Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
The Seed Received among the Thorns, from the Parable of the Sower at the Cleveland Museum of Art: c. 1573, Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer. Explore the work's context, creator attribution and c
Seated Zenki and Koki at the Cleveland Museum of Art: 1400s, wood with pigment. Explore the work's context, creator attribution and collection history.
Seated Zenki at the Cleveland Museum of Art: 1400s, wood with pigment. Explore the work's context, creator attribution and collection history.
Seated Koki at the Cleveland Museum of Art: 1400s, wood with pigment. Explore the work's context, creator attribution and collection history.
The Artist's Studio at the Cleveland Museum of Art: 1740s–50s, oil on copper. Explore the work's context, creator attribution and collection history.
Pipe Bowl at the Cleveland Museum of Art: possibly 1800s, Nephrite and metal. Explore the work's context, creator attribution and collection history.
Desk and Bookcase at the Cleveland Museum of Art: c. 1780–95, "Plum pudding" mahogany, red cedar, chestnut, white pine, brass. Explore the work's context, creator attribution and collection history.
Solidus of Justinian II at the Cleveland Museum of Art: 705, gold. Explore the work's context, creator attribution and collection history.
Solidus of Justinian II with Bust of Christ (obverse) at the Cleveland Museum of Art: 705, gold. Explore the work's context, creator attribution and collection history.
Solidus with Bust of Justinian II (reverse) at the Cleveland Museum of Art: 705 AD, gold. Explore the work's context, creator attribution and collection history.
Our Lady of Good Counsel at the Cleveland Museum of Art: c. 1680, oil on copper. Explore the work's context, creator attribution and collection history.
Virgin and Child in Majesty at the Cleveland Museum of Art: c. 1150–1200, polychrome wood (walnut). Explore the work's context, creator attribution and collection history.
Portrait of Philip II, King of Spain at the Cleveland Museum of Art: mid-1550s, citrine, mounted in a gold and enamel pendant. Explore the work's context, creator attribution and collection history.
The Calumny of Apelles at the Cleveland Museum of Art: 1560, engraving. Explore the work's context, creator attribution and collection history.
Male Effigy Vessel at the Cleveland Museum of Art: 100–650 CE (thermoluminescence date, 410–1010 CE), ceramic and slip. Explore the work's context, creator attribution and collection history.
Singers' Contest on the Wartburg at the Cleveland Museum of Art: c. 1853, graphite. Explore the work's context, creator attribution and collection history.
Portrait of the Artist's Children Emma and Paul at the Cleveland Museum of Art: c. 1795, watercolor on ivory, gold mount, set in the cover of a composition bonbonniere. Explore the work's context, creator attribution and collection history.
Portrait of the Artist's Children Emma and Paul at the Cleveland Museum of Art: c. 1795, watercolor on ivory, gold mount, set in the cover of a composition bonbonniere. Explore the work's context, creator attribution and collection history.
Portrait of the Artist's Children Emma and Paul (box) at the Cleveland Museum of Art: c. 1795, watercolor on ivory, gold mount, set in the cover of a composition bonbonniere. Explore the work's context, creator attribution and collection hi
Bacchanales at the Cleveland Museum of Art: 1763, Set of 4 etchings. Explore the work's context, creator attribution and collection history.
Bacchanales: Nymph Supported by Two Satyrs at the Cleveland Museum of Art: 1763, etching. Explore the work's context, creator attribution and collection history.
Bacchanales: The Satyr's Family at the Cleveland Museum of Art: 1763, etching. Explore the work's context, creator attribution and collection history.
Bacchanales: Nymph Astride a Satyr at the Cleveland Museum of Art: 1763, etching. Explore the work's context, creator attribution and collection history.
Bacchanales: The Satyr's Dance at the Cleveland Museum of Art: 1763, etching. Explore the work's context, creator attribution and collection history.
Spring and Autumn Farming at the Cleveland Museum of Art: 1700s, Pair of six-panel folding screens, ink, light color, gold, and silver on paper. Explore the work's context, creator attribution and collection history.
Spring and Autumn Farming (Spring) at the Cleveland Museum of Art: 1700s, Six-panel folding screen, ink, light color, gold, and silver on paper. Explore the work's context, creator attribution and collection history.
Spring and Autumn Farming (Autumn) at the Cleveland Museum of Art: 1700s, Six-panel folding screen, ink, light color, gold, and silver on paper. Explore the work's context, creator attribution and collection history.
En no Gyōja with Zenki and Kōki at the Cleveland Museum of Art: 1615–1868, wood with paint. Explore the work's context, creator attribution and collection history.
En no Gyōja with Zenki and Kōki (En no Gyōja) at the Cleveland Museum of Art: 1615–1868, wood with paint. Explore the work's context, creator attribution and collection history.
En no Gyōja with Zenki and Kōki (Zenki) at the Cleveland Museum of Art: 1615–1868, wood and paint. Explore the work's context, creator attribution and collection history.
En no Gyōja with Zenki and Kōki (Kōki) at the Cleveland Museum of Art: 1615–1868, wood and paint. Explore the work's context, creator attribution and collection history.
Head of a Young Woman at the Cleveland Museum of Art: early 1730s, oil on canvas. Explore the work's context, creator attribution and collection history.
Pair of Wheel-lock Petronels at the Cleveland Museum of Art: c. 1630, steel, gilding, and wood inlaid with elk horn, ivory, and mother-of-pearl. Explore the work's context, creator attribution and collection history.
Wheel-lock Petronel at the Cleveland Museum of Art: c. 1630, steel, gilding, and wood inlaid with elk horn, ivory, and mother-of-pearl. Explore the work's context, creator attribution and collection history.
Wheel-lock Petronel at the Cleveland Museum of Art: c. 1630, steel, gilding, and wood inlaid with elk horn, ivory, and mother-of-pearl. Explore the work's context, creator attribution and collection history.
Apollo with Erato and Cupid at the Cleveland Museum of Art: 1595, pen and black ink and brown wash heightened with white gouache. Explore the work's context, creator attribution and collection history.
Egypt and Nubia, Volume II: Fragments of the Great Colossi at the Memnonium, Thebes at the Cleveland Museum of Art: 1847, color lithograph. Explore the work's context, creator attribution and collection history.
Egypt and Nubia, Volume II: Entrance to the Tombs of the Kings of Thebes, Bab-El-Malouk at the Cleveland Museum of Art: 1848, color lithograph. Explore the work's context, creator attribution and collection history.
Egypt and Nubia, Volume II: Pyramids of Geezeh at the Cleveland Museum of Art: 1848, color lithograph. Explore the work's context, creator attribution and collection history.
Egypt and Nubia, Volume III, No. 26, Cairo, Looking West at the Cleveland Museum of Art: 1848, color lithograph. Explore the work's context, creator attribution and collection history.