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Art & Design archive — Page 339

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A Night Scene of Shiva Puja (recto) (c. 1760–70; Cleveland 2013.350.a)

A Night Scene of Shiva Puja (recto) (c. 1760–70): Art, History and Details

A Night Scene of Shiva Puja (recto) at the Cleveland Museum of Art: c. 1760–70, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Women enjoying the river at the forest’s edge (recto) and flowering marigold (verso) (c. 1765; Cleveland 2013.351)

Women enjoying the river at the forest’s edge (recto) and flowering marigold (verso) (c. 1765): Art, History and Details

Women enjoying the river at the forest’s edge (recto) and flowering marigold (verso) at the Cleveland Museum of Art: c. 1765, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Women Enjoying the River at the Forest’s Edge (recto) (c. 1765; Cleveland 2013.351.a)

Women Enjoying the River at the Forest’s Edge (recto) (c. 1765): Art, History and Details

Women Enjoying the River at the Forest’s Edge (recto) at the Cleveland Museum of Art: c. 1765, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Flowering Marigold (verso) (c. 1765; Cleveland 2013.351.b)

Flowering Marigold (verso) (c. 1765): Art, History and Details

Flowering Marigold (verso) at the Cleveland Museum of Art: c. 1765, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Radha and Krishna meet in the forest during a storm (c. 1770; Cleveland 2013.352)

Radha and Krishna meet in the forest during a storm (c. 1770): Art, History and Details

Radha and Krishna meet in the forest during a storm at the Cleveland Museum of Art: c. 1770, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Vase with flower arrangement and scrollwork (c. 1750–1800; Cleveland 2013.354)

Vase with flower arrangement and scrollwork (c. 1750–1800): Art, History and Details

Vase with flower arrangement and scrollwork at the Cleveland Museum of Art: c. 1750–1800, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Sheriff of Pecos (1931–32; Cleveland 2013.357)

Sheriff of Pecos (1931–32): Art, History and Details

Sheriff of Pecos at the Cleveland Museum of Art: 1931–32, ceramic. Explore the work's context, creator attribution and collection history.

Nanda Solves Vasudeva’s Dilemma, from a Bhagavata Purana (c. 1610; Cleveland 2013.365)

Nanda Solves Vasudeva’s Dilemma, from a Bhagavata Purana (c. 1610): Art, History and Details

Nanda Solves Vasudeva’s Dilemma, from a Bhagavata Purana at the Cleveland Museum of Art: c. 1610, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Mask (wan-balinga) (early 1900s; Cleveland 2014.1)

Mask (wan-balinga) (early 1900s): Art, History and Details

Mask (wan-balinga) at the Cleveland Museum of Art: early 1900s, Wood and paint. Explore the work's context, creator attribution and collection history.

Landscape with Figure and Houses (c. 1891; Cleveland 2014.2)

Landscape with Figure and Houses (c. 1891): Art, History and Details

Landscape with Figure and Houses at the Cleveland Museum of Art: c. 1891, pastel on brown wove paper. Explore the work's context, creator attribution and collection history.

Vale of Kashmir (1867; Cleveland 2014.12)

Vale of Kashmir (1867): Art, History and Details

Vale of Kashmir at the Cleveland Museum of Art: 1867, oil on canvas. Explore the work's context, creator attribution and collection history.

Embroidered Armenian liturgical curtain (1763; Cleveland 2014.13)

Embroidered Armenian liturgical curtain (1763): Art, History and Details

Embroidered Armenian liturgical curtain at the Cleveland Museum of Art: 1763, twill weave: wool; embroidery, chain stitch: silk, gilt- and silver-metal thread. Explore the work's context, creator attribution and collection history.

They Spin Finely, Plate 44 (1799; Cleveland 2014.15)

They Spin Finely, Plate 44 (1799): Art, History and Details

They Spin Finely, Plate 44 at the Cleveland Museum of Art: 1799, Etching, aquatint, drypoint, and engraving printed in sepia. Explore the work's context, creator attribution and collection history.

