Trophy Cup (1792–93): Art, History and Details

Trophy Cup (1792–93) is in the Cleveland Museum of Art collection. The museum's creator attribution is Peter Bateman (British, 1740–1825); Anne Bateman (British, 1748–1813).

The work and its context

The museum's open-access catalogue describes the work:

Silver fulfilled a prominent role in projecting wealth, status, power, and ritual in British life during the 1600s and 1700s. Elaborate forms such as this trophy, with its swags of flowers, neoclassical rosettes, and acanthus spears, not only represented wealth in its sheer silver weight but also provided royal and aristocratic owners a surface for displaying engraved coats of arms. Engraved on one side of this trophy cup can be found the arms of Robert Grosvenor (1767–1845), the first Marquess of Westminster, and Lady Eleanor Egerton (1770–1846), whom he married in 1794, a year after the trophy’s completion. The other side depicts preparations for a horserace, the most culturally significant leisure activity enjoyed by aristocratic families in the 1700s. Grosvenor owned a number of famous horses and was likely awarded this trophy following a successful race.

Object facts

• Title: Trophy Cup
• Date: 1792–93
• Creator attribution: Peter Bateman (British, 1740–1825); Anne Bateman (British, 1748–1813)
• Culture: England, 18th century
• Type: Silver
• Technique: silver gilt
• Dimensions: Overall: 59.7 x 40 cm (23 1/2 x 15 3/4 in.)
• Collection: Decorative Arts
• Department: Decorative Art and Design
• Accession number: 1968.30.a

A detail from the museum

This trophy cup has a lid. See cover record.

Collection credit

Anonymous gift in memory of Margaret Quayle Kerruish; the Thomas S. Grasselli Memorial Collection, and various donors by exchange

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.