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Art & Design archive — Page 338

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Portrait of Murad Bakhsh (1624–61) (c. 1635; borders c. 1700s; Cleveland 2013.327)

Portrait of Murad Bakhsh (1624–61) (c. 1635; borders c. 1700s): Art, History and Details

Portrait of Murad Bakhsh (1624–61) at the Cleveland Museum of Art: c. 1635; borders c. 1700s, gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album (c. 1650; Cleveland 2013.328)

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album (c. 1650): Art, History and Details

Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album at the Cleveland Museum of Art: c. 1650, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso) (c. 1650; Cleveland 2013.329)

Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso) (c. 1650): Art, History and Details

Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso) at the Cleveland Museum of Art: c. 1650, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Posthumous portrait of Emperor Jahangir under a canopy (recto) (c. 1650; Cleveland 2013.329.a)

Posthumous portrait of Emperor Jahangir under a canopy (recto) (c. 1650): Art, History and Details

Posthumous portrait of Emperor Jahangir under a canopy (recto) at the Cleveland Museum of Art: c. 1650, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Portrait of Raja Ram Singh of Amber (r. 1667-1688) with a Deccan Sword (recto); Calligraphy (verso) (c. 1680–1685; Cleveland 2013.330)

Portrait of Raja Ram Singh of Amber (r. 1667-1688) with a Deccan Sword (recto); Calligraphy (verso) (c. 1680–1685): Art, History and Details

Portrait of Raja Ram Singh of Amber (r. 1667-1688) with a Deccan Sword (recto); Calligraphy (verso) at the Cleveland Museum of Art: c. 1680–1685, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and colle

Portrait of Raja Ram Singh of Amber (r. 1667-1688) with a Deccan Sword (recto) (c. 1680–85; Cleveland 2013.330.a)

Portrait of Raja Ram Singh of Amber (r. 1667-1688) with a Deccan Sword (recto) (c. 1680–85): Art, History and Details

Portrait of Raja Ram Singh of Amber (r. 1667-1688) with a Deccan Sword (recto) at the Cleveland Museum of Art: c. 1680–85, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Eight Lines of Musical Poetry of the Jajner Nauras (Rag Bhairav) of Ibrahim Adil Shah of Bijapur (verso) (late 1600s; Cleveland 2013.330.b)

Eight Lines of Musical Poetry of the Jajner Nauras (Rag Bhairav) of Ibrahim Adil Shah of Bijapur (verso) (late 1600s): Art, History and Details

Eight Lines of Musical Poetry of the Jajner Nauras (Rag Bhairav) of Ibrahim Adil Shah of Bijapur (verso) at the Cleveland Museum of Art: late 1600s, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and co

Shamsa (sunburst) with portrait of Aurangzeb (1618–1707), from the Emperor's Album (the Kevorkian Album) (illumination 1640–55; original portrait c. 1640–50; altered after 1658; Cleveland 2013.331)

Shamsa (sunburst) with portrait of Aurangzeb (1618–1707), from the Emperor's Album (the Kevorkian Album) (illumination 1640–55; original portrait c. 1640–50; altered after 1658): Art, History and Deta

Shamsa (sunburst) with portrait of Aurangzeb (1618–1707), from the Emperor's Album (the Kevorkian Album) at the Cleveland Museum of Art: illumination 1640–55; original portrait c. 1640–50; altered after 1658, Gum tempera and gold on paper.

The dream of Zulaykha, from the Amber Album (c. 1670; Cleveland 2013.332)

The dream of Zulaykha, from the Amber Album (c. 1670): Art, History and Details

The dream of Zulaykha, from the Amber Album at the Cleveland Museum of Art: c. 1670, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

A House Burgled at Night (c. 1700; Cleveland 2013.333)

A House Burgled at Night (c. 1700): Art, History and Details

A House Burgled at Night at the Cleveland Museum of Art: c. 1700, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Husain Ali Khan Entertaining His Brothers (The Sayyid Brothers) (c. 1712–19; Cleveland 2013.334)

Husain Ali Khan Entertaining His Brothers (The Sayyid Brothers) (c. 1712–19): Art, History and Details

Husain Ali Khan Entertaining His Brothers (The Sayyid Brothers) at the Cleveland Museum of Art: c. 1712–19, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso) (c. 1710–20; Cleveland 2013.335)

A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso) (c. 1710–20): Art, History and Details

