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Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma at the Cleveland Museum of Art: 1748, etching and engraving. Explore the work's context, creator attribution and collection history.
Firefighter's Suit (Kaji shōzoku) at the Cleveland Museum of Art: late 1700s, Wool (rasha); applique and silk and gold thread cord. Explore the work's context, creator attribution and collection history.
Plastron or Frontpiece for a Firefighter's Suit (Kaji shōzoku) at the Cleveland Museum of Art: late 1700s, Wool (rasha); applique and silk and gold thread cord. Explore the work's context, creator attribution and collection history.
Sash for a Firefighter's Suit (Kaji shōzoku) at the Cleveland Museum of Art: late 1700s, Wool (rasha); applique and silk and gold thread cord. Explore the work's context, creator attribution and collection history.
Firefighter's Suit (Kaji shōzoku) at the Cleveland Museum of Art: late 1700s, Wool (rasha); applique and silk and gold thread cord. Explore the work's context, creator attribution and collection history.
Clock for a Garniture Set at the Cleveland Museum of Art: 1736–1770, Chinese hard-paste porcelain, gilt bronze, enameled metal. Explore the work's context, creator attribution and collection history.
Vase for a Garniture Set at the Cleveland Museum of Art: 1736–1770, Chinese hard-paste porcelain, gilt bronze, enameled metal. Explore the work's context, creator attribution and collection history.
Vase for a Garniture Set at the Cleveland Museum of Art: 1736–1770, Chinese hard-paste porcelain, gilt bronze, enameled metal. Explore the work's context, creator attribution and collection history.
Portrait of Maharaja Rai Singh of Bikaner (reigned 1574–1612) at the Cleveland Museum of Art: c. 1610, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Self-Portrait at Easel at the Cleveland Museum of Art: 1897, conté crayon with charcoal on laid paper. Explore the work's context, creator attribution and collection history.
Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events) at the Cleveland Museum of Art: 1670–80, Gum tempera, ink, silver, and gold on paper. Explore the work's context, creator attribution and col
Priest, France at the Cleveland Museum of Art: c. 1840s–50s, daguerreotype, half-plate. Explore the work's context, creator attribution and collection history.
Hunting Party with Badger, Loire Valley, France at the Cleveland Museum of Art: c. 1850, daguerreotype, quarter plate. Explore the work's context, creator attribution and collection history.
Monkey on Branch at the Cleveland Museum of Art: c. 1855, stereo daguerreotype, sixth plate. Explore the work's context, creator attribution and collection history.
View of the Acropolis at the Cleveland Museum of Art: c. 1880s, mammoth carbon print, brown-toned. Explore the work's context, creator attribution and collection history.
View of the Acropolis at the Cleveland Museum of Art: c. 1880s, mammoth carbon print. Explore the work's context, creator attribution and collection history.
View of the Acropolis (walking man in foreground) at the Cleveland Museum of Art: c. 1880s, mammoth carbon print, brown-toned. Explore the work's context, creator attribution and collection history.
View of the Parthenon at the Cleveland Museum of Art: c. 1880s, mammoth carbon print. Explore the work's context, creator attribution and collection history.
The Parthenon at the Cleveland Museum of Art: c. 1907–20, mammoth carbon print. Explore the work's context, creator attribution and collection history.
Young Alsacienne Woman at the Cleveland Museum of Art: c. 1871, carbon print on a ruled mount. Explore the work's context, creator attribution and collection history.
Kenilworth Castle, Warwickshire, England at the Cleveland Museum of Art: c. 1870s, mammoth untrimmed carbon print. Explore the work's context, creator attribution and collection history.
Façade Alsacienne, Corps de Garde à Colmar at the Cleveland Museum of Art: c. 1870s, mammoth untrimmed carbon print. Explore the work's context, creator attribution and collection history.
Chemin de fer de Toulouse à Bayonne. Pont de l'Aran (en trois arches de 17m d'ouverture chacune). Situation des travaux au 21 juillet 1861 at the Cleveland Museum of Art: 1861, albumen print from collodion negative. Explore the work's conte
La Belle Jardinère: le magasin de la rue de la Cité pendant sa demolition, Paris at the Cleveland Museum of Art: 1864–66, albumen print from collodion negative. Explore the work's context, creator attribution and collection history.
Fontaine du Jardin du Luxembourg (grotte de Marie de Médécis) at the Cleveland Museum of Art: c. 1850, Salted paper print, Blanquart-Évrard process. Explore the work's context, creator attribution and collection history.
Gorge de la Nouvelle Route des Eaux-Chaudes at the Cleveland Museum of Art: c. 1851, salt print from a waxed paper negative. Explore the work's context, creator attribution and collection history.
Portrait of Ernestine Nadar, the artist's wife, wearing fur stole at the Cleveland Museum of Art: c. 1880–83, uncut sheet of three matte gelatin silver carte-de-visites. Explore the work's context, creator attribution and collection history
Gioachino Antonio Rossini at the Cleveland Museum of Art: 1856, salt print mounted on card. Explore the work's context, creator attribution and collection history.
Two Boats at the Harbor of Dieppe at the Cleveland Museum of Art: 1854, watercolor and pencil on paper laid down on board. Explore the work's context, creator attribution and collection history.
A Canal, Venice at the Cleveland Museum of Art: 1800–1870, graphite and watercolor, heightened with white on buff paper. Explore the work's context, creator attribution and collection history.
Evening at the Cleveland Museum of Art: c. 1879, conté crayon and charcoal with stumping and white gouache on laid paper discolored to brown. Explore the work's context, creator attribution and collection history.
Coffee Urn at the Cleveland Museum of Art: c. 1843, Silver, ivory. Explore the work's context, creator attribution and collection history.
Coffee Urn at the Cleveland Museum of Art: c. 1843, Silver, ivory. Explore the work's context, creator attribution and collection history.
Cover for a Coffee Urn at the Cleveland Museum of Art: c. 1843, Silver. Explore the work's context, creator attribution and collection history.
Portrait of a man in profile, turned to the left at the Cleveland Museum of Art: 1632–34, black and white chalks, red, pink and yellow pastel on light brown paper. Explore the work's context, creator attribution and collection history.
Vessel with Reclining Dog at the Cleveland Museum of Art: 1470–1532, ceramic. Explore the work's context, creator attribution and collection history.