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Lifestyle archive — Page 167

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Leaf from a Psalter with Full Border with Medallions (Annunciation, SS. Jerome, Clare, Sebastian and Bernardino) and Historiated Initial (E): Virgin and Child (1475; Cleveland 1953.642)

Leaf from a Psalter with Full Border with Medallions (Annunciation, SS. Jerome, Clare, Sebastian and Bernardino) and Historiated Initial (E): Virgin and Child (1475): Art, History and Details

Leaf from a Psalter with Full Border with Medallions (Annunciation, SS. Jerome, Clare, Sebastian and Bernardino) and Historiated Initial (E): Virgin and Child at the Cleveland Museum of Art: 1475, ink, tempera, and gold on parchment. Explor

The Rocky Seashore (c. 1907–10; Cleveland 1953.655)

The Rocky Seashore (c. 1907–10): Art, History and Details

The Rocky Seashore at the Cleveland Museum of Art: c. 1907–10, watercolor with traces of graphite. Explore the work's context, creator attribution and collection history.

The Annunciation and The Nativity (c. 1457; Cleveland 1953.660)

The Annunciation and The Nativity (c. 1457): Art, History and Details

The Annunciation and The Nativity at the Cleveland Museum of Art: c. 1457, oil, tempera, and gold on wood panel (fir). Explore the work's context, creator attribution and collection history.

The Annunciation (c. 1457; Cleveland 1953.660.1)

The Annunciation (c. 1457): Art, History and Details

The Annunciation at the Cleveland Museum of Art: c. 1457, oil, tempera, and gold on wood panel (fir). Explore the work's context, creator attribution and collection history.

The Nativity (c. 1457; Cleveland 1953.660.2)

The Nativity (c. 1457): Art, History and Details

The Nativity at the Cleveland Museum of Art: c. 1457, oil, tempera, and gold on wood panel (fir). Explore the work's context, creator attribution and collection history.

No. 1: Title Page (c. 1736; Cleveland 1953.671)

No. 1: Title Page (c. 1736): Art, History and Details

No. 1: Title Page at the Cleveland Museum of Art: c. 1736, etching. Explore the work's context, creator attribution and collection history.

Book of Fountains: No. 2 (c. 1736; Cleveland 1953.672)

Book of Fountains: No. 2 (c. 1736): Art, History and Details

Book of Fountains: No. 2 at the Cleveland Museum of Art: c. 1736, etching. Explore the work's context, creator attribution and collection history.

Book of Fountains: No. 3 (c. 1736; Cleveland 1953.673)

Book of Fountains: No. 3 (c. 1736): Art, History and Details

Book of Fountains: No. 3 at the Cleveland Museum of Art: c. 1736, etching. Explore the work's context, creator attribution and collection history.

Book of Fountains: No. 4 (c. 1736; Cleveland 1953.674)

Book of Fountains: No. 4 (c. 1736): Art, History and Details

Book of Fountains: No. 4 at the Cleveland Museum of Art: c. 1736, etching. Explore the work's context, creator attribution and collection history.

Book of Fountains: No. 5 (c. 1736; Cleveland 1953.675)

Book of Fountains: No. 5 (c. 1736): Art, History and Details

Book of Fountains: No. 5 at the Cleveland Museum of Art: c. 1736, etching. Explore the work's context, creator attribution and collection history.

Book of Fountains: No. 7 (c. 1736; Cleveland 1953.676)

Book of Fountains: No. 7 (c. 1736): Art, History and Details

Book of Fountains: No. 7 at the Cleveland Museum of Art: c. 1736, etching. Explore the work's context, creator attribution and collection history.

Leaf Excised from Henry of Segusio's "Summa Aurea": Table of Consanguinity (c. 1280; Cleveland 1954.1)

Leaf Excised from Henry of Segusio's "Summa Aurea": Table of Consanguinity (c. 1280): Art, History and Details

Leaf Excised from Henry of Segusio's "Summa Aurea": Table of Consanguinity at the Cleveland Museum of Art: c. 1280, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso) (c. 1637–38; Cleveland 1954.2)

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso) (c. 1637–38): Art, History and Details

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso) at the Cleveland Museum of Art: c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache. Explore the work's context, creator attribution and coll

The Feast of Herod (recto) (c. 1637–38; Cleveland 1954.2.a)

The Feast of Herod (recto) (c. 1637–38): Art, History and Details

The Feast of Herod (recto) at the Cleveland Museum of Art: c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache. Explore the work's context, creator attribution and collection history.

