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Leaf from a Book of Hours: Initial D at the Cleveland Museum of Art: c. 1400, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Book of Hours: St. Bartholomew at the Cleveland Museum of Art: c. 1440–1460, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso) at the Cleveland Museum of Art: c. 1460–1500, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) and Ape Fishing (verso) at the Cleveland Museum of Art: c. 1500–1510, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) at the Cleveland Museum of Art: c. 1500–1510, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Book of Hours: Ape Fishing (verso) at the Cleveland Museum of Art: c. 1500–1510, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Book of Hours: The Raising of the Cross at the Cleveland Museum of Art: c. 1510–20, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves) at the Cleveland Museum of Art:
Pair of Needlework Bed Hangings in the Bizarre Style at the Cleveland Museum of Art: 1710–20, Silk, wool: needlework, tent and cross-stitch embroidery on canvas. Explore the work's context, creator attribution and collection history.
Needlework Bed Hanging in the Bizarre style (left half) at the Cleveland Museum of Art: 1710–20, Silk, wool; needlework, tent, and cross-stitch embroidery on canvas. Explore the work's context, creator attribution and collection history.
Needlework Bed Hanging in the Bizarre style (right half) at the Cleveland Museum of Art: 1710–20, needlework, tent and cross stitch embroidery on canvas; silk, wool. Explore the work's context, creator attribution and collection history.
Overmantel Mirror at the Cleveland Museum of Art: c. 1740, carved giltwood and glass. Explore the work's context, creator attribution and collection history.
Winter Trees Reflected in a Pond at the Cleveland Museum of Art: 1841–42, salted paper print from calotype negative. Explore the work's context, creator attribution and collection history.
Woman's Belt Hanger (Zone) at the Cleveland Museum of Art: c. 725–675 BCE, bronze. Explore the work's context, creator attribution and collection history.
Opéra (Rostral Column) at the Cleveland Museum of Art: c. 1875, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.
Leaf from a Psalter: Initial D: David at the Altar on the Threshing Floor of Ornan at the Cleveland Museum of Art: c. 1270–80, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Medallion from the Border of a Latin Bible: The Sixth Day of Creation at the Cleveland Museum of Art: early 1300s, tempera on vellum. Explore the work's context, creator attribution and collection history.
Bifolio from a Book of Hours: Initial V with Floral Border (recto) at the Cleveland Museum of Art: c. 1460–1500, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Mask (Emangungu) at the Cleveland Museum of Art: possibly early 1900s, Wood, kaolin, colorant, and iron. Explore the work's context, creator attribution and collection history.
Thebes, The Colossi of Memnon at the Cleveland Museum of Art: 1870s, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.
Footbridge with Cross before Trees at a River at the Cleveland Museum of Art: c.1803, etching. Explore the work's context, creator attribution and collection history.
Su Shi (So Shoku) and Pan Lang (Han Rō) at the Cleveland Museum of Art: early 1600s, pair of six-panel folding screens; ink, light color, and gold on paper. Explore the work's context, creator attribution and collection history.
Su Shi (So Shoku) at the Cleveland Museum of Art: early 1600s, one of a pair of six-panel folding screens; ink, light color, and gold on paper. Explore the work's context, creator attribution and collection history.
Pan Lang (Han Rō) at the Cleveland Museum of Art: early 1600s, one of a pair of six-panel folding screens; ink, light color, and gold on paper. Explore the work's context, creator attribution and collection history.
Lotus-blossom petal canopy at the Cleveland Museum of Art: c. 1600, silk: lampas. Explore the work's context, creator attribution and collection history.
Prestige stool (Kuo fo) at the Cleveland Museum of Art: possibly 1800s, Wood, cotton, plant fiber, glass beads, and indigo. Explore the work's context, creator attribution and collection history.
Night Café at the Cleveland Museum of Art: c. 1923, oil on canvas. Explore the work's context, creator attribution and collection history.
Peaches and Bats at the Cleveland Museum of Art: late 1600s–1700s, greenish-white jade. Explore the work's context, creator attribution and collection history.
Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami at the Cleveland Museum of Art: c. 1560–80, opaque watercolor, ink, and gold on paper. Explo
Bahram Visits the White Domed Pavilion on Friday (recto) at the Cleveland Museum of Art: c. 1560–80, opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Illuminated Folio from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: calligraphy: c. 1475–1500; border: c. 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator attribution
Illuminated folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: calligraphy: c. 1475–1500; border: c. 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator att
Illuminated folio (verso) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: calligraphy: c. 1475–1500; border: c. 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator att
Illuminated Folio from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: c. 1475–1500; border: c. 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator attribution and collecti
Illuminated Folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: c. 1475–1500; border: c. 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator attribution and
Illuminated folio from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291) at the Cleveland Museum of Art: about 1475–1500; border: about 1550, Gum tempera, ink, gold, and silver on paper. Explore the work's context, creator attribution and co
Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) at the Cleveland Museum of Art: c. 1524, ink, tempera and liquid gold on vellum. Explore the work's context, cre
Leaf from a Psalter and Prayerbook: Ornamental Border with Flowers and Squirrel (verso) at the Cleveland Museum of Art: c. 1524, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
Wall Hanging (pardah) at the Cleveland Museum of Art: 1800–1850, Silk: warp-faced plain weave, warp-ikat; cotton weft. Explore the work's context, creator attribution and collection history.
Wall hanging (pardah) at the Cleveland Museum of Art: 1850–75, warp ikat, warp-faced plain weave; silk warp; cotton weft; 5 panels./ lining: printed cotton, plain weave; 2 panels. Explore the work's context, creator attribution and collecti