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Folio 1 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina),
Prajnaparamita flanked by two female figures, folio 1 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of
Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina), Covers
Ratnasambhava, Akshobhya, Vairochana with attendants, Amitabha, and Amoghasiddhi, Top cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday,
Preaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119
Text, folio 186 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of As
Prajnaparamita flanked by two bodhisattvas, folio 187 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239
End of the Perfection of Wisdom in Eight Thousand Lines; Haribhadra’s final remarks; beginning of colophon, folio 187 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at th
Bottom cover, from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina), Gum
Punch Bowl at the Cleveland Museum of Art: c. 1770, soft-paste porcelain. Explore the work's context, creator attribution and collection history.
The Old Road to the Sea at the Cleveland Museum of Art: c. 1893, oil on canvas. Explore the work's context, creator attribution and collection history.
Landscape with the Town on a River and the Cottage between Trees at the Cleveland Museum of Art: 1551, etching. Explore the work's context, creator attribution and collection history.
A Young Woman Buying a Pink from a Young Man at the Cleveland Museum of Art: c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper. Explore the work's context, creator attribution and collection history.
A Flying Angel (recto); Studies of Hands Playing Instruments (verso) at the Cleveland Museum of Art: 1723–27, black chalk heightened with traces of white chalk. Explore the work's context, creator attribution and collection history.
A Flying Angel (recto) at the Cleveland Museum of Art: 1723–27, black chalk heightened with traces of white chalk. Explore the work's context, creator attribution and collection history.
Studies of Hands Playing Instruments (verso) at the Cleveland Museum of Art: 1723–27, black chalk. Explore the work's context, creator attribution and collection history.
Dancers in a Pavilion at the Cleveland Museum of Art: 1720s, oil on canvas. Explore the work's context, creator attribution and collection history.
Colophon, folio 188 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra) at the Cleveland Museum of Art: Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month o
Medicine Master Buddha and the Twelve Divine Generals at the Cleveland Museum of Art: 1200s, Hanging scroll painting; ink, color, gold, and silver on silk. Explore the work's context, creator attribution and collection history.
Head of a Woman at the Cleveland Museum of Art: 400–200 BCE, marble. Explore the work's context, creator attribution and collection history.
Pair of Ear Flare Frontals at the Cleveland Museum of Art: Chimú style (900–1470), hammered gold alloy. Explore the work's context, creator attribution and collection history.
Ear Flare Frontal at the Cleveland Museum of Art: Chimú style (900–1470), hammered gold alloy. Explore the work's context, creator attribution and collection history.
Plaque at the Cleveland Museum of Art: c. 500–200 BCE, hammered and cut gold. Explore the work's context, creator attribution and collection history.
Headdress Ornament at the Cleveland Museum of Art: c. 300 BCE–200 CE, hammered and embossed gold-copper alloy. Explore the work's context, creator attribution and collection history.
Frieze with Apsaras at the Cleveland Museum of Art: late 1100s, sandstone. Explore the work's context, creator attribution and collection history.
Fragment with palmette arches with Alhambra wall pattern at the Cleveland Museum of Art: 1300s, Silk and gilt-metal thread: lampas weave. Explore the work's context, creator attribution and collection history.
Mantle for a Statue of the Virgin with Lotus Blossoms and Medallions at the Cleveland Museum of Art: c. 1430, Silk and gilt-metal thread: lampas weave. Explore the work's context, creator attribution and collection history.
Lampas with foliate roundels at the Cleveland Museum of Art: 1300s, lampas: silk and gold thread. Explore the work's context, creator attribution and collection history.
Shepherds in a Round Dance at the Cleveland Museum of Art: around 1500, Wool and silk: tapestry weave. Explore the work's context, creator attribution and collection history.
Aurelius Antoninus Pius at the Cleveland Museum of Art: late 1400s, marble. Explore the work's context, creator attribution and collection history.
Madonna and Child at the Cleveland Museum of Art: c. 1450, polychromed terracotta. Explore the work's context, creator attribution and collection history.
Virgin and Child with Four Saints at the Cleveland Museum of Art: c. 1500, tapestry weave: linen warp, wool and silk wefts. Explore the work's context, creator attribution and collection history.
Yusuf and Zulaykha meeting at the Cleveland Museum of Art: c. 1764, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
The Dock of Deauville at the Cleveland Museum of Art: 1891, oil on wood panel. Explore the work's context, creator attribution and collection history.
Village Wedding at the Cleveland Museum of Art: 1785, Lavis-manner color engraving and etching. Explore the work's context, creator attribution and collection history.
Study of a Reclining Nude at the Cleveland Museum of Art: c. 1841, oil on fabric. Explore the work's context, creator attribution and collection history.
Mourning Virgin from a Crucifixion Group at the Cleveland Museum of Art: about 1620/40, pearwood. Explore the work's context, creator attribution and collection history.
Antelope and deer hunt at the Cleveland Museum of Art: c. 1602–4, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Christ as the Man of Sorrows between the Virgin and St. John at the Cleveland Museum of Art: 1470–75, engraving. Explore the work's context, creator attribution and collection history.
Lazarus and the Rich Man at the Cleveland Museum of Art: c. 1550, oil on canvas. Explore the work's context, creator attribution and collection history.