Stamnos (Mixing Jar) (about 450 BCE): Artwork and History
Stamnos (Mixing Jar) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Stamnos (Mixing Jar) (about 450 BCE) is in the Art Institute of Chicago collection. The museum lists its creator attribution as Attributed to the Chicago Painter Greek; Athens.
The work and its context
The Art Institute of Chicago describes the work:
This refined Athenian stamnos (pl. stamnoi) was used to mix water and wine. Also valued for its beauty, this red-figure vessel (so called because the figures remain the natural color of the clay) portrays either Greek women or maenads, female participants in rites celebrating Dionysos, the god of wine. But unlike the frenzied and whirling figures of other Greek vases, these women convey calm, even elegance. This tender serenity, coupled with a softer, somewhat freer form, is a hallmark of the artist (referred to as the Chicago Painter because of this vase) and has been used to identify other works by him, principally similar stamnoi. Working in the potters’ quarter of mid-fifth-century BC Athens, the painter was active during the construction of the Parthenon, the stylistic influence of which can be seen here. He worked closely with a master potter whose vases were individually shaped in a prescribed range of configurations. With refined designs that are gracefully adapted to its shape, this stamnos is a fine example of red-figure painting during the Classical era. It retains its original lid, a rarity among ancient vases.
Object facts
- Title: Stamnos (Mixing Jar)
- Date: about 450 BCE
- Artist attribution: Attributed to the Chicago Painter Greek; Athens
- Place of origin: Athens
- Medium: terracotta, red-figure
- Dimensions: 37 × 26 cm (14 5/8 × 10 1/4 in.); Diam.: 26 cm (10 1/4 in.)
- Type: Vessel
- Department: Arts of Greece, Rome, and Byzantium
- Reference number: 1889.22a-b
Collection credit
Gift of Philip D. Armour and Charles L. Hutchinson
View the original
Explore the artwork in the Art Institute's collection, including its image and the museum's current catalogue details.
The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.