Chintz door curtain (1800s; Cleveland 2014.20)

Chintz door curtain (1800s): Art, History and Details

Chintz door curtain at the Cleveland Museum of Art: 1800s, Cotton: plain weave; chintz; hand drawing and block printing: bleach, mordant, and dye. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto) and Text (verso) (c. 1415; Cleveland 2014.21)

Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto) and Text (verso) (c. 1415): Art, History and Details

Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto) and Text (verso) at the Cleveland Museum of Art: c. 1415, ink, tempera, silver, and gold on vellum. Explore the work's context, creator attribution and

Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto) (c. 1415; Cleveland 2014.21.a)

Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto) (c. 1415): Art, History and Details

Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto) at the Cleveland Museum of Art: c. 1415, ink, tempera, silver, and gold on vellum. Explore the work's context, creator attribution and collection histo

Leaf from a Book of Hours: Text (verso) (c. 1415; Cleveland 2014.21.b)

Leaf from a Book of Hours: Text (verso) (c. 1415): Art, History and Details

Leaf from a Book of Hours: Text (verso) at the Cleveland Museum of Art: c. 1415, ink, tempera, silver, and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso) (c. 1410–20; Cleveland 2014.22)

Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso) (c. 1410–20): Art, History and Details

Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso) at the Cleveland Museum of Art: c. 1410–20, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Annunciation to the Shepherds (recto) (c. 1410–20; Cleveland 2014.22.a)

Leaf from a Book of Hours: Annunciation to the Shepherds (recto) (c. 1410–20): Art, History and Details

Leaf from a Book of Hours: Annunciation to the Shepherds (recto) at the Cleveland Museum of Art: c. 1410–20, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Text (verso) (c. 1410–20; Cleveland 2014.22.b)

Leaf from a Book of Hours: Text (verso) (c. 1410–20): Art, History and Details

Leaf from a Book of Hours: Text (verso) at the Cleveland Museum of Art: c. 1410–20, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: The Nativity (recto) and Text (verso) (c. 1430; Cleveland 2014.23)

Leaf from a Book of Hours: The Nativity (recto) and Text (verso) (c. 1430): Art, History and Details

Leaf from a Book of Hours: The Nativity (recto) and Text (verso) at the Cleveland Museum of Art: c. 1430, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: The Nativity (recto) (c. 1430; Cleveland 2014.23.a)

Leaf from a Book of Hours: The Nativity (recto) (c. 1430): Art, History and Details

Leaf from a Book of Hours: The Nativity (recto) at the Cleveland Museum of Art: c. 1430, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Text (verso) (c. 1430; Cleveland 2014.23.b)

Leaf from a Book of Hours: Text (verso) (c. 1430): Art, History and Details

Leaf from a Book of Hours: Text (verso) at the Cleveland Museum of Art: c. 1430, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: The Annunciation (1470s; Cleveland 2014.24)

Leaf from a Book of Hours: The Annunciation (1470s): Art, History and Details

Leaf from a Book of Hours: The Annunciation at the Cleveland Museum of Art: 1470s, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: The Annunciation (recto) (1470s; Cleveland 2014.24.a)

Leaf from a Book of Hours: The Annunciation (recto) (1470s): Art, History and Details

Leaf from a Book of Hours: The Annunciation (recto) at the Cleveland Museum of Art: 1470s, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Blank (verso) (1470s; Cleveland 2014.24.b)

Leaf from a Book of Hours: Blank (verso) (1470s): Art, History and Details

Leaf from a Book of Hours: Blank (verso) at the Cleveland Museum of Art: 1470s, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from an Antiphonary: Initial H with the Nativity (recto) and Text (verso) (c. 1480; Cleveland 2014.25)

Leaf from an Antiphonary: Initial H with the Nativity (recto) and Text (verso) (c. 1480): Art, History and Details

Leaf from an Antiphonary: Initial H with the Nativity (recto) and Text (verso) at the Cleveland Museum of Art: c. 1480, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from an Antiphonary: Initial H with the Nativity (recto) (c. 1480; Cleveland 2014.25.a)

Leaf from an Antiphonary: Initial H with the Nativity (recto) (c. 1480): Art, History and Details

Leaf from an Antiphonary: Initial H with the Nativity (recto) at the Cleveland Museum of Art: c. 1480, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Inventor of Greek Figures, Plate 10 (1771; Cleveland 2014.6.11)

Inventor of Greek Figures, Plate 10 (1771): Art, History and Details

Inventor of Greek Figures, Plate 10 at the Cleveland Museum of Art: 1771, etching with stipple and engraving. Explore the work's context, creator attribution and collection history.

