Net Worth →

Lifestyle archive — Page 164

Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →

Candelabrum (100–1 BCE; Cleveland 1953.11)

Candelabrum (100–1 BCE): Art, History and Details

Candelabrum at the Cleveland Museum of Art: 100–1 BCE, bronze. Explore the work's context, creator attribution and collection history.

Lamp (100–1 BCE; Cleveland 1953.12)

Lamp (100–1 BCE): Art, History and Details

Lamp at the Cleveland Museum of Art: 100–1 BCE, bronze. Explore the work's context, creator attribution and collection history.

Bowl with Flower Petals (1300s; Cleveland 1953.122)

Bowl with Flower Petals (1300s): Art, History and Details

Bowl with Flower Petals at the Cleveland Museum of Art: 1300s, glazed porcelain with molded decoration, Shufu ware. Explore the work's context, creator attribution and collection history.

Welcoming Descent of Amida (Amida Raigō) (1300–1333; Cleveland 1953.123)

Welcoming Descent of Amida (Amida Raigō) (1300–1333): Art, History and Details

Welcoming Descent of Amida (Amida Raigō) at the Cleveland Museum of Art: 1300–1333, hanging scroll; ink, color and gold on silk. Explore the work's context, creator attribution and collection history.

Candelabrum Stand of a Dancing Maenad (525–500 BCE; Cleveland 1953.124)

Candelabrum Stand of a Dancing Maenad (525–500 BCE): Art, History and Details

Candelabrum Stand of a Dancing Maenad at the Cleveland Museum of Art: 525–500 BCE, bronze. Explore the work's context, creator attribution and collection history.

Torso of a Kouros (c. 550 BCE; Cleveland 1953.125)

Torso of a Kouros (c. 550 BCE): Art, History and Details

Torso of a Kouros at the Cleveland Museum of Art: c. 550 BCE, marble. Explore the work's context, creator attribution and collection history.

Streams and Mountains without End (1100–1150; Cleveland 1953.126)

Streams and Mountains without End (1100–1150): Art, History and Details

Streams and Mountains without End at the Cleveland Museum of Art: 1100–1150, handscroll; ink and slight color on silk. Explore the work's context, creator attribution and collection history.

Plate with Grapes and Floral Sprays (1403–24; Cleveland 1953.127)

Plate with Grapes and Floral Sprays (1403–24): Art, History and Details

Plate with Grapes and Floral Sprays at the Cleveland Museum of Art: 1403–24, porcelain with underglaze blue decoration. Explore the work's context, creator attribution and collection history.

The birth of Rama and his brothers, from Chapter 17 of the Bala Kanda (Book of Childhood) of the Adhyatma Ramayana (Rama's Journey of the Supreme Spirit) from the Brahmanda Purana (Ancient Scripture of the Cosmic Egg) (c. 1820–30; Cleveland 1953.13)

The birth of Rama and his brothers, from Chapter 17 of the Bala Kanda (Book of Childhood) of the Adhyatma Ramayana (Rama's Journey of the Supreme Spirit) from the Brahmanda Purana (Ancient Scripture o

The birth of Rama and his brothers, from Chapter 17 of the Bala Kanda (Book of Childhood) of the Adhyatma Ramayana (Rama's Journey of the Supreme Spirit) from the Brahmanda Purana (Ancient Scripture of the Cosmic Egg) at the Cleveland Museu

Pendant with Shri (c. 100s CE; Cleveland 1953.14)

Pendant with Shri (c. 100s CE): Art, History and Details

Pendant with Shri at the Cleveland Museum of Art: c. 100s CE, gold repoussé and carnelian. Explore the work's context, creator attribution and collection history.

Mandala of the Three Shrines at Kumano (1300s; Cleveland 1953.16)

Mandala of the Three Shrines at Kumano (1300s): Art, History and Details

Mandala of the Three Shrines at Kumano at the Cleveland Museum of Art: 1300s, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.

Lampas with dancers and musicians (1600–1650; Cleveland 1953.17)

Lampas with dancers and musicians (1600–1650): Art, History and Details

Lampas with dancers and musicians at the Cleveland Museum of Art: 1600–1650, silk and silver-metal thread: lampas, brocaded. Explore the work's context, creator attribution and collection history.

Nereid (Sea-Nymph) from a Hanging (late 300s–400s CE; Cleveland 1953.18)

Nereid (Sea-Nymph) from a Hanging (late 300s–400s CE): Art, History and Details

Nereid (Sea-Nymph) from a Hanging at the Cleveland Museum of Art: late 300s–400s CE, dyed wool, undyed linen. Explore the work's context, creator attribution and collection history.

