The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot) (c. 1560): Art, History and Details
The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot) at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and

The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot) (c. 1560) is in the Cleveland Museum of Art collection.
The work and its context
The museum's open-access catalogue describes the work:
On the thirty-sixty of fifty-two nights, Khujasta stands before Tuti the talking parrot in a brightly patterned courtyard. In order to keep Khujasta from visiting her lover, Tuti begins to tell her the tragic story of the King of Zabul, who fell for a merchant’s daughter and ultimately died as a result of his unrequited love.
Object facts
- Title: The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot)
- Date: c. 1560
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Type: Painting
- Technique: gum tempera, ink, and gold on paper
- Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.2 x 10.2 cm (3 5/8 x 4 in.)
- Collection: Indian Art
- Department: Indian and Southeast Asian Art
- Accession number: 1962.279.237.a
A detail from the museum
Zabul is a city in southern Afghanistan.
Collection credit
Gift of Mrs. A. Dean Perry
Further reading listed by the museum
- Nakhshabī, Z̤iyāʼ al-Dīn, and Muhammed Ahmed Simsar. Tales of a Parrot = The Cleveland Museum of Art's Ṭūṭīnāma. Cleveland: The Museum, 1978.
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



