The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night (c. 1560): Art, History and Details
The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explore th

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night (c. 1560) is in the Cleveland Museum of Art collection.
The work and its context
The museum's open-access catalogue describes the work:
After working together to revive the woman from her death-like illness, the three suitors resume their rivalry. The men brawl in the courtyard while she looks on from her chamber. Horrified by the behavior of her suitors, she renounces worldly matters, joins a temple, and devotes herself to serving god.
Object facts
- Title: The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night
- Date: c. 1560
- Culture: Mughal India, court of Akbar (reigned 1556–1605)
- Type: Painting
- Technique: gum tempera, ink, and gold on paper
- Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.8 x 10 cm (3 1/16 x 3 15/16 in.)
- Collection: Indian Art
- Department: Indian and Southeast Asian Art
- Accession number: 1962.279.147.a
A detail from the museum
When the daughter joins the temple, she will shave her head and don woolen clothing.
Collection credit
Gift of Mrs. A. Dean Perry
Further reading listed by the museum
- Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
- Nakhshabī, Z̤iyāʼ al-Dīn, and Muhammed Ahmed Simsar. Tales of a Parrot = The Cleveland Museum of Art's Ṭūṭīnāma. Cleveland: The Museum, 1978.
- Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318.
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



