Net Worth →

Art & Design archive — Page 18

Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →

Christ Crowned with Thorns, from The Small Passion (1624/31; Art Institute 1923.226)

Christ Crowned with Thorns, from The Small Passion (1624/31): Artwork and History

Christ Crowned with Thorns, from The Small Passion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Presentation to the People, from The Small Passion (1624/31; Art Institute 1923.227)

The Presentation to the People, from The Small Passion (1624/31): Artwork and History

The Presentation to the People, from The Small Passion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Christ Carrying the Cross, from The Small Passion (1624/31; Art Institute 1923.228)

Christ Carrying the Cross, from The Small Passion (1624/31): Artwork and History

Christ Carrying the Cross, from The Small Passion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Crucifixion, from The Small Passion (1624/31; Art Institute 1923.229)

The Crucifixion, from The Small Passion (1624/31): Artwork and History

The Crucifixion, from The Small Passion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Jesus is Pierced with a Lance, from The Small Passion (1624/31; Art Institute 1923.230)

Jesus is Pierced with a Lance, from The Small Passion (1624/31): Artwork and History

Jesus is Pierced with a Lance, from The Small Passion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Altar Cross (c. 1325; foot: 15th century; Art Institute 1931.263)

Altar Cross (c. 1325; foot: 15th century): Artwork and History

Altar Cross at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Te burao (The Hibiscus Tree) (1892; Art Institute 1923.308)

Te burao (The Hibiscus Tree) (1892): Artwork and History

Te burao (The Hibiscus Tree) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Plate (1780–1820; Art Institute 1923.313)

Plate (1780–1820): Artwork and History

Plate at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Elector John Frederick the Magnanimous of Saxony (1543; Art Institute 1923.323)

Elector John Frederick the Magnanimous of Saxony (1543): Artwork and History

Elector John Frederick the Magnanimous of Saxony at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Tureen and Stand (1773/74; Art Institute 1958.510a-d)

Tureen and Stand (1773/74): Artwork and History

Tureen and Stand at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Stag Hunt, from Pastoral Hunting Scenes (c. 1775; Art Institute 1958.523)

The Stag Hunt, from Pastoral Hunting Scenes (c. 1775): Artwork and History

The Stag Hunt, from Pastoral Hunting Scenes at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Saint Anne and Saint Joachim Offering the Virgin Mary as a Child to the Eternal Father (c. 1759; Art Institute 1958.550)

Saint Anne and Saint Joachim Offering the Virgin Mary as a Child to the Eternal Father (c. 1759): Artwork and History

Saint Anne and Saint Joachim Offering the Virgin Mary as a Child to the Eternal Father at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Monkey Painter (1743; Art Institute 1958.551)

The Monkey Painter (1743): Artwork and History

The Monkey Painter at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Monkey Antiquarian (1743; Art Institute 1958.552)

The Monkey Antiquarian (1743): Artwork and History

The Monkey Antiquarian at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Sibyl and a Child Bearing a Torch (1520-40; Art Institute 1958.559)

The Sibyl and a Child Bearing a Torch (1520-40): Artwork and History

The Sibyl and a Child Bearing a Torch at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Tile Window Grille (Timurid dynasty (1370-1507), 15th century; Art Institute 1931.468)

Tile Window Grille (Timurid dynasty (1370-1507), 15th century): Artwork and History

Tile Window Grille at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Finger Ring with Frog (c. 1353–1337 BCE; Cleveland 1916.658)

Finger Ring with Frog (c. 1353–1337 BCE): Art, History and Details

Finger Ring with Frog at the Cleveland Museum of Art: c. 1353–1337 BCE, gold. Explore the work's context, creator attribution and collection history.

Broad Collar (1900–1916; Cleveland 1916.660)

Broad Collar (1900–1916): Art, History and Details

Broad Collar at the Cleveland Museum of Art: 1900–1916, faience, glass, and stone, modern stringing. Explore the work's context, creator attribution and collection history.

Powder Flask (c. 1590; Cleveland 1916.666)

Powder Flask (c. 1590): Art, History and Details

Powder Flask at the Cleveland Museum of Art: c. 1590, gilt brass over fabric covered wood. Explore the work's context, creator attribution and collection history.

Wheel-Lock Hunting Pistol (1578; Cleveland 1916.672)

Wheel-Lock Hunting Pistol (1578): Art, History and Details

Wheel-Lock Hunting Pistol at the Cleveland Museum of Art: 1578, steel, walnut stock with engraved stag horn; ball butt. Explore the work's context, creator attribution and collection history.

Powder Flask (c. 1550–1580; Cleveland 1916.676)

Powder Flask (c. 1550–1580): Art, History and Details

Powder Flask at the Cleveland Museum of Art: c. 1550–1580, staghorn (two branches) with carved relief scene of the Judgement of Paris, mounts missing. Explore the work's context, creator attribution and collection history.

Gothic Breastplate (c. 1540; Cleveland 1916.684)

Gothic Breastplate (c. 1540): Art, History and Details

Gothic Breastplate at the Cleveland Museum of Art: c. 1540, steel. Explore the work's context, creator attribution and collection history.

Estoc (early 1500s; Cleveland 1916.686)

Estoc (early 1500s): Art, History and Details

Estoc at the Cleveland Museum of Art: early 1500s, steel, wood and leather. Explore the work's context, creator attribution and collection history.

