Jewish Woman in Algeria (c. 1875): Art, History and Details
Jewish Woman in Algeria at the Cleveland Museum of Art: c. 1875, albumen print from glass negative. Explore the work's context, creator attribution and collection history.
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Jewish Woman in Algeria at the Cleveland Museum of Art: c. 1875, albumen print from glass negative. Explore the work's context, creator attribution and collection history.

Three of Sri Tung Bahadur's Favorite Wives and His Youngest Son at the Cleveland Museum of Art: c. 1870, albumen print. Explore the work's context, creator attribution and collection history.

The d’Orléans Family during a Fête Champêtre at Orléans House at the Cleveland Museum of Art: 1864, Enameled photograph in original metal frame. Explore the work's context, creator attribution and collection history.

Plaque at the Cleveland Museum of Art: c. 1750–70, delft ware (tin glazed earthenware). Explore the work's context, creator attribution and collection history.

In Spring at the Cleveland Museum of Art: 1899, published 1901, Portfolio of 10 etchings. Explore the work's context, creator attribution and collection history.

Jonah Cast Out by the Whale onto the Shore of Nineveh at the Cleveland Museum of Art: 1566, Pen and brown ink over indications in black chalk, within brown ink framing lines; indented for transfer. Explore the work's context, creator attrib

The Good Samaritan at the Cleveland Museum of Art: c. 1865–70, watercolor, gouache, and graphite on paper. Explore the work's context, creator attribution and collection history.

Flower Pyramid at the Cleveland Museum of Art: c. 1690, Tin-glazed earthenware, painted in blue. Explore the work's context, creator attribution and collection history.

Base for a Flower Pyramid at the Cleveland Museum of Art: c. 1690, Tin-glazed earthenware, painted in blue. Explore the work's context, creator attribution and collection history.

First Tier for a Flower Pyramid at the Cleveland Museum of Art: c. 1690, Tin-glazed earthenware, painted in blue. Explore the work's context, creator attribution and collection history.

Second Tier for a Flower Pyramid at the Cleveland Museum of Art: c. 1690, Tin-glazed earthenware, painted in blue. Explore the work's context, creator attribution and collection history.

Third Tier for a Flower Pyramid at the Cleveland Museum of Art: c. 1690, Tin-glazed earthenware, painted in blue. Explore the work's context, creator attribution and collection history.

Fourth Tier for a Flower Pyramid at the Cleveland Museum of Art: c. 1690, Tin-glazed earthenware, painted in blue. Explore the work's context, creator attribution and collection history.

Fifth Tier for a Flower Pyramid at the Cleveland Museum of Art: c. 1690, Tin-glazed earthenware, painted in blue. Explore the work's context, creator attribution and collection history.

Sixth Tier for a Flower Pyramid at the Cleveland Museum of Art: c. 1690, Tin-glazed earthenware, painted in blue. Explore the work's context, creator attribution and collection history.

Antefix in the Form of a Maiden at the Cleveland Museum of Art: late 500s–early 400s BCE, Painted terracotta. Explore the work's context, creator attribution and collection history.

Pheasants in Cherry at the Cleveland Museum of Art: 1900–1914, Porcelain with molded and carved design, underglaze color, and cream glaze. Explore the work's context, creator attribution and collection history.

Octagonal Water Dropper Decorated with Flower Design at the Cleveland Museum of Art: late 1700s, Porcelain with blue and white decoration. Explore the work's context, creator attribution and collection history.

Portraits of Georges Arnold Fitzwilliam and Portrait of Eleanor Ramsay Fitzwilliam; a pair at the Cleveland Museum of Art: c. 1790–1852, Black and white chalk on buff paper with pink wash in original frames. Explore the work's context, crea

Portrait of Georges Arnold Fitzwilliam at the Cleveland Museum of Art: c. 1790–1852, Black and white chalk on buff paper with pink wash in original frame. Explore the work's context, creator attribution and collection history.

Portrait of Eleanor Ramsay Fitzwilliam at the Cleveland Museum of Art: c. 1790–1852, Black and white chalk on buff paper with pink wash in original frame. Explore the work's context, creator attribution and collection history.

The Manor House, Cresswells at the Cleveland Museum of Art: c. 1665, Pen, ink, wash with watercolor on two conjoined pieces of paper. Explore the work's context, creator attribution and collection history.

Prestige Headdress (Ashetu or shüötu) at the Cleveland Museum of Art: 1900–1950, cotton, dye (including indigo). Explore the work's context, creator attribution and collection history.

Blanket or Cover (Kaasa) at the Cleveland Museum of Art: c. 1930s or earlier, Wool, dye. Explore the work's context, creator attribution and collection history.

Woman's Shawl or Head Covering at the Cleveland Museum of Art: 1900–1925, Cotton, silk, indigo and other natural dyes. Explore the work's context, creator attribution and collection history.

A Woman Doing Laundry in an Ice Hole (recto); Two Gentlemen (verso) at the Cleveland Museum of Art: c. 1618, black and red chalk, graphite, watercolor, pen and black ink, black and red chalk, graphite, watercolor (verso) on blue paper. Expl

A Woman Doing Laundry in an Ice Hole (recto) at the Cleveland Museum of Art: c. 1618, black and red chalk, graphite, watercolor heightened with white on blue paper. Explore the work's context, creator attribution and collection history.

Two Gentlemen (verso) at the Cleveland Museum of Art: c. 1618, Pen and black ink, black and red chalk, graphite and watercolor on blue paper. Explore the work's context, creator attribution and collection history.

Young Woman at Rest at the Cleveland Museum of Art: 1889, drypoint. Explore the work's context, creator attribution and collection history.

Chloe at the Cleveland Museum of Art: 1805, etching on chine appliqué. Explore the work's context, creator attribution and collection history.

St. Francis Beneath a Tree Praying at the Cleveland Museum of Art: 1657, drypoint and etching. Explore the work's context, creator attribution and collection history.

The Potato Peeler at the Cleveland Museum of Art: 1893, lithograph on gray laid paper. Explore the work's context, creator attribution and collection history.

The Holy Family in an Interior at the Cleveland Museum of Art: 1643, etching, drypoint and engraving. Explore the work's context, creator attribution and collection history.

Woman Sitting by a Pond at the Cleveland Museum of Art: c. 1874, Pen lithograph. Explore the work's context, creator attribution and collection history.

Ceremonial Chair or Throne (citwamo ca mangu) at the Cleveland Museum of Art: 1800s, Wood, upholstery studs, leather. Explore the work's context, creator attribution and collection history.

The Three Theological Virtures: Faith, Hope, and Charity, Surrounded by the Four Evangelists at the Cleveland Museum of Art: before 1634, Pen and ink, brush and wash over chalk with indications of transfer. Explore the work's context, creat

The Apostles Gathered Around the Tomb of the Virgin at the Cleveland Museum of Art: c. 1594, Pen and ink and brush and wash with white heightening on paper prepared with reddish-brown wash. Explore the work's context, creator attribution an

Great Dismal Swamp, Virginia at the Cleveland Museum of Art: c. 1872–90, albumen print. Explore the work's context, creator attribution and collection history.

Great Dismal Swamp, Virginia at the Cleveland Museum of Art: c. 1872–90, albumen print. Explore the work's context, creator attribution and collection history.

Caves of Karlie: No. 1, The Approach at the Cleveland Museum of Art: 1855–62, albumen print. Explore the work's context, creator attribution and collection history.