Nomisma with Eudocia and Romanus IV Diogenes (1068–1071): Art, History and Details

Nomisma with Eudocia and Romanus IV Diogenes (1068–1071) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

Byzantine Gold Coins The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The coins shown here include the solidus, the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.

Object facts

• Title: Nomisma with Eudocia and Romanus IV Diogenes
• Date: 1068–1071
• Culture: Byzantium
• Type: Coins
• Technique: gold
• Dimensions: Diameter: 2.7 cm (1 1/16 in.)
• Collection: MED - Byzantine
• Department: Medieval Art
• Accession number: 1964.425

Collection credit

The Norweb Collection

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.