The parrot addresses Khujasta at the beginning of the forty-second night, from a Tuti-nama (Tales of a Parrot) (c. 1560): Art, History and Details
The parrot addresses Khujasta at the beginning of the forty-second night, from a Tuti-nama (Tales of a Parrot) at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and

The parrot addresses Khujasta at the beginning of the forty-second night, from a Tuti-nama (Tales of a Parrot) (c. 1560) is in the Cleveland Museum of Art collection.
The work and its context
The museum's open-access catalogue describes the work:
As the sun sets on the forty-second night Khujasta reproaches Tuti, accusing him of keeping her away from her lover. Tuti responds by telling Khujasta a story about a merchant’s son who similarly received wise advice from a talking parrot. By the time the story ends, it is too late for Khujasta to visit her lover.
Object facts
- Title: The parrot addresses Khujasta at the beginning of the forty-second night, from a Tuti-nama (Tales of a Parrot)
- Date: c. 1560
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Type: Painting
- Technique: gum tempera, ink, and gold on paper
- Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 8.3 x 10.1 cm (3 1/4 x 4 in.)
- Collection: Indian Art
- Department: Indian and Southeast Asian Art
- Accession number: 1962.279.268.a
A detail from the museum
The carved door on the left appears to be made of wood.
Collection credit
Gift of Mrs. A. Dean Perry
Further reading listed by the museum
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



