Bodhisattva (Tang dynasty (618–906), c. 725/50): Artwork and History

Bodhisattva (Tang dynasty (618–906), c. 725/50) is in the Art Institute of Chicago collection. The museum lists its creator attribution as China.

The work and its context

The Art Institute of Chicago describes the work:

In eighth-century China, Buddhist sculptors adopted new standards of secular beauty for spiritual figures. Whereas images of the Buddha appear sternly formal, bodhisattvas, the merciful deities that guide men toward salvation, often display more humanistic features. This bodhisattva's graceful proportions, upswept hair, sinuous drapery, and delicate jewelry convey an appealing physical elegance. Seated informally, the deity is poised to step down from its pedestal. Together with a large seated Buddha and another attendant bodhisattva in the Art Institute collection (1930.83, 1930.84), this sculpture came to the museum in 1930 with a note of its discovery in a temple known as Cangfosi in northern Hebei province. Neither archaeological nor written records have been located to confirm this reported site. The scale and stone medium of these figures suggest that they were commissioned for a cave temple or shrine a chamber carved into the face of a mountain or cliff.

Object facts

• Title: Bodhisattva
• Date: Tang dynasty (618–906), c. 725/50
• Artist attribution: China
• Place of origin: China
• Medium: Limestone with traces of polychromy
• Dimensions: 157.5 × 80.6 cm (62 × 31 3/4 in.); Diam.: 80.6 cm (31 3/4 in.)
• Type: Sculpture
• Department: Arts of Asia
• Reference number: 1930.85

Collection credit

Lucy Maud Buckingham Collection

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The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.