Vielle à Roue (Hurdy-Gurdy) (1865–70): Art, History and Details
Vielle à Roue (Hurdy-Gurdy) at the Cleveland Museum of Art: 1865–70, Wood; mother-of-pearl inlay. Explore the work's context, creator attribution and collection history.
Art & Design archive — Page 356
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, 12 sheets with 4 index sheets. Explore the work's context, creator attribution and collection
Study for "Seaweed Gatherers, Yport" (c. 1888): Art, History and Details
Study for "Seaweed Gatherers, Yport" at the Cleveland Museum of Art: c. 1888, black chalk on laid paper. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma (1748): Art, History and Details
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Firefighter's Suit (Kaji shōzoku) (late 1700s): Art, History and Details
Firefighter's Suit (Kaji shōzoku) at the Cleveland Museum of Art: late 1700s, Wool (rasha); applique and silk and gold thread cord. Explore the work's context, creator attribution and collection history.
Plastron or Frontpiece for a Firefighter's Suit (Kaji shōzoku) (late 1700s): Art, History and Details
Plastron or Frontpiece for a Firefighter's Suit (Kaji shōzoku) at the Cleveland Museum of Art: late 1700s, Wool (rasha); applique and silk and gold thread cord. Explore the work's context, creator attribution and collection history.
Sash for a Firefighter's Suit (Kaji shōzoku) (late 1700s): Art, History and Details
Sash for a Firefighter's Suit (Kaji shōzoku) at the Cleveland Museum of Art: late 1700s, Wool (rasha); applique and silk and gold thread cord. Explore the work's context, creator attribution and collection history.
Firefighter's Suit (Kaji shōzoku) (late 1700s): Art, History and Details
Firefighter's Suit (Kaji shōzoku) at the Cleveland Museum of Art: late 1700s, Wool (rasha); applique and silk and gold thread cord. Explore the work's context, creator attribution and collection history.
Clock for a Garniture Set (1736–1770): Art, History and Details
Clock for a Garniture Set at the Cleveland Museum of Art: 1736–1770, Chinese hard-paste porcelain, gilt bronze, enameled metal. Explore the work's context, creator attribution and collection history.
Vase for a Garniture Set (1736–1770): Art, History and Details
Vase for a Garniture Set at the Cleveland Museum of Art: 1736–1770, Chinese hard-paste porcelain, gilt bronze, enameled metal. Explore the work's context, creator attribution and collection history.
Vase for a Garniture Set (1736–1770): Art, History and Details
Vase for a Garniture Set at the Cleveland Museum of Art: 1736–1770, Chinese hard-paste porcelain, gilt bronze, enameled metal. Explore the work's context, creator attribution and collection history.
Portrait of Maharaja Rai Singh of Bikaner (reigned 1574–1612) (c. 1610): Art, History and Details
Portrait of Maharaja Rai Singh of Bikaner (reigned 1574–1612) at the Cleveland Museum of Art: c. 1610, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Self-Portrait at Easel (1897): Art, History and Details
Self-Portrait at Easel at the Cleveland Museum of Art: 1897, conté crayon with charcoal on laid paper. Explore the work's context, creator attribution and collection history.
Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events) (1670–80): Art, History and Details
Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events) at the Cleveland Museum of Art: 1670–80, Gum tempera, ink, silver, and gold on paper. Explore the work's context, creator attribution and col
Priest, France (c. 1840s–50s): Art, History and Details
Priest, France at the Cleveland Museum of Art: c. 1840s–50s, daguerreotype, half-plate. Explore the work's context, creator attribution and collection history.
Hunting Party with Badger, Loire Valley, France (c. 1850): Art, History and Details
Hunting Party with Badger, Loire Valley, France at the Cleveland Museum of Art: c. 1850, daguerreotype, quarter plate. Explore the work's context, creator attribution and collection history.
Monkey on Branch (c. 1855): Art, History and Details
Monkey on Branch at the Cleveland Museum of Art: c. 1855, stereo daguerreotype, sixth plate. Explore the work's context, creator attribution and collection history.
View of the Acropolis (c. 1880s): Art, History and Details
View of the Acropolis at the Cleveland Museum of Art: c. 1880s, mammoth carbon print, brown-toned. Explore the work's context, creator attribution and collection history.
View of the Acropolis (c. 1880s): Art, History and Details
View of the Acropolis at the Cleveland Museum of Art: c. 1880s, mammoth carbon print. Explore the work's context, creator attribution and collection history.
View of the Acropolis (walking man in foreground) (c. 1880s): Art, History and Details
View of the Acropolis (walking man in foreground) at the Cleveland Museum of Art: c. 1880s, mammoth carbon print, brown-toned. Explore the work's context, creator attribution and collection history.
View of the Parthenon (c. 1880s): Art, History and Details
View of the Parthenon at the Cleveland Museum of Art: c. 1880s, mammoth carbon print. Explore the work's context, creator attribution and collection history.
The Parthenon (c. 1907–20): Art, History and Details
The Parthenon at the Cleveland Museum of Art: c. 1907–20, mammoth carbon print. Explore the work's context, creator attribution and collection history.
Young Alsacienne Woman (c. 1871): Art, History and Details
Young Alsacienne Woman at the Cleveland Museum of Art: c. 1871, carbon print on a ruled mount. Explore the work's context, creator attribution and collection history.
Kenilworth Castle, Warwickshire, England (c. 1870s): Art, History and Details
Kenilworth Castle, Warwickshire, England at the Cleveland Museum of Art: c. 1870s, mammoth untrimmed carbon print. Explore the work's context, creator attribution and collection history.
Façade Alsacienne, Corps de Garde à Colmar (c. 1870s): Art, History and Details
Façade Alsacienne, Corps de Garde à Colmar at the Cleveland Museum of Art: c. 1870s, mammoth untrimmed carbon print. Explore the work's context, creator attribution and collection history.