Initial R from a Choral Book with King David(?) (c. 1470–1480; Cleveland 1953.22)

Initial R from a Choral Book with King David(?) (c. 1470–1480): Art, History and Details

Initial R from a Choral Book with King David(?) at the Cleveland Museum of Art: c. 1470–1480, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from an Antiphonary: Coronation of the Virgin (1400s; Cleveland 1953.24)

Leaf from an Antiphonary: Coronation of the Virgin (1400s): Art, History and Details

Leaf from an Antiphonary: Coronation of the Virgin at the Cleveland Museum of Art: 1400s, Ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Pair of Covered Tureens on Stand (Paire de pots-à-oille) (1757–58; Cleveland 1953.25)

Pair of Covered Tureens on Stand (Paire de pots-à-oille) (1757–58): Art, History and Details

Pair of Covered Tureens on Stand (Paire de pots-à-oille) at the Cleveland Museum of Art: 1757–58, soft-paste porcelain with enamel and gilt decoration. Explore the work's context, creator attribution and collection history.

Allegory of Christian Belief (c. 1622; Cleveland 1953.6)

Allegory of Christian Belief (c. 1622): Art, History and Details

Allegory of Christian Belief at the Cleveland Museum of Art: c. 1622, pen and brown ink and brush and brown wash; framing lines in pen and black ink. Explore the work's context, creator attribution and collection history.

Coat of Arms with a Skull (1503; Cleveland 1953.9)

Coat of Arms with a Skull (1503): Art, History and Details

Coat of Arms with a Skull at the Cleveland Museum of Art: 1503, engraving. Explore the work's context, creator attribution and collection history.

Embroidered Tondo from an Altar Frontal: The Coronation of the Virgin (1459; Cleveland 1953.129)

Embroidered Tondo from an Altar Frontal: The Coronation of the Virgin (1459): Art, History and Details

Embroidered Tondo from an Altar Frontal: The Coronation of the Virgin at the Cleveland Museum of Art: 1459, Embroidery with gold, silver, and silk thread; split, satin, and couching stitches, or nué (shaded gold). Explore the work's context

The Toilet, from The Rape of the Lock by Alexander Pope (c. 1895–96; Cleveland 1953.136)

The Toilet, from The Rape of the Lock by Alexander Pope (c. 1895–96): Art, History and Details

The Toilet, from The Rape of the Lock by Alexander Pope at the Cleveland Museum of Art: c. 1895–96, pen and black ink with traces of graphite underdrawing. Explore the work's context, creator attribution and collection history.

The Virgin Seated at the Foot of a Tree (1522; Cleveland 1953.138)

The Virgin Seated at the Foot of a Tree (1522): Art, History and Details

The Virgin Seated at the Foot of a Tree at the Cleveland Museum of Art: 1522, engraving. Explore the work's context, creator attribution and collection history.

The Promenade (c. 1497; Cleveland 1953.139)

The Promenade (c. 1497): Art, History and Details

The Promenade at the Cleveland Museum of Art: c. 1497, engraving. Explore the work's context, creator attribution and collection history.

The Baptism of Christ (1530s; Cleveland 1953.143)

The Baptism of Christ (1530s): Art, History and Details

The Baptism of Christ at the Cleveland Museum of Art: 1530s, oil on wood. Explore the work's context, creator attribution and collection history.

Leaves Excised from a Psalter (seven) (c. 1260; Cleveland 1953.145)

Leaves Excised from a Psalter (seven) (c. 1260): Art, History and Details

Leaves Excised from a Psalter (seven) at the Cleveland Museum of Art: c. 1260, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf Excised from a Psalter: Initial B with King David (c. 1260; Cleveland 1953.145.1)

Leaf Excised from a Psalter: Initial B with King David (c. 1260): Art, History and Details

Leaf Excised from a Psalter: Initial B with King David at the Cleveland Museum of Art: c. 1260, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf Excised from a Psalter: The Ascension (c. 1260; Cleveland 1953.145.2)

Leaf Excised from a Psalter: The Ascension (c. 1260): Art, History and Details

Leaf Excised from a Psalter: The Ascension at the Cleveland Museum of Art: c. 1260, tempera and burnished gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf Excised from a Psalter: The Pentecost (c. 1260; Cleveland 1953.145.3)

