Portrait of a Man (c. 1790): Art, History and Details
Portrait of a Man at the Cleveland Museum of Art: c. 1790, watercolor on ivory in a gold frame with blue and white enamel. Explore the work's context, creator attribution and collection history.
Art & Design archive — Page 112
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Portrait of the Hon. Anne Annesley, later Countess of Mountnorris (c. 1800): Art, History and Details
Portrait of the Hon. Anne Annesley, later Countess of Mountnorris at the Cleveland Museum of Art: c. 1800, watercolor on ivory in a gold frame. Explore the work's context, creator attribution and collection history.
Portrait of a Woman at a Harpsichord (c. 1788): Art, History and Details
Portrait of a Woman at a Harpsichord at the Cleveland Museum of Art: c. 1788, watercolor on ivory in a 19th-century stamped gold and gilt metal frame. Explore the work's context, creator attribution and collection history.
Portrait of Sir Thomas Baring, 2nd Baronet (1803): Art, History and Details
Portrait of Sir Thomas Baring, 2nd Baronet at the Cleveland Museum of Art: 1803, watercolor on ivory in a gilt metal frame with plaited brown hair in glazed reserve on back. Explore the work's context, creator attribution and collection his
Portrait of Ivan Grigorevich, Count Chernyshev (c. 1785): Art, History and Details
Portrait of Ivan Grigorevich, Count Chernyshev at the Cleveland Museum of Art: c. 1785, watercolor on ivory in a later gilt metal and enamel frame. Explore the work's context, creator attribution and collection history.
Portrait of Lady Grace Anna Newenham (1784): Art, History and Details
Portrait of Lady Grace Anna Newenham at the Cleveland Museum of Art: 1784, watercolor on ivory. Explore the work's context, creator attribution and collection history.
Portrait of Susan Coren Towers (1796): Art, History and Details
Portrait of Susan Coren Towers at the Cleveland Museum of Art: 1796, watercolor on ivory. Explore the work's context, creator attribution and collection history.
Portrait of a Woman (c. 1670): Art, History and Details
Portrait of a Woman at the Cleveland Museum of Art: c. 1670, enamel in a silver gilt frame. Explore the work's context, creator attribution and collection history.
Portrait of a Young Man (c. 1805): Art, History and Details
Portrait of a Young Man at the Cleveland Museum of Art: c. 1805, watercolor on ivory in original gold frame. Explore the work's context, creator attribution and collection history.
Portrait of Arthur Wellesley, later 1st Duke of Wellington (c. 1806–7): Art, History and Details
Portrait of Arthur Wellesley, later 1st Duke of Wellington at the Cleveland Museum of Art: c. 1806–7, watercolor on ivory in a gilt wood frame. Explore the work's context, creator attribution and collection history.
Portrait of Mrs. Nathaniel Bailey, née Lamack (c. 1776): Art, History and Details
Portrait of Mrs. Nathaniel Bailey, née Lamack at the Cleveland Museum of Art: c. 1776, graphite and wash on laid paper in a modern gold frame. Explore the work's context, creator attribution and collection history.
Portrait of Lieutenant General Daniel Burr (1799): Art, History and Details
Portrait of Lieutenant General Daniel Burr at the Cleveland Museum of Art: 1799, watercolor on ivory in a gold frame with glazed hair reverse. Explore the work's context, creator attribution and collection history.
Portrait of an Officer (c. 1794): Art, History and Details
Portrait of an Officer at the Cleveland Museum of Art: c. 1794, watercolor on ivory in a contemporary gold frame with plain back. Explore the work's context, creator attribution and collection history.
Portrait of Sandford Peacocke (1801): Art, History and Details
Portrait of Sandford Peacocke at the Cleveland Museum of Art: 1801, watercolor on ivory in a gold frame with glazed reverse. Explore the work's context, creator attribution and collection history.
Madonna and Child with Saints Catherine and John the Baptist (c. 1340–50): Art, History and Details
Madonna and Child with Saints Catherine and John the Baptist at the Cleveland Museum of Art: c. 1340–50, marble with traces of polychromy and gilding. Explore the work's context, creator attribution and collection history.
The Army of the Potomac - A Sharpshooter on Picket Duty (1862): Art, History and Details
The Army of the Potomac - A Sharpshooter on Picket Duty at the Cleveland Museum of Art: 1862, wood engraving. Explore the work's context, creator attribution and collection history.
Fire-Works on the Night of the Fourth of July (1868): Art, History and Details
Fire-Works on the Night of the Fourth of July at the Cleveland Museum of Art: 1868, wood engraving. Explore the work's context, creator attribution and collection history.
