Votive initiation card (tsakali) with preaching Buddha Shakyamuni (1000s): Art, History and Details

Votive initiation card (tsakali) with preaching Buddha Shakyamuni (1000s) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

Buddhism was introduced to Tibet in the 7th century, but the persecution that followed in the 9th and 10th centuries destroyed all artifacts of the period. Consequently the earliest existing Buddhist art from Tibet dates to the 11th and 12th centuries, the so-called period of the Second Diffusion of Buddhism, yet few 11th- or 12th-century paintings survive. This miniature painting is one of these rare paintings. Not a manuscript illustration, it was conceived as a separate votive painting, a so-called tsa-kali. It was recovered from the Tholing Monastery, which was founded by Rinchensangpo (958-1055), the famous translator of Buddhist scriptures, who acted on the order of Yesheö, the king of Guge. Yesheö was also the father of "Lhatsun Nagaraja" (active 998-1026) whose name is inscribed on the museum's early Himalayan bronze statue of a Standing Buddha (1966.30)—one of the most important and beautiful Himalayan bronzes to survive. The museum's collection includes another important sculpture from the western Himalayas: the colorful wooden sculpture of a Seated Buddha (1986.6). The two sculptures date from the 11th century and provide a meaningful comparison with this painting, which replicates their style.

Object facts

• Title: Votive initiation card (tsakali) with preaching Buddha Shakyamuni
• Date: 1000s
• Culture: Western Tibet, Tholing Monastery
• Type: Painting
• Technique: Gum tempera, ink, and gold on paper
• Dimensions: Overall: 11.6 x 10.7 cm (4 9/16 x 4 3/16 in.)
• Collection: Tibetan Art
• Department: Indian and Southeast Asian Art
• Accession number: 2000.67

Collection credit

John L. Severance Fund

Further reading listed by the museum

• Cleveland Museum of Art, “Recent Acquisitions Press Release,” October 6, 2000, Cleveland Museum of Art Archives.
• Sims, Lowery Stokes. The persistence of geometry: form, content, and culture in the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2006.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.