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Portrait of a Man (1789): Art, History and Details

Portrait of a Man at the Cleveland Museum of Art: 1789, watercolor on ivory in a gold and seed pearl frame. Explore the work's context, creator attribution and collection history.

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Portrait of a Man (1789; Cleveland 1943.651)
Cleveland Museum of Art; The Edward B. Greene Collection · CC0 1.0 / Public Domain

Portrait of a Man (1789) is in the Cleveland Museum of Art collection. The museum's creator attribution is John I Smart (British, 1741–1811).

The work and its context

The museum's open-access catalogue describes the work:

This unknown sitter has remarkably light blue eyes, a ruddy complexion, and powdered hair worn en queue. He wears a brown coat with a white cravat and waistcoat. The background is muddy brown. The miniature is housed in its original gold frame, which is set with genuine half pearls. This man was painted in 1789 when John Smart was working in Madras, India. He is probably a Madras civil servant or merchant. This work is typical of Smart’s portraits of nonmilitary gentlemen living in India. Two other miniatures also painted by Smart in India in 1789 show striking similarities: Portrait of the Hon. Basil Cochrane and Portrait of Benjamin Torin. Like the CMA sitter, both of these gentlemen are dressed in dark coats with brass buttons, nearly identical cravats, and waistcoats. They wear their hair en queue, and a dusting of powder is visible on their wide coat collars. In each portrait the sheen of the skin, particularly on the nose, cheeks, and temples, suggests perspiration, a quality thrown into greater relief by the dull brown backgrounds. Although all three men wear a pleasant facial expression and are styled nearly identically, their facial features are highly distinctive and bear testimony to Smart’s capacity to capture a sitter’s likeness even when his production was in many ways systematized.

Object facts

  • Title: Portrait of a Man
  • Date: 1789
  • Creator attribution: John I Smart (British, 1741–1811)
  • Culture: England, 18th century
  • Type: Portrait Miniature
  • Technique: watercolor on ivory in a gold and seed pearl frame
  • Dimensions: Framed: 7.1 x 5.5 cm (2 13/16 x 2 3/16 in.); Unframed: 6.2 x 4.5 cm (2 7/16 x 1 3/4 in.)
  • Collection: P - British before 1800
  • Department: European Painting and Sculpture
  • Accession number: 1943.651

A detail from the museum

This miniature is housed in its original gold frame set with real half pearls.

Collection credit

The Edward B. Greene Collection

Further reading listed by the museum

  • International Exhibition of Miniatures, Albertina, Vienna, (1924).
  • Cleveland Museum of Art. Portrait Miniatures: The Edward B. Greene Collection. Cleveland, OH: The Cleveland Museum of Art, 1951.
  • Comstock, Helen. "The Edward B. Greene Collection on Miniatures." The Connoisseur 128 (October 1951): 138-140.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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