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The Entombment at the Cleveland Museum of Art: c. 1596, Pen and brown ink, brush and purple-pink wash with admixtures of white, and brush and brown wash, with graphite underdrawing; squared for transfer with graphite. Explore the work's con
Untitled (Pair of Portraits) at the Cleveland Museum of Art: 1879, Photographs on enamel in copper alloy frame with velvet liner. Explore the work's context, creator attribution and collection history.
Covered Jar with Carved Lotus Petals at the Cleveland Museum of Art: 386–581 CE, Glazed stoneware. Explore the work's context, creator attribution and collection history.
Covered Jar with Carved Lotus Petals (lid) at the Cleveland Museum of Art: 386–581 CE, Glazed stoneware. Explore the work's context, creator attribution and collection history.
Le Petit Trianon, Versailles at the Cleveland Museum of Art: 1700s, Gouache. Explore the work's context, creator attribution and collection history.
A Hunting Party at Marly at the Cleveland Museum of Art: late 1600s–early 1700s, Graphite and gray washes; framing lines in brown ink. Explore the work's context, creator attribution and collection history.
Venus at the Forge of Vulcan at the Cleveland Museum of Art: 18th century, Pen and brown ink, and brown wash (bistre) with red chalk and traces of graphite. Explore the work's context, creator attribution and collection history.
The Resurrection of Christ at the Cleveland Museum of Art: 1622, oil on copper. Explore the work's context, creator attribution and collection history.
A Christening in Revolutionary France at the Cleveland Museum of Art: late 18th century, Pen and brown and gray inks and red chalk and watercolor, heightened with white; squaring for transfer. Explore the work's context, creator attribution
Bust of a Nude Woman at the Cleveland Museum of Art: 1780, Black chalk and stumping. Explore the work's context, creator attribution and collection history.
Monkey Preaching to Turkeys at the Cleveland Museum of Art: 1750–1800, Gouache. Explore the work's context, creator attribution and collection history.
Three Figures with a Dog at the Cleveland Museum of Art: probably 1800s, Pen and black ink with brown and gray washes and traces of white gouache (brim of standing man’s hat). Explore the work's context, creator attribution and collection h
A Man Seated on the Edge of a Table at the Cleveland Museum of Art: 18th century, Red chalk. Explore the work's context, creator attribution and collection history.
Conical Bowl with Carved Babies and Floral Motif at the Cleveland Museum of Art: 960–1279, Porcelain with pale bluish-white glaze, qingbai ("blue-white") ware. Explore the work's context, creator attribution and collection history.
Meiping Vase with Carved Floral Sprays at the Cleveland Museum of Art: 960–1279, Porcelain with pale bluish-white glaze, qingbai ("blue-white") ware. Explore the work's context, creator attribution and collection history.
Portrait of a Man and His Dog at the Cleveland Museum of Art: c. 1880, carte-de-visite, albumen print. Explore the work's context, creator attribution and collection history.
Vessel with Reclining Figure and Birds at the Cleveland Museum of Art: 2200–200 BCE, Ceramic, pigment (cinnabar?). Explore the work's context, creator attribution and collection history.
Textile Fragment with Cotton Goddess at the Cleveland Museum of Art: 800–500 BCE, Cotton, pigments. Explore the work's context, creator attribution and collection history.
Double-spouted Vessel at the Cleveland Museum of Art: 750–1 BCE, Ceramic, resin-based paint. Explore the work's context, creator attribution and collection history.
Thumb Rest of a Spear Thrower at the Cleveland Museum of Art: 600–1000, Bone. Explore the work's context, creator attribution and collection history.
Bound Deer Effigy Vessel at the Cleveland Museum of Art: 1000–1460s, Ceramic. Explore the work's context, creator attribution and collection history.
Head Cloth at the Cleveland Museum of Art: 1000–1460s, Cotton. Explore the work's context, creator attribution and collection history.
Saint John the Baptist at the Cleveland Museum of Art: c. 1500, Tonnerre limestone. Explore the work's context, creator attribution and collection history.
Dish with Ginkgo Leaves at the Cleveland Museum of Art: late 1600s–early 1700s, Porcelain with underglaze blue (Hizen ware, Nabeshima type). Explore the work's context, creator attribution and collection history.
Dish with Maple Leaves in Waves at the Cleveland Museum of Art: late 1600s–early 1700s, Porcelain with underglaze blue and overglaze color enamel (Hizen ware, Nabeshima type). Explore the work's context, creator attribution and collection h
Dish with Sweet Osmanthus and Cloud at the Cleveland Museum of Art: late 1600s–early 1700s, Porcelain with underglaze blue and overglaze color enamel (Hizen ware, Nabeshima type). Explore the work's context, creator attribution and collecti
Yang Guifei Leaving the Bath at the Cleveland Museum of Art: 1700s, Hanging scroll; ink, colors, and gold on silk. Explore the work's context, creator attribution and collection history.
On the Road, A Lady of the Genkō Era (1313-34), from the series Thirty-Six Elegant Selections at the Cleveland Museum of Art: 1894, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and collection hist
The Fourth Month, A Lady of the Enkyō Era (1744-48), from the series Thirty-six Elegant Selections at the Cleveland Museum of Art: 1894, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and collection
A Puppet Made from a Bucket, A Lady of the Enpō Era (1673–1681), from the series Thirty-six Elegant Selections at the Cleveland Museum of Art: 1894, Woodblock print, ink and color on paper. Explore the work's context, creator attribution an
Playing the Koyo, A Lady from Nagoya of the Kōka Era (1844-48), from the series Thirty-six Elegant Selections at the Cleveland Museum of Art: 1894, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and
Chasing Fireflies, A Lady of the Tenmei Era (1781-1789), from the series Thirty-six Elegant Selections at the Cleveland Museum of Art: 1894, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and collec
Beauties Harvesting Bracken, from the series Gekkō’s Miscellaney at the Cleveland Museum of Art: c. 1886–1899, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and collection history.
True View of Benten at Inokashira from the series Gekkō’s Miscellaney at the Cleveland Museum of Art: c. 1886–1899, Woodblock print, ink and color on paper. Explore the work's context, creator attribution and collection history.
Vase at the Cleveland Museum of Art: 1889, Earthenware. Explore the work's context, creator attribution and collection history.
The Adoration of the Shepherds at the Cleveland Museum of Art: c. 1552, Etching and engraving. Explore the work's context, creator attribution and collection history.
The Apotheosis of Romulus: Design for a Ceiling at the Cleveland Museum of Art: c. 1675–76, Black chalk, pen and brown ink, brush and brown wash, heightened with white, with perspectival indications. Explore the work's context, creator attr
Portrait of a Man Holding a Watch at the Cleveland Museum of Art: c. 1665–70, oil on wood. Explore the work's context, creator attribution and collection history.
Portrait of Colonel Charles Heathcote at the Cleveland Museum of Art: c. 1771–72, Oil on canvas. Explore the work's context, creator attribution and collection history.
Sleeved Tunic at the Cleveland Museum of Art: 1460s–1532, Cotton, camelid fiber. Explore the work's context, creator attribution and collection history.