A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso) at the Cleveland Museum of Art: c. 1710–20, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collec

A prince conversing with a woman while taking refreshments on a terrace (recto) (c. 1710–20; Cleveland 2013.335.a)

A prince conversing with a woman while taking refreshments on a terrace (recto) (c. 1710–20): Art, History and Details

A prince conversing with a woman while taking refreshments on a terrace (recto) at the Cleveland Museum of Art: c. 1710–20, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (verso); Stenciled Scenes of Lion and Gazelle (verso) (c. 1710; Cleveland 2013.336)

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (verso); Stenciled Scenes of Lion and Gazelle (verso) (c. 171

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (verso); Stenciled Scenes of Lion and Gazelle (verso) at the Cleveland Museum of Art: c. 1710, Gum te

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) (c. 1710; Cleveland 2013.336.a)

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) (c. 1710): Art, History and Details

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) at the Cleveland Museum of Art: c. 1710, Gum tempera and gold on paper. Explore the work's co

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso) (c. 1710; Cleveland 2013.337)

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso) (c. 1710): Art, History and Details

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso) at the Cleveland Museum of Art: c. 1710, Gum tempera, ink, and gold on paper. Explore the

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) (c. 1710; Cleveland 2013.337.a)

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) (c. 1710): Art, History and Details

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) at the Cleveland Museum of Art: c. 1710, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collec

A princess reclining on a terrace with attendants (c. 1730–1740; Cleveland 2013.338)

A princess reclining on a terrace with attendants (c. 1730–1740): Art, History and Details

A princess reclining on a terrace with attendants at the Cleveland Museum of Art: c. 1730–1740, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Shri Raga: An Illustration from a Ragamala Series (c. 1740; Cleveland 2013.339)

Shri Raga: An Illustration from a Ragamala Series (c. 1740): Art, History and Details

Shri Raga: An Illustration from a Ragamala Series at the Cleveland Museum of Art: c. 1740, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword (c. 1605–1610; Cleveland 2013.323.a)

A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword (c. 1605–1610): Art, History and Details

A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword at the Cleveland Museum of Art: c. 1605–1610, gum tempera, ink, and gold on paper, text on verso. Explore the work's context, creator attribution and collection history.

Page from the Mirror of Holiness (Mir’at al-quds) (c. 1605–10; Cleveland 2013.323.b)

Page from the Mirror of Holiness (Mir’at al-quds) (c. 1605–10): Art, History and Details

Page from the Mirror of Holiness (Mir’at al-quds) at the Cleveland Museum of Art: c. 1605–10, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Todi Ragini, from a Ragamala Series (c. 1755; Cleveland 2013.340)

Todi Ragini, from a Ragamala Series (c. 1755): Art, History and Details

Todi Ragini, from a Ragamala Series at the Cleveland Museum of Art: c. 1755, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A princess on a terrace with attendants at night (recto); Calligraphy (verso) (c. 1760; Cleveland 2013.341)

A princess on a terrace with attendants at night (recto); Calligraphy (verso) (c. 1760): Art, History and Details

A princess on a terrace with attendants at night (recto); Calligraphy (verso) at the Cleveland Museum of Art: c. 1760, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

A Princess on a Terrace with Attendants at Night (recto) (c. 1760; Cleveland 2013.341.a)

A Princess on a Terrace with Attendants at Night (recto) (c. 1760): Art, History and Details

A Princess on a Terrace with Attendants at Night (recto) at the Cleveland Museum of Art: c. 1760, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A prince celebrating Holi with palace women on a terrace at night (recto); calligraphy of a quatrain (verso) (c. 1760; Cleveland 2013.342)

A prince celebrating Holi with palace women on a terrace at night (recto); calligraphy of a quatrain (verso) (c. 1760): Art, History and Details

A prince celebrating Holi with palace women on a terrace at night (recto); calligraphy of a quatrain (verso) at the Cleveland Museum of Art: c. 1760, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and c

A prince celebrating Holi with palace women on a terrace at night (recto) (c. 1760; Cleveland 2013.342.a)

A prince celebrating Holi with palace women on a terrace at night (recto) (c. 1760): Art, History and Details

A prince celebrating Holi with palace women on a terrace at night (recto) at the Cleveland Museum of Art: c. 1760, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A blindfolded suitor is brought before a princess; verso: scrolling floral vines (1755; Cleveland 2013.343)

