The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night (c. 1560): Art, History and Details
The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore the work's context, creator attribut

The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night (c. 1560) is in the Cleveland Museum of Art collection. The museum's creator attribution is Suraju (Indian).
The work and its context
The museum's open-access catalogue describes the work:
The deceitful handmaiden addresses the king, who sits against a golden floral backdrop. She appeals for the sixth time to have the young prince executed. In the lower register, the prince kneels with his hands bound, awaiting execution. The king’s vizier, dressed in orange, once again stalls the execution.
Object facts
- Title: The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
- Date: c. 1560
- Creator attribution: Suraju (Indian)
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Type: Painting
- Technique: gum tempera, ink, and gold on paper
- Dimensions: Painting only: 10.3 x 10.3 cm (4 1/16 x 4 1/16 in.); Overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.)
- Collection: Indian Art
- Department: Indian and Southeast Asian Art
- Accession number: 1962.279.69.b
A detail from the museum
Both the handmaiden and the vizier have been overpainted and repositioned.
Collection credit
Gift of Mrs. A. Dean Perry
Further reading listed by the museum
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
- Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318.
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