Tomyris with the Head of Cyrus (verso) (c. 1637–38; Cleveland 1954.2.b)

Tomyris with the Head of Cyrus (verso) (c. 1637–38): Art, History and Details

Tomyris with the Head of Cyrus (verso) at the Cleveland Museum of Art: c. 1637–38, pen and brown ink, with black and red chalk. Explore the work's context, creator attribution and collection history.

Necklace with Pendants (500s; Cleveland 1954.3)

Necklace with Pendants (500s): Art, History and Details

Necklace with Pendants at the Cleveland Museum of Art: 500s, gold, garnets. Explore the work's context, creator attribution and collection history.

Plate (Assiette) (c. 1760–65; Cleveland 1954.5)

Plate (Assiette) (c. 1760–65): Art, History and Details

Plate (Assiette) at the Cleveland Museum of Art: c. 1760–65, soft-paste porcelain with enamel decoration. Explore the work's context, creator attribution and collection history.

Volpini Suite: Laundresses (Les Laveuses) (1889; Cleveland 1954.55.6)

Volpini Suite: Laundresses (Les Laveuses) (1889): Art, History and Details

Volpini Suite: Laundresses (Les Laveuses) at the Cleveland Museum of Art: 1889, zincograph. Explore the work's context, creator attribution and collection history.

Virgin and Child in the Grotto (Adoration of the Magi) (c. 1500; Cleveland 1954.66)

Virgin and Child in the Grotto (Adoration of the Magi) (c. 1500): Art, History and Details

Virgin and Child in the Grotto (Adoration of the Magi) at the Cleveland Museum of Art: c. 1500, engraving. Explore the work's context, creator attribution and collection history.

Exotic Gold-patterned Silk (1360–1400; Cleveland 1954.69)

Exotic Gold-patterned Silk (1360–1400): Art, History and Details

Exotic Gold-patterned Silk at the Cleveland Museum of Art: 1360–1400, silk, gold thread; a combination of two weaves, 2/1 twill and 1/3 twill (lampas). Explore the work's context, creator attribution and collection history.

Album of Textile Samples (700s; Cleveland 1954.70)

Album of Textile Samples (700s): Art, History and Details

Album of Textile Samples at the Cleveland Museum of Art: 700s, silk. Explore the work's context, creator attribution and collection history.

Ivy Lane (1700s; Cleveland 1954.127)

Ivy Lane (1700s): Art, History and Details

Ivy Lane at the Cleveland Museum of Art: 1700s, six-panel folding screen; ink and color on gilded paper. Explore the work's context, creator attribution and collection history.

Boy with Anchor (1873; Cleveland 1954.128)

Boy with Anchor (1873): Art, History and Details

Boy with Anchor at the Cleveland Museum of Art: 1873, Watercolor and graphite on paper. Explore the work's context, creator attribution and collection history.

Flüelen, from the Lake of Lucerne (1845; Cleveland 1954.129)

Flüelen, from the Lake of Lucerne (1845): Art, History and Details

Flüelen, from the Lake of Lucerne at the Cleveland Museum of Art: 1845, watercolor with gouache and scratch-away. Explore the work's context, creator attribution and collection history.

Leaves from a Book of Hours (c. 1470–1480; Cleveland 1954.140)

Leaves from a Book of Hours (c. 1470–1480): Art, History and Details

Leaves from a Book of Hours at the Cleveland Museum of Art: c. 1470–1480, tempera, liquid gold, and grisaille on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Annunciation to the Shepherds (c. 1470–1480; Cleveland 1954.140.1)

Leaf from a Book of Hours: Annunciation to the Shepherds (c. 1470–1480): Art, History and Details

Leaf from a Book of Hours: Annunciation to the Shepherds at the Cleveland Museum of Art: c. 1470–1480, tempera, liquid gold, and grisaille on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Coronation of the Virgin (c. 1470–1480; Cleveland 1954.140.2)

Leaf from a Book of Hours: Coronation of the Virgin (c. 1470–1480): Art, History and Details

Leaf from a Book of Hours: Coronation of the Virgin at the Cleveland Museum of Art: c. 1470–1480, tempera, liquid gold, and grisaille on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: The Visitation (c. 1470–1480; Cleveland 1954.140.3)

