Aizen Myōō (1300s): Art, History and Details
Aizen Myōō at the Cleveland Museum of Art: 1300s, Hanging scroll; ink, color, and gold on silk. Explore the work's context, creator attribution and collection history.
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →

Aizen Myōō at the Cleveland Museum of Art: 1300s, Hanging scroll; ink, color, and gold on silk. Explore the work's context, creator attribution and collection history.

Stultitiam patiuntur opes (Wealth permits Stupidity), or, Allegory of Wealth, Lust, and Stupidity at the Cleveland Museum of Art: 1588, Engraving. Explore the work's context, creator attribution and collection history.

Woman with a Letter at the Cleveland Museum of Art: 1750–1800, Watercolor and gouache with point of brushwork. Explore the work's context, creator attribution and collection history.

Seated Woman Holding a Bird Cage at the Cleveland Museum of Art: probably 18th century, Black chalk with stumping (in drapery) and wet work (hair and eyes) and red and white chalk, with blue chalk and traces of yellow chalk. Explore the wor

Dance staff for Èṣù (Ògò Èlẹ́gba) at the Cleveland Museum of Art: 1800s, Wood, leather, cowrie shells, seeds, and natural fiber. Explore the work's context, creator attribution and collection history.

Cigar Box at the Cleveland Museum of Art: c. 1896–1908, Silver gilt, enamel, sapphire set in gold; [reproduction silk tinder cord, gold and moonstone catch]. Explore the work's context, creator attribution and collection history.

Self-Portrait at the Cleveland Museum of Art: 1920–21, Softground etching. Explore the work's context, creator attribution and collection history.

Figure 7: Étude du méchanisme et de l'expression du muscle frontal chez un vieillard: à droit, attention; à gauche, repos at the Cleveland Museum of Art: c. 1856, printed 1862, Albumen print from glass plate negative. Explore the work's con

Figure 32: Natural laughter by the voluntary contraction of the two large zygomatics and the lower palpebral orbicularis at the Cleveland Museum of Art: c. 1856, printed 1862, Albumen print from glass plate negative. Explore the work's cont

Figure 51: À droite, contraction partielle de l'élévateur commun de l'aile du nez et de la lèvre supérieure: mécontentement, mauvaise humeur; à gauche, repos at the Cleveland Museum of Art: c. 1856, printed 1862, Albumen print from glass pl

Figure 54: Abaissement volontaire de la mâchoire inférieure: mouvement inexpressif at the Cleveland Museum of Art: c. 1856, printed 1862, Albumen print from glass plate negative. Explore the work's context, creator attribution and collectio

Figure 45: Contraction électrique forte des triangulaires des lèvres et des sourciliers: douleur et déspoir at the Cleveland Museum of Art: c. 1856, printed 1862, Albumen print from glass plate negative. Explore the work's context, creator

Portrait of Francesca Gommi Maratti at the Cleveland Museum of Art: c. 1701, Oil on canvas. Explore the work's context, creator attribution and collection history.

Portrait of a Woman at the Cleveland Museum of Art: 1835, retouched by the artist in 1843, Watercolor on vellum. Explore the work's context, creator attribution and collection history.

Traunstein River on the Road to Empfig, Bavaria at the Cleveland Museum of Art: c. 1893–96, Watercolor and gouache on blue paper. Explore the work's context, creator attribution and collection history.

Bow Stand at the Cleveland Museum of Art: 1800s, Wood and plant fiber. Explore the work's context, creator attribution and collection history.

Bullock Cart, Delhi at the Cleveland Museum of Art: 1863, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.

A Creeper in the Peradeniya Gardens, Ceylon at the Cleveland Museum of Art: c. 1880, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.

Buddhist Temple, Kalani at the Cleveland Museum of Art: c. 1880, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.

Entrance to the Nata Dewale Grounds, Kandy at the Cleveland Museum of Art: c. 1880, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.

Violin Player with a Wine Glass at the Cleveland Museum of Art: 1623, Oil on canvas. Explore the work's context, creator attribution and collection history.

Morphine Addict at the Cleveland Museum of Art: 1897, color lithograph. Explore the work's context, creator attribution and collection history.

The Flaying of Marsyas at the Cleveland Museum of Art: c. 1570–1605, Pen and brown ink and brown and red washes, heightened with white paint (or gouache), on paper prepared with red washes. Explore the work's context, creator attribution an

Profile Portrait of a Man at the Cleveland Museum of Art: 18th century, Black chalk counterproof. Explore the work's context, creator attribution and collection history.

The Temptation of St. Anthony at the Cleveland Museum of Art: 19th century, Black chalk with white, pink, orange, ochre, and brown chalks on blue paper. Explore the work's context, creator attribution and collection history.

Costume Study at the Cleveland Museum of Art: before 1852, Graphite with some stumping. Explore the work's context, creator attribution and collection history.

Nude Study of an Old Man at the Cleveland Museum of Art: before 1852, Graphite and stumping. Explore the work's context, creator attribution and collection history.

Woman Entering a Fiacre (recto); Right Profile of Man Wearing Tall Hat (verso) at the Cleveland Museum of Art: probably late 1800s, Charcoal with black ink framing lines (recto); charcoal (verso). Explore the work's context, creator attribu

Portrait of a Seated Woman at the Cleveland Museum of Art: 18th-19th century, Black chalk heightened with white chalk on brown paper. Explore the work's context, creator attribution and collection history.

La Sagesse at the Cleveland Museum of Art: late 18th- early 19th century, Graphite, pen and black ink, and gray and black washes. Explore the work's context, creator attribution and collection history.

Three Figures at the Cleveland Museum of Art: 18th century, black and white chalk on blue-gray prepared paper. Explore the work's context, creator attribution and collection history.

Figures in a Landscape at the Cleveland Museum of Art: 1763, Black ink and gray wash; framing lines in brown ink. Explore the work's context, creator attribution and collection history.

Nudes in a Landscape at the Cleveland Museum of Art: 1781, Pen and black ink and watercolor. Explore the work's context, creator attribution and collection history.

Portrait of a Man, said to be the Sculptor Clodion (1738–1814) at the Cleveland Museum of Art: late 1700s, Black chalk with stumping and red and blue chalks; frame details in pen and brown ink and blue washes. Explore the work's context, cr

Fruitsellers at the Cleveland Museum of Art: c. 1880, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.

Abu Simbel at the Cleveland Museum of Art: 1907, watercolor. Explore the work's context, creator attribution and collection history.

The Great Temple of Abu Simbel at the Cleveland Museum of Art: before 1943, Watercolor and wash, with white highlights. Explore the work's context, creator attribution and collection history.

Rest on the Flight to Egypt at the Cleveland Museum of Art: c. 1879, charcoal. Explore the work's context, creator attribution and collection history.

Caricature of Paul Gauguin at the Cleveland Museum of Art: 1889, watercolor and black ink on paper. Explore the work's context, creator attribution and collection history.

Portrait of Paul Sérusier at the Cleveland Museum of Art: 1893, gouache and watercolor on thin beige wove paper. Explore the work's context, creator attribution and collection history.