history, which led him on at least two occasions to depict the biblical narratives that had compelled artists for many centuries. This work might also have been inspired by the popular 1863 biography Vie de Jésus (Life of Jesus) by the French philosopher and historian Joseph-Ernest Renan, a controversial work that emphasized Christ’s humanity. Here, Manet depicted Jesus at the end of his life, beaten and awaiting crucifixion. The Roman soldiers force him to don a crown of thorns and proffer a reed “scepter” and purple cloak, all intended to ridicule him as “King of the Jews,” a title bestowed ironically by his tormenters. Manet transformed this sacred narrative into a gritty drama that marries realism with theatricality. He presented Jesus frontally, emphasizing his vulnerability and human physicality. Jesus seems exhausted and limp. The canvas’s visible brushstrokes and color palette create a sense of materiality that further evokes a palpable, unidealized Christ, who notably lacks a halo. Is he a holy being emanating divine light or a real man posing under a studio spotlight? The painting caused a scandal in its own time for precisely this ambiguity.

Object facts

  • Title: Jesus Mocked by the Soldiers
  • Date: 1865
  • Artist attribution: Édouard Manet (French, 1832–1883)
  • Place of origin: France
  • Medium: Oil on canvas
  • Dimensions: 190.8 × 148.3 cm (74 7/8 × 58 3/8 in.); Framed: 240.1 × 196.9 cm (94 1/2 × 77 1/2 in.)
  • Type: Painting
  • Department: Painting and Sculpture of Europe
  • Reference number: 1925.703

Collection credit

Gift of James Deering

View the original

Explore the artwork in the Art Institute's collection, including its image and the museum's current catalogue details.

The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.

Sources

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