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Leaf from an Antiphonary with Historiated Initial (H) with The Nativity (recto) and Music (verso) at the Cleveland Museum of Art: early 1300s, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collecti
Leaf from an Antiphonary with Historiated Initial (H) with The Nativity (recto) at the Cleveland Museum of Art: early 1300s, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.
Christ at the Column at the Cleveland Museum of Art: 1756, gilt bronze. Explore the work's context, creator attribution and collection history.
Panel from a Head Covering (‘Ajar) at the Cleveland Museum of Art: probably 1800s or early 1900s, Silk, metal, dye. Explore the work's context, creator attribution and collection history.
Portrait of Louis-Philippe, Duke of Orléans, later King of the French at the Cleveland Museum of Art: 1804, watercolor on ivory in a gold locket frame. Explore the work's context, creator attribution and collection history.
Violet and Columbine at the Cleveland Museum of Art: 1883, jacquard loom woven weft-faced twill, double cloth; wool and mohair. Explore the work's context, creator attribution and collection history.
Peacock and Dragon at the Cleveland Museum of Art: 1878, weft-faced compound twill; wool. Explore the work's context, creator attribution and collection history.
Fragment with running animal roundels and kufic inscriptions at the Cleveland Museum of Art: 1530–1950 (radiocarbon date, 95% probability), Silk: lampas weave, brocaded. Explore the work's context, creator attribution and collection history
Nude Female Dancers from a Tunic at the Cleveland Museum of Art: 700s, Silk; complementary weft-faced twill weave with inner warps (samite). Explore the work's context, creator attribution and collection history.
Hope and Despair II at the Cleveland Museum of Art: 1931, lithograph. Explore the work's context, creator attribution and collection history.
Saint-Tropez: The Port at the Cleveland Museum of Art: 1897–98, color lithograph. Explore the work's context, creator attribution and collection history.
Adam and Eve at the Cleveland Museum of Art: c. 1514, woodcut. Explore the work's context, creator attribution and collection history.
![Rama and Lakshmana Fighting Ravana, from a Dashavatara (Ten Incarnations [of Vishnu]) series (c. 1765; Cleveland 1953.357)](https://openaccess-cdn.clevelandart.org/1953.357/1953.357_web.jpg)
Rama and Lakshmana Fighting Ravana, from a Dashavatara (Ten Incarnations [of Vishnu]) series at the Cleveland Museum of Art: c. 1765, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
The Story of Fukutomi at the Cleveland Museum of Art: mid-1400s, Handscroll; ink and color on paper. Explore the work's context, creator attribution and collection history.
Wooden Casket: Scenes from the Life of Christ at the Cleveland Museum of Art: c. 1050, boxwood, copper-alloy, glass. Explore the work's context, creator attribution and collection history.
Ewer at the Cleveland Museum of Art: c. 1540–67, lead-glazed, white-paste earthenware with inlaid slip decoration. Explore the work's context, creator attribution and collection history.
The Peddler Goblet at the Cleveland Museum of Art: 1800s, green and blue glass, enameled and gilded. Explore the work's context, creator attribution and collection history.
Leaves from a Book of Hours: The Visitation and Christ in Judgment at the Cleveland Museum of Art: c. 1415, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Book of Hours: The Visitation at the Cleveland Museum of Art: c. 1415, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
The Pie Wagon at the Cleveland Museum of Art: c. 1926, oil on canvas. Explore the work's context, creator attribution and collection history.
Feast Ladle at the Cleveland Museum of Art: late 1800s–early 1900s, horn, bone, copper, abalone shell inlay. Explore the work's context, creator attribution and collection history.
Head of Saint John the Baptist at the Cleveland Museum of Art: c. 1550–1650, oil on canvas. Explore the work's context, creator attribution and collection history.
Plaque at the Cleveland Museum of Art: 1500s–1600s, Copper alloy. Explore the work's context, creator attribution and collection history.
Fragment with Double-Headed "Simurgh"-Eagles at the Cleveland Museum of Art: before 1953, Silk: lampas weave. Explore the work's context, creator attribution and collection history.
Mask at the Cleveland Museum of Art: early 1900s, before 1933–37, Wood, copper alloy, plant fiber, cloth, rawhide or leather, teeth, seeds, resin, synthetic material, iron, and glass beads. Explore the work's context, creator attribution an
Band with Trophy Heads at the Cleveland Museum of Art: 100 BCE–700 CE, interlocking warp and weft, single interlock: wool. Explore the work's context, creator attribution and collection history.
Egypt and Nubia, Volume III, No. 26, Cairo, Looking West at the Cleveland Museum of Art: 1838, color lithograph. Explore the work's context, creator attribution and collection history.
Egypt & Nubia, Volume III, No. 8: Mosque of Sultan Hassan, Cairo at the Cleveland Museum of Art: 1842–49, color lithograph. Explore the work's context, creator attribution and collection history.
Egypt and Nubia: Volume III - No. 36, Interior of the Mosque of the Sultan El Ghoree at the Cleveland Museum of Art: 1838, color lithograph. Explore the work's context, creator attribution and collection history.
Egypt and Nubia: Volume III–No. 38, Mosque of Sultan Hassan from the Great Square of the Rameyleh at the Cleveland Museum of Art: 1838, color lithograph. Explore the work's context, creator attribution and collection history.
Allegorical Figure at the Cleveland Museum of Art: c. 1635, black chalk with red chalk. Explore the work's context, creator attribution and collection history.
Landscape with Two Pines at the Cleveland Museum of Art: 1521–22, etching. Explore the work's context, creator attribution and collection history.
Amulet in the Form of a Seated Figure with Bovine Head at the Cleveland Museum of Art: c. 4700–2920 BCE, jade (nephrite). Explore the work's context, creator attribution and collection history.
Tall Bamboo and Distant Mountains, after Wang Meng at the Cleveland Museum of Art: 1694, Hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.
Scissors Case (Etui) at the Cleveland Museum of Art: c.1690, silver. Explore the work's context, creator attribution and collection history.
Soap Box and Sponge Box Set at the Cleveland Museum of Art: 1769, soft-paste porcelain with enamel and gilt decoration. Explore the work's context, creator attribution and collection history.
Initial E from a Municipal Law Book: The Last Judgment at the Cleveland Museum of Art: c. 1330, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.
Plaque from a Reliquary Shrine at the Cleveland Museum of Art: c. 1180–1190, gilded copper; champlevé and cloisonné enamel. Explore the work's context, creator attribution and collection history.
Mounted Rock Crystal at the Cleveland Museum of Art: 500s-600s, gold, quartz, almandine. Explore the work's context, creator attribution and collection history.
![Single Leaf Excised from a Choir Psalter: Initial E[xultate Deo] with King David Playing the Lute (Psalm 80) (c. 1408; Cleveland 1953.641)](https://openaccess-cdn.clevelandart.org/1953.641/1953.641_web.jpg)
Single Leaf Excised from a Choir Psalter: Initial E[xultate Deo] with King David Playing the Lute (Psalm 80) at the Cleveland Museum of Art: c. 1408, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and coll