Reverberations of Taiga, Volume 1 (leaf 19) (mid- to late 1700s): Art, History and Details
Reverberations of Taiga, Volume 1 (leaf 19) at the Cleveland Museum of Art: mid- to late 1700s, double-leaf from a pair of albums; ink and light color on paper. Explore the work's context, creator attribution and collection history.

Reverberations of Taiga, Volume 1 (leaf 19) (mid- to late 1700s) is in the Cleveland Museum of Art collection. The museum's creator attribution is Aoki Shukuya (Japanese, d. 1802).
The work and its context
The museum's open-access catalogue describes the work:
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Object facts
- Title: Reverberations of Taiga, Volume 1 (leaf 19)
- Date: mid- to late 1700s
- Creator attribution: Aoki Shukuya (Japanese, d. 1802)
- Culture: Japan, Edo period (1615–1868)
- Type: Portfolio
- Technique: double-leaf from a pair of albums; ink and light color on paper
- Dimensions: Album, closed: 28.3 x 33 cm (11 1/8 x 13 in.)
- Collection: Japanese Art
- Department: Japanese Art
- Accession number: 1979.73.1.19
Collection credit
Andrew R. and Martha Holden Jennings Fund
Further reading listed by the museum
- Lee, Sherman E. “The Year in Review for 1979.” The Bulletin of the Cleveland Museum of Art 67, no. 3 (March 1980): 58–99.
- Graham, Patricia J. "Lifestyles of Scholar-Painters in Edo Japan." The Bulletin of the Cleveland Museum of Art 77, no. 7 (September 1990): 262–283.
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



