The Angel of the Ninth Sphere (from the Tarocchi, series A: Firmaments of the Universe, #49) (before 1467): Art, History and Details
The Angel of the Ninth Sphere (from the Tarocchi, series A: Firmaments of the Universe, #49) at the Cleveland Museum of Art: before 1467, engraving. Explore the work's context, creator attribution and collection history.

The Angel of the Ninth Sphere (from the Tarocchi, series A: Firmaments of the Universe, #49) (before 1467) is in the Cleveland Museum of Art collection. The museum's creator attribution is Master of the E-Series Tarocchi (Italian, active 1460s).
The work and its context
The museum's open-access catalogue describes the work:
This engraving is part of the Tarocchi group marked with the letter “A”, and named Firmaments of the Universe. This series comprises the seven planets from the classical astronomy (Moon, Mercury, Venus, Sun, Mars, Jupiter, Saturn) and the three celestial spheres that separate them from the Supreme Entity (Prima Causa) from which everything was originated. Here, Primo Mobile (Prime Mover or the Angel of the Ninth Sphere) is personified as a full-length angel, turned to left, and holding up a large sphere in its hands while only standing on its left foot. The Prime Mover corresponds to the ninth and last of the material spheres, beyond the region of the fixed starts. It was believed to be crystalline and invisible, as well as in direct contact with the First Cause—God himself—from which it takes its infinite speed. Thus, it is here shown as an empty disc held by an angel in a dancing pose.
Object facts
- Title: The Angel of the Ninth Sphere (from the Tarocchi, series A: Firmaments of the Universe, #49)
- Date: before 1467
- Creator attribution: Master of the E-Series Tarocchi (Italian, active 1460s)
- Culture: Italy, Ferrara, 15th century
- Type: Print
- Technique: engraving
- Collection: PR - Engraving
- Department: Prints
- Accession number: 1924.432.49
Collection credit
Dudley P. Allen Fund
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