Schiavona Broadsword (early 1700s; Cleveland 1916.693)

Schiavona Broadsword (early 1700s): Art, History and Details

Schiavona Broadsword at the Cleveland Museum of Art: early 1700s, steel, leather, wood, brass. Explore the work's context, creator attribution and collection history.

Rapier (c.1625–50; Cleveland 1916.695)

Rapier (c.1625–50): Art, History and Details

Rapier at the Cleveland Museum of Art: c.1625–50, steel; hilt russeted; wire grip. Explore the work's context, creator attribution and collection history.

Basket-Hilt Broadsword ("Mortuary Sword") (hilt: c. 1640–50; blade: 1700s; Cleveland 1916.696)

Basket-Hilt Broadsword ("Mortuary Sword") (hilt: c. 1640–50; blade: 1700s): Art, History and Details

Basket-Hilt Broadsword ("Mortuary Sword") at the Cleveland Museum of Art: hilt: c. 1640–50; blade: 1700s, steel, chiseled; inlaid gilt- silver foil; wood and wire grip. Explore the work's context, creator attribution and collection history.

Rapier (c. 1620–30; Cleveland 1916.697)

Rapier (c. 1620–30): Art, History and Details

Rapier at the Cleveland Museum of Art: c. 1620–30, steel, blued and gilded. Explore the work's context, creator attribution and collection history.

Schiavona Broadsword (1700s; Cleveland 1916.698)

Schiavona Broadsword (1700s): Art, History and Details

Schiavona Broadsword at the Cleveland Museum of Art: 1700s, steel, brass, leather and wood. Explore the work's context, creator attribution and collection history.

Left-Handed Dagger or "Main Gauche" (c. 1650; Cleveland 1916.699)

Left-Handed Dagger or "Main Gauche" (c. 1650): Art, History and Details

Left-Handed Dagger or "Main Gauche" at the Cleveland Museum of Art: c. 1650, steel, pierced and chiseled. Explore the work's context, creator attribution and collection history.

Parade Sword (c. 1500–1525; Cleveland 1916.704)

Parade Sword (c. 1500–1525): Art, History and Details

Parade Sword at the Cleveland Museum of Art: c. 1500–1525, steel, etched and gilded. Explore the work's context, creator attribution and collection history.

Schiavona Broadsword (early 1700s; Cleveland 1916.705)

Schiavona Broadsword (early 1700s): Art, History and Details

Schiavona Broadsword at the Cleveland Museum of Art: early 1700s, steel and silver wire grip. silver pommel. Explore the work's context, creator attribution and collection history.

Cup-Hilted Rapier (c.1610–30; Cleveland 1916.706)

Cup-Hilted Rapier (c.1610–30): Art, History and Details

Cup-Hilted Rapier at the Cleveland Museum of Art: c.1610–30, steel, pierced, chased and chiseled; wire ferrules on leather-covered wood grip. Explore the work's context, creator attribution and collection history.

Left Arm Elements from a Boy's Armor (Lower Cannon, Couter, Rerebrace) (c. 1560 (some modern); Cleveland 1916.708)

Left Arm Elements from a Boy's Armor (Lower Cannon, Couter, Rerebrace) (c. 1560 (some modern)): Art, History and Details

Left Arm Elements from a Boy's Armor (Lower Cannon, Couter, Rerebrace) at the Cleveland Museum of Art: c. 1560 (some modern), etched and lightly embossed steel with traces of gilding, leather. Explore the work's context, creator attribution

Sword (Kalis or Sundang) (before 1916; Cleveland 1916.715)

Sword (Kalis or Sundang) (before 1916): Art, History and Details

Sword (Kalis or Sundang) at the Cleveland Museum of Art: before 1916, Metal blade with ivory pommel and cord-wound grip. Explore the work's context, creator attribution and collection history.

Dagger (Gwálaa) (late 1800s–early 1900s; Cleveland 1916.719)

Dagger (Gwálaa) (late 1800s–early 1900s): Art, History and Details

Dagger (Gwálaa) at the Cleveland Museum of Art: late 1800s–early 1900s, Metal, shell, leather, fiber, ivory or horn. Explore the work's context, creator attribution and collection history.

Dagger (Gwálaa) (late 1800s–early 1900s; Cleveland 1916.720)

Dagger (Gwálaa) (late 1800s–early 1900s): Art, History and Details

Dagger (Gwálaa) at the Cleveland Museum of Art: late 1800s–early 1900s, ivory, fiber, leather, metal (steel), shell. Explore the work's context, creator attribution and collection history.

Beauty Beneath a Willow Tree (Edo period, c. 1780; Art Institute 1931.483)

Beauty Beneath a Willow Tree (Edo period, c. 1780): Artwork and History

Beauty Beneath a Willow Tree at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Capture of Samson (1609–10; Art Institute 1923.551)

The Capture of Samson (1609–10): Artwork and History

The Capture of Samson at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy (1894; Art Institute 1931.501)

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy (1894): Artwork and History

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Beggar with Oysters (Philosopher) (1865–67; Art Institute 1931.504)

Beggar with Oysters (Philosopher) (1865–67): Artwork and History

Beggar with Oysters (Philosopher) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.