The Baptism of Christ (1500–05): Artwork and History
The Baptism of Christ at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Baptism of Christ (1500–05) is in the Art Institute of Chicago collection. The museum lists its creator attribution as Perugino (Pietro di Cristoforo Vannucci; Italian, 1445/46-1523).
The work and its context
The Art Institute of Chicago describes the work:
These four panels, together with another one depicting the Resurrection (Metropolitan Museum of Art, New York), once constituted a predella—a series of small pictures, often narrative scenes, forming the base of an altarpiece. These predella scenes depict moments when Jesus’s divine nature was revealed: at his birth, at his baptism, during his conversation at a well with a Samarian woman, at his res-urrection, and through his appearance to Mary Magdalene after his resurrection. The painting that once surmounted the predella as the focal point of the altarpiece has not been identified.
Object facts
- Title: The Baptism of Christ
- Date: 1500–05
- Artist attribution: Perugino (Pietro di Cristoforo Vannucci; Italian, 1445/46-1523)
- Place of origin: Italy
- Medium: Tempera on panel, transferred to canvas
- Dimensions: 27.3 × 46.4 cm (10 3/4 × 18 1/4 in.)
- Type: Painting
- Department: Painting and Sculpture of Europe
- Reference number: 1933.1023
Collection credit
Mr. and Mrs. Martin A. Ryerson Collection
View the original
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The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.



