Morning (1803–5): Art, History and Details
Morning at the Cleveland Museum of Art: 1803–5, etching on heavy wove paper. Explore the work's context, creator attribution and collection history.

Morning (1803–5) is in the Cleveland Museum of Art collection. The museum's creator attribution is Philipp Otto Runge (German, 1777–1810).
The work and its context
The museum's open-access catalogue describes the work:
Phillip Otto Runge’s large-scale, four-part print series, Tageszeiten (Times of Day), is a landmark of German Romantic printmaking, capturing the “new art” promoted by Runge and his contemporary, Caspar David Friedrich, one rooted in a more personal and spiritual response to nature. Runge presents allegories of nature as a means to understand God and the sublime on earth. His four-part series represents not only the four times of day but also the seasons and the stages of human life, while contrasting eternal time with human time through various literary and religious references. Viewing the series from Morning to Night, seedlings emerge from the earth, bloom, decay, and die. Young spirits or children are born, mature, and grow old, eventually entering a sleep reminiscent of death. A female figure appearing in two scenes, possibly Mother Nature, inspires abundance and then embraces its decline, suggesting nature’s continuity despite human mortality. In each plate, Runge contrasts eternal time with human time, or spirituality with physicality, by contrasting the iconography in the borders with that in the centers.
Object facts
- Title: Morning
- Date: 1803–5
- Creator attribution: Philipp Otto Runge (German, 1777–1810)
- Culture: Germany
- Type: Print
- Technique: etching on heavy wove paper
- Dimensions: Platemark: 72 x 47.9 cm (28 3/8 x 18 7/8 in.); Sheet: 73 x 49.7 cm (28 3/4 x 19 9/16 in.)
- Collection: PR - Etching
- Department: Prints
- Accession number: 2024.2.1
A detail from the museum
After receiving a set of Times of Day as a gift from the artist, the German author Johann Wolfgang von Goethe (1749–1832) apparently exclaimed, “it’s enough to drive you crazy—beautiful, and mad at the same time!”
Collection credit
Severance and Greta Millikin Purchase Fund
Further reading listed by the museum
- Traeger, Jörg, 1975. Philipp Otto Runge Und Sein Werk : Monographie U. Krit. Katalog. Studien Zur Kunst Des 19. Jahrhunderts, Sonderband. München: Prestel: 280-283 A (of B); this set mention, p. 360.
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



