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Mosque of Altamsh, Delhi at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
Tomb of Altamsh, Delhi at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Fortress, Togluckabad at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Driedup Lake and Island of the Tomb, Togluckabad at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
Tomb of the Emperor Togluck, Togluckabad at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Hoosseinabad Imambara, Lucknow at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
Gate of the Hoosseinabad Bazar, Lucknow at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
European House, Allahabad at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
An Indigo Factory, Allahabad at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Rajah and His Sons, Punnah at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Rajah, Nagode at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Lanka Palace in the Kaiser Bach, Lucknow at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
Royal ceremonial beadwork: breast cover (incebetha) at the Cleveland Museum of Art: 1800s, Glass beads, hide, and sinew. Explore the work's context, creator attribution and collection history.
Royal ceremonial beadwork: pendant at the Cleveland Museum of Art: 1800s, Glass beads, sinew, and ceramic. Explore the work's context, creator attribution and collection history.
Royal ceremonial beadwork: anklet (izitsaba) at the Cleveland Museum of Art: 1800s, Glass beads and sinew. Explore the work's context, creator attribution and collection history.
Royal ceremonial beadwork: anklet (izitsaba) at the Cleveland Museum of Art: 1800s, Glass beads and sinew. Explore the work's context, creator attribution and collection history.
Bamboos in Wind at the Cleveland Museum of Art: 1934, Ten-panel folding screen; ink on paper. Explore the work's context, creator attribution and collection history.
Dish at the Cleveland Museum of Art: c. 1904–16, bowenite, silver. Explore the work's context, creator attribution and collection history.
Miniature Compote at the Cleveland Museum of Art: 1896, silver, aventurine quartz. Explore the work's context, creator attribution and collection history.
Peonies at the Cleveland Museum of Art: early 1900s, Eight-panel folding screen; ink and color on silk. Explore the work's context, creator attribution and collection history.
Peonies and Rocks at the Cleveland Museum of Art: early 1900s, Six-panel folding screen; ink and color on silk. Explore the work's context, creator attribution and collection history.
The Ghat of Dasaswa Medh, Bénarès at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Ghat of Vishnoo Pud, Bénarès at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Ghat of Madhoray, Bénarès at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Boodhist Tower of Sarnath, Bénarès at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Sacred Island of Devinath on the Ganges, Sultangunge at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
The Ghat of the Nepalese Pagoda, Bénarès at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
Street Advertising at the Cleveland Museum of Art: 1876–77, woodburytype. Explore the work's context, creator attribution and collection history.
Saint Dorothy at the Cleveland Museum of Art: c. 1519–20, Woodcut printed in black oil-based ink and hand colored with ochre wash, heightened with white, silver, and touches of gold. Explore the work's context, creator attribution and colle
Triptych with The Lamentation of Christ (center), St. Barbara (left wing), St. Catherine of Alexandria (right wing), The Annunciation (reverse wings) at the Cleveland Museum of Art: c. 1500, Center: oil on poplar; Wings: oil and gold leaf o
Quais de Seine en nocturne at the Cleveland Museum of Art: c. 1890, pastel on gray wove paper. Explore the work's context, creator attribution and collection history.
Asnæs Skov, Bay at Kalundborg Fjord at the Cleveland Museum of Art: 1839, Pen and black ink and gray and brown ink washes with arched framing line in pen and black ink, bordered in pink watercolor on modern cream laid paper. Explore the wor
A View of the Ruins of the Baths of Caracalla at the Cleveland Museum of Art: 1779–81, graphite, pen and black ink, watercolor. Explore the work's context, creator attribution and collection history.
Luton Park, Bedfordshire at the Cleveland Museum of Art: 1760s, watercolor over pencil, heightened with bodycolor and pen and gray ink on laid paper. Explore the work's context, creator attribution and collection history.
Portrait of Honoré Willsie Morrow at the Cleveland Museum of Art: c. 1917, platinum print. Explore the work's context, creator attribution and collection history.
Leaf from a Psalter and Prayerbook: Rabbits Dancing (recto) and Putto Picking Strawberries (verso) at the Cleveland Museum of Art: c. 1524, Ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collecti
Leaf from a Psalter and Prayerbook: Rabbits Dancing (recto) at the Cleveland Museum of Art: c. 1524, Ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Psalter and Prayerbook: Putto Picking Strawberries (verso) at the Cleveland Museum of Art: c. 1524, Ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Book of Hours: Office of the Dead Opening Prayers (recto); Psalm 5 (verso) at the Cleveland Museum of Art: c. 1460, Ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Italy at the Cleveland Museum of Art: c. 1889, platinum print mounted to Japanese paper. Explore the work's context, creator attribution and collection history.