The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night (c. 156

The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night (c. 1560) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

The treacherous man knows that whoever eats the bird’s head will become a king; however, the woman’s son has already eaten it. Enraged, he demands that she cut off her son’s head and cook it for him. Maddened by love, the woman agrees. The son’s nurse learns of the woman’s terrible plan and flees with him to safety.

Object facts

• Title: The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night
• Date: c. 1560
• Culture: Mughal India, court of Akbar (reigned 1556–1605)
• Type: Painting
• Technique: gum tempera, ink, and gold on paper
• Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10.1 x 10 cm (4 x 3 15/16 in.)
• Collection: Indian Art
• Department: Indian and Southeast Asian Art
• Accession number: 1962.279.335.b

A detail from the museum

The cooked body of the seven-colored bird lies thrown on the tiled floor.

Collection credit

Gift of Mrs. A. Dean Perry

Further reading listed by the museum

• Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.