A blindfolded suitor is brought before a princess; verso: scrolling floral vines (1755): Art, History and Details

A blindfolded suitor is brought before a princess; verso: scrolling floral vines at the Cleveland Museum of Art: 1755, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A blindfolded suitor is brought before a princess (recto) (1755; Cleveland 2013.343.a)

A blindfolded suitor is brought before a princess (recto) (1755): Art, History and Details

A blindfolded suitor is brought before a princess (recto) at the Cleveland Museum of Art: 1755, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Women bathing before an architectural panorama (c. 1765; Cleveland 2013.344)

Women bathing before an architectural panorama (c. 1765): Art, History and Details

Women bathing before an architectural panorama at the Cleveland Museum of Art: c. 1765, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature (c. 1735; Cleveland 2013.345)

Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature (c. 1735): Art, History and Details

Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature at the Cleveland Museum of Art: c. 1735, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso) (1764; Cleveland 2013.347)

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso) (1764): Art, History and Details

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso) at the Cleveland Museum of Art: 1764, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribu

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto) (1764; Cleveland 2013.347.a)

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto) (1764): Art, History and Details

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto) at the Cleveland Museum of Art: 1764, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection h

Calligraphic exercises and verses of Hafiz (Persian, about 1325–1389) (verso) (1575–76; Cleveland 2013.347.b)

Calligraphic exercises and verses of Hafiz (Persian, about 1325–1389) (verso) (1575–76): Art, History and Details

Calligraphic exercises and verses of Hafiz (Persian, about 1325–1389) (verso) at the Cleveland Museum of Art: 1575–76, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Court Lady Pouring Wine (recto); Calligraphy of Lyrical Quatrains (verso) (c. 1760; borders mid-1700s; Cleveland 2013.348)

Court Lady Pouring Wine (recto); Calligraphy of Lyrical Quatrains (verso) (c. 1760; borders mid-1700s): Art, History and Details

Court Lady Pouring Wine (recto); Calligraphy of Lyrical Quatrains (verso) at the Cleveland Museum of Art: c. 1760; borders mid-1700s, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection histor

Court Lady Pouring Wine (recto) (c. 1760; Cleveland 2013.348.a)

Court Lady Pouring Wine (recto) (c. 1760): Art, History and Details

Court Lady Pouring Wine (recto) at the Cleveland Museum of Art: c. 1760, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Calligraphy of Lyrical Quatrains (verso) (mid-1700s; Cleveland 2013.348.b)

Calligraphy of Lyrical Quatrains (verso) (mid-1700s): Art, History and Details

Calligraphy of Lyrical Quatrains (verso) at the Cleveland Museum of Art: mid-1700s, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Court lady singing and playing the vina (c. 1760; Cleveland 2013.349)

Court lady singing and playing the vina (c. 1760): Art, History and Details

Court lady singing and playing the vina at the Cleveland Museum of Art: c. 1760, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Court lady singing and playing the vina (recto) (c. 1760; Cleveland 2013.349.a)

Court lady singing and playing the vina (recto) (c. 1760): Art, History and Details

Court lady singing and playing the vina (recto) at the Cleveland Museum of Art: c. 1760, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Calligraphy from a ghazal of Fakhr al-Din Iraqi (Persian, 1213–1289) and a verse from the Tuhfat al-ahrar (The Gift of the Free) of Abd al-Rahman Jami (verso) (c. 1760; Cleveland 2013.349.b)

Calligraphy from a ghazal of Fakhr al-Din Iraqi (Persian, 1213–1289) and a verse from the Tuhfat al-ahrar (The Gift of the Free) of Abd al-Rahman Jami (verso) (c. 1760): Art, History and Details

Calligraphy from a ghazal of Fakhr al-Din Iraqi (Persian, 1213–1289) and a verse from the Tuhfat al-ahrar (The Gift of the Free) of Abd al-Rahman Jami (verso) at the Cleveland Museum of Art: c. 1760, Gum tempera, ink, and gold on paper. Exp

A night scene of Shiva puja (recto); Calligraphy (verso) (c. 1760–70; Cleveland 2013.350)

A night scene of Shiva puja (recto); Calligraphy (verso) (c. 1760–70): Art, History and Details

A night scene of Shiva puja (recto); Calligraphy (verso) at the Cleveland Museum of Art: c. 1760–70, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.