Leaf Excised from a Psalter: The Pentecost (c. 1260): Art, History and Details

Leaf Excised from a Psalter: The Pentecost at the Cleveland Museum of Art: c. 1260, tempera and burnished gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf Excised from a Psalter: The Nativity (c. 1260; Cleveland 1953.145.5)

Leaf Excised from a Psalter: The Nativity (c. 1260): Art, History and Details

Leaf Excised from a Psalter: The Nativity at the Cleveland Museum of Art: c. 1260, tempera and burnished gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf Excised from a Psalter: Flight Into Egypt (c. 1260; Cleveland 1953.145.6)

Leaf Excised from a Psalter: Flight Into Egypt (c. 1260): Art, History and Details

Leaf Excised from a Psalter: Flight Into Egypt at the Cleveland Museum of Art: c. 1260, tempera and burnished gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf Excised from a Psalter: Massacre of the Innocents (c. 1260; Cleveland 1953.145.7)

Leaf Excised from a Psalter: Massacre of the Innocents (c. 1260): Art, History and Details

Leaf Excised from a Psalter: Massacre of the Innocents at the Cleveland Museum of Art: c. 1260, tempera and burnished gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Cocharelli Treatise on the Vices: Acedia and Her Court (c. 1330; Cleveland 1953.152)

Leaf from a Cocharelli Treatise on the Vices: Acedia and Her Court (c. 1330): Art, History and Details

Leaf from a Cocharelli Treatise on the Vices: Acedia and Her Court at the Cleveland Museum of Art: c. 1330, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Head of a Young Noble (746; Cleveland 1953.154)

Head of a Young Noble (746): Art, History and Details

Head of a Young Noble at the Cleveland Museum of Art: 746, stone. Explore the work's context, creator attribution and collection history.

Spring Flowers (1864; Cleveland 1953.155)

Spring Flowers (1864): Art, History and Details

Spring Flowers at the Cleveland Museum of Art: 1864, oil on canvas. Explore the work's context, creator attribution and collection history.

The Return of the Holy Family to Nazareth (c. 1627; Cleveland 1953.156)

The Return of the Holy Family to Nazareth (c. 1627): Art, History and Details

The Return of the Holy Family to Nazareth at the Cleveland Museum of Art: c. 1627, oil on canvas. Explore the work's context, creator attribution and collection history.

River Landscape with Three Bare Willow Trees at Right and a Long Winding Wooden Bridge at Center Leading to a Village (1546; Cleveland 1953.157)

River Landscape with Three Bare Willow Trees at Right and a Long Winding Wooden Bridge at Center Leading to a Village (1546): Art, History and Details

River Landscape with Three Bare Willow Trees at Right and a Long Winding Wooden Bridge at Center Leading to a Village at the Cleveland Museum of Art: 1546, etching. Explore the work's context, creator attribution and collection history.

Under the Trees (from "The Public Gardens") (1894; Cleveland 1953.212)

Under the Trees (from "The Public Gardens") (1894): Art, History and Details

Under the Trees (from "The Public Gardens") at the Cleveland Museum of Art: 1894, distemper on fabric. Explore the work's context, creator attribution and collection history.

The Apocalypse (bound volume) (1555; Cleveland 1953.213)

The Apocalypse (bound volume) (1555): Art, History and Details

The Apocalypse (bound volume) at the Cleveland Museum of Art: 1555, engraving. Explore the work's context, creator attribution and collection history.

The Apocalypse: Duvet Studying the Apocalypse (1555; Cleveland 1953.213.1)

The Apocalypse: Duvet Studying the Apocalypse (1555): Art, History and Details

The Apocalypse: Duvet Studying the Apocalypse at the Cleveland Museum of Art: 1555, engraving. Explore the work's context, creator attribution and collection history.

The Apocalypse: Saint John Sees the Four Riders (1546–56; Cleveland 1953.213.10)

The Apocalypse: Saint John Sees the Four Riders (1546–56): Art, History and Details

The Apocalypse: Saint John Sees the Four Riders at the Cleveland Museum of Art: 1546–56, engraving. Explore the work's context, creator attribution and collection history.

The Apocalypse: A Star Falls and Makes Hell to Open (1546–56; Cleveland 1953.213.11)

The Apocalypse: A Star Falls and Makes Hell to Open (1546–56): Art, History and Details

The Apocalypse: A Star Falls and Makes Hell to Open at the Cleveland Museum of Art: 1546–56, engraving. Explore the work's context, creator attribution and collection history.