Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
The Triumph of Truth over Envy, Plate 24 at the Cleveland Museum of Art: 1781, Etching and aquatint printed in brown ink with gold leaf. Explore the work's context, creator attribution and collection history.
Storage Jar (Vaso a Palla) at the Cleveland Museum of Art: c. 1560–80, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Cassone at the Cleveland Museum of Art: early 1500s, walnut, painted and gilded. Explore the work's context, creator attribution and collection history.
Hercules, Deianeira, and Nessus at the Cleveland Museum of Art: 1700s, glazed ceramic. Explore the work's context, creator attribution and collection history.
Two Beaded Panels at the Cleveland Museum of Art: late 1800s, glass beads on wool. Explore the work's context, creator attribution and collection history.
Beaded Panel at the Cleveland Museum of Art: late 1800s, glass beads on wool. Explore the work's context, creator attribution and collection history.
Beaded Panel at the Cleveland Museum of Art: late 1800s, glass beads on wool. Explore the work's context, creator attribution and collection history.
A Rishi Stirring Up a Storm at the Cleveland Museum of Art: 1897, watercolor and gouache over graphite. Explore the work's context, creator attribution and collection history.
Bathers Playing with a Crab at the Cleveland Museum of Art: c. 1897, oil on canvas. Explore the work's context, creator attribution and collection history.
Marigolds, single Anemone, Jasmine. . . . at the Cleveland Museum of Art: c. 1680–95, etching and engraving, hand colored. Explore the work's context, creator attribution and collection history.
Cultivated Medlar (Mespilus germanica) at the Cleveland Museum of Art: c. 1800, stipple and roulette. Explore the work's context, creator attribution and collection history.
The Dragon Arum, Black Calla or Solomon's Lily at the Cleveland Museum of Art: 1799–1807, mezzotint. Explore the work's context, creator attribution and collection history.
The Blue Passion-flower at the Cleveland Museum of Art: 1799–1807, aquatint, stipple, line engraving, etching and roulette. Explore the work's context, creator attribution and collection history.
Embroidered Border: The Pharaoh Being Submerged in the Sea at the Cleveland Museum of Art: 1500s-1600s, Plain weave linen; embroidery in silk; attached border of needle lace. Explore the work's context, creator attribution and collection hi
Embroidered Border: The Making of Unleavened Bread and the Israelites Sent Away at the Cleveland Museum of Art: 1500s-1600s, Plain weave linen; embroidery in silk; attached border of needle lace. Explore the work's context, creator attribut
Embroidered Border: The Baking of Unleavened Bread at the Cleveland Museum of Art: 1500s-1600s, Plain weave linen; embroidery in silk; attached border of needle lace. Explore the work's context, creator attribution and collection history.
Embroidered Border: The Death of the First Born and the Israelites Sent Away at the Cleveland Museum of Art: 1500s-1600s, Plain weave linen; embroidery in silk; attached border of needle lace. Explore the work's context, creator attribution
The Nativity at the Cleveland Museum of Art: 1470–75, engraving. Explore the work's context, creator attribution and collection history.
Furnishing textile at the Cleveland Museum of Art: 1800s, Cotton, silk, dye. Explore the work's context, creator attribution and collection history.
Border with Mounted and Standing Figures, Chariots, and Animals at the Cleveland Museum of Art: 1800s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions). Explore the work's context, creator attrib
Silk Decorative Tunic Band with a Hunter at the Cleveland Museum of Art: 700s, Silk: complementary weft-faced twill with inner warps (samit). Explore the work's context, creator attribution and collection history.
Fragment with peacocks in ogival pattern at the Cleveland Museum of Art: 1004–1260 (radiocarbon date, 95% probability), Silk: plain weave with supplementary weft. Explore the work's context, creator attribution and collection history.
Double-Sided Leaf from a Qur'an at the Cleveland Museum of Art: 1100s, opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Page from a Qur'an, Sura al-Nisa 4, Verses 157–58 at the Cleveland Museum of Art: 1100s, opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Page from a Qur'an, Sura al-Nisa 4, verses 159–60 at the Cleveland Museum of Art: 1100s, ink, gold, and colors on paper. Explore the work's context, creator attribution and collection history.
Animal-Headed Figure Pendant at the Cleveland Museum of Art: 1–800 CE, cast gold. Explore the work's context, creator attribution and collection history.
Pan of Rohallion at the Cleveland Museum of Art: 1890, bronze. Explore the work's context, creator attribution and collection history.
Dance of Death: Death the Strangler at the Cleveland Museum of Art: 1850, woodcut. Explore the work's context, creator attribution and collection history.
Copy of a Roman Statue of a Seated Woman at the Cleveland Museum of Art: c. 1450–94, pen and brown ink (two different colors) with graphite; framing lines in pen and brown ink. Explore the work's context, creator attribution and collection
![Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto] (c. 1570; Cleveland 1939.670)](https://openaccess-cdn.clevelandart.org/1939.670/1939.670_web.jpg)
Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto] at the Cleveland Museum of Art: c. 1570, pen and brown ink (iron gall) and brush and brown wash. Explore the work's context, creat
Various Sketches of the Madonna and Child (recto) at the Cleveland Museum of Art: c. 1580, pen and brown ink (iron gall) and brush and brown wash. Explore the work's context, creator attribution and collection history.
![Single Leaf Excised from an Antiphonary: Inital A[spiciens a longe] with Christ in Majesty (c. 1330–1350; Cleveland 1939.677)](https://openaccess-cdn.clevelandart.org/1939.677/1939.677_web.jpg)
Single Leaf Excised from an Antiphonary: Inital A[spiciens a longe] with Christ in Majesty at the Cleveland Museum of Art: c. 1330–1350, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection histor
The Letter at the Cleveland Museum of Art: 1934, oil on canvas. Explore the work's context, creator attribution and collection history.
Plate: Diana and Acteon at the Cleveland Museum of Art: 1522, tin-glazed earthenware with gold and red lustre (maiolica). Explore the work's context, creator attribution and collection history.
Candelabrum Pair at the Cleveland Museum of Art: 1757–1758, silver. Explore the work's context, creator attribution and collection history.
Candelabrum at the Cleveland Museum of Art: 1757–1758, silver. Explore the work's context, creator attribution and collection history.
Candelabrum at the Cleveland Museum of Art: 1757–58, silver. Explore the work's context, creator attribution and collection history.
Sauce Boat at the Cleveland Museum of Art: 1743, silver. Explore the work's context, creator attribution and collection history.
Pair of Lace Lappets at the Cleveland Museum of Art: 1800s, Silk: bobbin lace. Explore the work's context, creator attribution and collection history.
Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404) at the Cleveland Museum of Art: 1404–1410, vizille alabaster. Explore the work's context, creator attribution and collection history.