Leaf from a Lectionary with St. Luke (1057–1063): Art, History and Details
Leaf from a Lectionary with St. Luke at the Cleveland Museum of Art: 1057–1063, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Lectionary with St. Matthew (1057–1063): Art, History and Details
Leaf from a Lectionary with St. Matthew at the Cleveland Museum of Art: 1057–1063, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Metz) (c. 1440): Art, History and Details
Book of Hours (Use of Metz) at the Cleveland Museum of Art: c. 1440, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Metz): Fol. 26v, Virgin and Child (c. 1440): Art, History and Details
Book of Hours (Use of Metz): Fol. 26v, Virgin and Child at the Cleveland Museum of Art: c. 1440, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Metz): Fol. 27r, Decorated Initials (c. 1440): Art, History and Details
Book of Hours (Use of Metz): Fol. 27r, Decorated Initials at the Cleveland Museum of Art: c. 1440, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Splendid View at Futamigaura Bay (1854): Art, History and Details
Splendid View at Futamigaura Bay at the Cleveland Museum of Art: 1854, Triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.
Splendid View at Futamigaura Bay (1854): Art, History and Details
Splendid View at Futamigaura Bay at the Cleveland Museum of Art: 1854, Left print from a triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.
Splendid View at Futamigaura Bay (1854): Art, History and Details
Splendid View at Futamigaura Bay at the Cleveland Museum of Art: 1854, Center print from a triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.
Splendid View at Futamigaura Bay (1854): Art, History and Details
Splendid View at Futamigaura Bay at the Cleveland Museum of Art: 1854, Right print from a triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.
Tsukasa and Other Courtesans of the Ogiya Watching the Autumn Moon Rise Over Rice Fields from a Balcony in the Yoshiwara (1799): Art, History and Details
Tsukasa and Other Courtesans of the Ogiya Watching the Autumn Moon Rise Over Rice Fields from a Balcony in the Yoshiwara at the Cleveland Museum of Art: 1799, Surimono; color woodblock print. Explore the work's context, creator attribution
Basket of Peonies (1810 or 1814): Art, History and Details
Basket of Peonies at the Cleveland Museum of Art: 1810 or 1814, color woodblock print; surimono. Explore the work's context, creator attribution and collection history.
Mount Haruna in Kozuke Province (c. 1830s): Art, History and Details
Mount Haruna in Kozuke Province at the Cleveland Museum of Art: c. 1830s, color woodblock print. Explore the work's context, creator attribution and collection history.
Pair of Pharmacy Bottles (c. 1500–1510): Art, History and Details
Pair of Pharmacy Bottles at the Cleveland Museum of Art: c. 1500–1510, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Pharmacy Bottle (c. 1500–1510): Art, History and Details
Pharmacy Bottle at the Cleveland Museum of Art: c. 1500–1510, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Pharmacy Bottle (c. 1500–1510): Art, History and Details
Pharmacy Bottle at the Cleveland Museum of Art: c. 1500–1510, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Two-Handled "Oak Leaf" Drug Jar with Male and Female Portraits (1431): Art, History and Details
Two-Handled "Oak Leaf" Drug Jar with Male and Female Portraits at the Cleveland Museum of Art: 1431, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Plate Depicting Christ’s Passion (c. 1510): Art, History and Details
Plate Depicting Christ’s Passion at the Cleveland Museum of Art: c. 1510, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Charger with Arms of the Vigeri Family (1524): Art, History and Details
Charger with Arms of the Vigeri Family at the Cleveland Museum of Art: 1524, tin-glazed earthenware with gold and red lustre (maiolica). Explore the work's context, creator attribution and collection history.
Six-Color Chasuble Front with Animal Pattern (1415–25): Art, History and Details
Six-Color Chasuble Front with Animal Pattern at the Cleveland Museum of Art: 1415–25, Silk, polychrome velvet with cut pile. Explore the work's context, creator attribution and collection history.
Four-color Velvet with Medici Armorial in Rosettes (1450–1500): Art, History and Details
Four-color Velvet with Medici Armorial in Rosettes at the Cleveland Museum of Art: 1450–1500, silk, velvet: cut pile and voided. Explore the work's context, creator attribution and collection history.
Mule-Head Attachment for a Couch (200–100 BCE): Art, History and Details
Mule-Head Attachment for a Couch at the Cleveland Museum of Art: 200–100 BCE, bronze. Explore the work's context, creator attribution and collection history.
Well Head (1400s): Art, History and Details
Well Head at the Cleveland Museum of Art: 1400s, pink limestone (called "Verona Marble"). Explore the work's context, creator attribution and collection history.
Darning Sampler (c. 1880): Art, History and Details
Darning Sampler at the Cleveland Museum of Art: c. 1880, Silk on linen, embroidery. Explore the work's context, creator attribution and collection history.