Mascarade à la Grecque: Title Page, Plate 1 (1771; Cleveland 2014.6.2)

Mascarade à la Grecque: Title Page, Plate 1 (1771): Art, History and Details

Mascarade à la Grecque: Title Page, Plate 1 at the Cleveland Museum of Art: 1771, etching. Explore the work's context, creator attribution and collection history.

Leaf from an Antiphonary: Text (verso) (c. 1480; Cleveland 2014.25.b)

Leaf from an Antiphonary: Text (verso) (c. 1480): Art, History and Details

Leaf from an Antiphonary: Text (verso) at the Cleveland Museum of Art: c. 1480, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

The Life of Buckingham (c. 1855; Cleveland 2014.373)

The Life of Buckingham (c. 1855): Art, History and Details

The Life of Buckingham at the Cleveland Museum of Art: c. 1855, oil on board. Explore the work's context, creator attribution and collection history.

Sea Lion Pup Vessel (200–850 CE; Cleveland 2014.375)

Sea Lion Pup Vessel (200–850 CE): Art, History and Details

Sea Lion Pup Vessel at the Cleveland Museum of Art: 200–850 CE, ceramic and slip. Explore the work's context, creator attribution and collection history.

Royal Round Tent Made for Muhammad Shah (1834–48; Cleveland 2014.388)

Royal Round Tent Made for Muhammad Shah (1834–48): Art, History and Details

Royal Round Tent Made for Muhammad Shah at the Cleveland Museum of Art: 1834–48, Interior: wool: plain weave, inlaid work; silk: embroidery, chain stitch; tape, leather; Exterior: cotton, wool: plain weave; rope, iron ring. Explore the work

Royal Round Tent made for Muhammad Shah (Roof) (1834–48; Cleveland 2014.388.1)

Royal Round Tent made for Muhammad Shah (Roof) (1834–48): Art, History and Details

Royal Round Tent made for Muhammad Shah (Roof) at the Cleveland Museum of Art: 1834–48, Interior: wool: plain weave, inlaid work; silk: embroidery, chain stitch; tape, leather; Exterior: cotton, wool: plain weave; rope, iron ring. Explore t

Royal Round Tent made for Muhammad Shah (wall panel with three design units) (1834–48; Cleveland 2014.388.2)

Royal Round Tent made for Muhammad Shah (wall panel with three design units) (1834–48): Art, History and Details

Royal Round Tent made for Muhammad Shah (wall panel with three design units) at the Cleveland Museum of Art: 1834–48, Interior: wool: plain weave, inlaid work; silk: embroidery, chain stitch; tape, leather; Exterior: cotton, wool: plain wea

Royal Round Tent made for Muhammad Shah (wall panel with one design unit) (1834–48; Cleveland 2014.388.3)

Royal Round Tent made for Muhammad Shah (wall panel with one design unit) (1834–48): Art, History and Details

Royal Round Tent made for Muhammad Shah (wall panel with one design unit) at the Cleveland Museum of Art: 1834–48, Interior: wool: plain weave, inlaid work; silk: embroidery, chain stitch; tape, leather; Exterior: cotton, wool: plain weave;

Royal Round Tent made for Muhammad Shah (wall panel with three design units) (1834–48; Cleveland 2014.388.4)

Royal Round Tent made for Muhammad Shah (wall panel with three design units) (1834–48): Art, History and Details

Royal Round Tent made for Muhammad Shah (wall panel with three design units) at the Cleveland Museum of Art: 1834–48, Wool with silk embroidery (chain stitch), rope, cotton, leather, tape; Rasht work. Explore the work's context, creator att

Band (Headband?) (c. 650–850; Cleveland 2014.389)

Band (Headband?) (c. 650–850): Art, History and Details

Band (Headband?) at the Cleveland Museum of Art: c. 650–850, Camelid fiber (alpaca; weft) and cotton (warp); tapestry weave. Explore the work's context, creator attribution and collection history.

Standing Female Figure (600–1000; Cleveland 2014.390)

Standing Female Figure (600–1000): Art, History and Details

Standing Female Figure at the Cleveland Museum of Art: 600–1000, ceramic, pigment. Explore the work's context, creator attribution and collection history.