Leaf from a Book of Hours: The Visitation (c. 1470–1480): Art, History and Details

Leaf from a Book of Hours: The Visitation at the Cleveland Museum of Art: c. 1470–1480, tempera, liquid gold, and grisaille on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Presentation in the Temple (c. 1470–1480; Cleveland 1954.140.4)

Leaf from a Book of Hours: Presentation in the Temple (c. 1470–1480): Art, History and Details

Leaf from a Book of Hours: Presentation in the Temple at the Cleveland Museum of Art: c. 1470–1480, tempera, liquid gold, and grisaille on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Virgin and Child Enthroned (c. 1470–1480; Cleveland 1954.140.5)

Leaf from a Book of Hours: Virgin and Child Enthroned (c. 1470–1480): Art, History and Details

Leaf from a Book of Hours: Virgin and Child Enthroned at the Cleveland Museum of Art: c. 1470–1480, tempera, liquid gold, and grisaille on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Gradual: Historiated Initial R: The Resurrection (recto) and Initial D (verso) (mid-1300s; Cleveland 1954.145)

Leaf from a Gradual: Historiated Initial R: The Resurrection (recto) and Initial D (verso) (mid-1300s): Art, History and Details

Leaf from a Gradual: Historiated Initial R: The Resurrection (recto) and Initial D (verso) at the Cleveland Museum of Art: mid-1300s, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection histor

Pendant (Hei-tiki) (1800s; Cleveland 1954.147)

Pendant (Hei-tiki) (1800s): Art, History and Details

Pendant (Hei-tiki) at the Cleveland Museum of Art: 1800s, nephrite (greenstone). Explore the work's context, creator attribution and collection history.

Bird Pendant (Buzzard or Vulture?) (c. 300 BCE–600 CE; Cleveland 1954.148)

Bird Pendant (Buzzard or Vulture?) (c. 300 BCE–600 CE): Art, History and Details

Bird Pendant (Buzzard or Vulture?) at the Cleveland Museum of Art: c. 300 BCE–600 CE, jadeite. Explore the work's context, creator attribution and collection history.

Heraldic Panel with Arms of Lichtenfels and a Unicorn Hunt (c. 1515; Cleveland 1954.149)

Heraldic Panel with Arms of Lichtenfels and a Unicorn Hunt (c. 1515): Art, History and Details

Heraldic Panel with Arms of Lichtenfels and a Unicorn Hunt at the Cleveland Museum of Art: c. 1515, white glass with silver stain and pot metal. Explore the work's context, creator attribution and collection history.

The Arms of Heinrich Bodmer of Baden (c. 1530; Cleveland 1954.150)

The Arms of Heinrich Bodmer of Baden (c. 1530): Art, History and Details

The Arms of Heinrich Bodmer of Baden at the Cleveland Museum of Art: c. 1530, pot-metal and white glass, silver stain. Explore the work's context, creator attribution and collection history.

Leaf from a Gradual: Historiated Initial R: The Resurrection (recto) (mid-1300s; Cleveland 1954.145.a)

Leaf from a Gradual: Historiated Initial R: The Resurrection (recto) (mid-1300s): Art, History and Details

Leaf from a Gradual: Historiated Initial R: The Resurrection (recto) at the Cleveland Museum of Art: mid-1300s, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.

Leaf from a Gradual: Historiated Initial R: Initial D (verso) (mid-1300s; Cleveland 1954.145.b)

Leaf from a Gradual: Historiated Initial R: Initial D (verso) (mid-1300s): Art, History and Details

Leaf from a Gradual: Historiated Initial R: Initial D (verso) at the Cleveland Museum of Art: mid-1300s, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.

Initial S from a Gradual: Saint Augustine (c. 1420; Cleveland 1954.257)

Initial S from a Gradual: Saint Augustine (c. 1420): Art, History and Details

Initial S from a Gradual: Saint Augustine at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Pharmacy Jar (Albarello) (c. 1450; Cleveland 1954.258)

Pharmacy Jar (Albarello) (c. 1450): Art, History and Details

Pharmacy Jar (Albarello) at the Cleveland Museum of Art: c. 1450, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.

Bowl with Beaded Rim (300–500 CE; Cleveland 1954.259)

Bowl with Beaded Rim (300–500 CE): Art, History and Details

Bowl with Beaded Rim at the Cleveland Museum of Art: 300–500 CE, silver. Explore the work's context, creator attribution and collection history.