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Art & Design archive — Page 219

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Bowl: Kakiemon Ware (1 of 2) (late 1600s; Cleveland 1964.364.1)

Bowl: Kakiemon Ware (1 of 2) (late 1600s): Art, History and Details

Bowl: Kakiemon Ware (1 of 2) at the Cleveland Museum of Art: late 1600s, Imari ware porcelain with overglaze enamel and gold decoration. Explore the work's context, creator attribution and collection history.

Bowl: Kakiemon Ware (2 of 2) (late 1600s; Cleveland 1964.364.2)

Bowl: Kakiemon Ware (2 of 2) (late 1600s): Art, History and Details

Bowl: Kakiemon Ware (2 of 2) at the Cleveland Museum of Art: late 1600s, porcelain. Explore the work's context, creator attribution and collection history.

Standing Figure of a Beauty (c. 1690; Cleveland 1964.366)

Standing Figure of a Beauty (c. 1690): Art, History and Details

Standing Figure of a Beauty at the Cleveland Museum of Art: c. 1690, Porcelain with overglaze color enamels (Hizen ware, Kakiemon type). Explore the work's context, creator attribution and collection history.

Forbidden to the Vulgar (late 1800s-early 1900s; Cleveland 1964.367)

Forbidden to the Vulgar (late 1800s-early 1900s): Art, History and Details

Forbidden to the Vulgar at the Cleveland Museum of Art: late 1800s-early 1900s, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.

A Guardian of Shiva (1200s; Cleveland 1964.369)

A Guardian of Shiva (1200s): Art, History and Details

A Guardian of Shiva at the Cleveland Museum of Art: 1200s, Chloritic schist. Explore the work's context, creator attribution and collection history.

Bodhisattva of Wisdom (Manjushri) (1400s; Cleveland 1964.370)

Bodhisattva of Wisdom (Manjushri) (1400s): Art, History and Details

Bodhisattva of Wisdom (Manjushri) at the Cleveland Museum of Art: 1400s, Gilt bronze with precious and semiprecious stones, gum tempera, and cold gold. Explore the work's context, creator attribution and collection history.

Twelve Views of Tiger Hill (after 1490; Cleveland 1964.371)

Twelve Views of Tiger Hill (after 1490): Art, History and Details

Twelve Views of Tiger Hill at the Cleveland Museum of Art: after 1490, Album of twelve leaves; ink or ink and slight color on paper. Explore the work's context, creator attribution and collection history.

Distant View of Tiger Hill from the Canal Mooring, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.1)

Distant View of Tiger Hill from the Canal Mooring, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

Distant View of Tiger Hill from the Canal Mooring, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attributio

Tiger-Flight Spring at the Back Gate, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.10)

Tiger-Flight Spring at the Back Gate, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

Tiger-Flight Spring at the Back Gate, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collect

Bamboo Pavilion, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.11)

Bamboo Pavilion, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

Bamboo Pavilion, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection histo

Cloud-Climbing Pavilion, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.12)

Cloud-Climbing Pavilion, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

Cloud-Climbing Pavilion, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection history.

The Fool's Spring, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.2)

The Fool's Spring, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

The Fool's Spring, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection history.

The Pine Retreat, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.3)

The Pine Retreat, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

The Pine Retreat, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection history.

The Enlightened Stone Retreat, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.4)

The Enlightened Stone Retreat, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

The Enlightened Stone Retreat, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection his

The Nodding Stone Terrace, Tiger Hill, and the Thousand-Man Seat, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.5)

The Nodding Stone Terrace, Tiger Hill, and the Thousand-Man Seat, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

The Nodding Stone Terrace, Tiger Hill, and the Thousand-Man Seat, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, cre

The Sword Spring, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.6)

The Sword Spring, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

The Sword Spring, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection hist

The Thousand Buddha Hall and the Pagoda of the "Cloudy Cliff" Monastery, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.7)

The Thousand Buddha Hall and the Pagoda of the "Cloudy Cliff" Monastery, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

The Thousand Buddha Hall and the Pagoda of the "Cloudy Cliff" Monastery, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's conte

The Five Sages Terrace, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.8)

The Five Sages Terrace, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

The Five Sages Terrace, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection history.

The Thousand Acres of Clouds, from Twelve Views of Tiger Hill, Suzhou (after 1490; Cleveland 1964.371.9)

The Thousand Acres of Clouds, from Twelve Views of Tiger Hill, Suzhou (after 1490): Art, History and Details

The Thousand Acres of Clouds, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection hist

Headdress (Zigiren-Wɔndɛ) (early to mid-1900s; Cleveland 1964.376)

Headdress (Zigiren-Wɔndɛ) (early to mid-1900s): Art, History and Details

Headdress (Zigiren-Wɔndɛ) at the Cleveland Museum of Art: early to mid-1900s, Wood, glass beads, upholstery studs, and natural fiber. Explore the work's context, creator attribution and collection history.

Torsos with Rib Cages (early 1540s; Cleveland 1964.378)

Torsos with Rib Cages (early 1540s): Art, History and Details

Torsos with Rib Cages at the Cleveland Museum of Art: early 1540s, pen and brown ink with incised lines. Explore the work's context, creator attribution and collection history.

Arm Bones (early 1540s; Cleveland 1964.379)

Arm Bones (early 1540s): Art, History and Details

Arm Bones at the Cleveland Museum of Art: early 1540s, pen and brown ink with incised lines. Explore the work's context, creator attribution and collection history.

Skeleton (early 1540s; Cleveland 1964.380)

Skeleton (early 1540s): Art, History and Details

Skeleton at the Cleveland Museum of Art: early 1540s, pen and brown ink; incised. Explore the work's context, creator attribution and collection history.

Rib Cages (early 1540s; Cleveland 1964.383)

Rib Cages (early 1540s): Art, History and Details

Rib Cages at the Cleveland Museum of Art: early 1540s, pen and brown ink. Explore the work's context, creator attribution and collection history.

Paulownias and Chrysanthemums (early 1800s; Cleveland 1964.386)

Paulownias and Chrysanthemums (early 1800s): Art, History and Details

Paulownias and Chrysanthemums at the Cleveland Museum of Art: early 1800s, Two-panel folding screen; ink and color on gilded paper. Explore the work's context, creator attribution and collection history.

Views of Villages in Brabant and Campine: A Moated Village (c. 1561; Cleveland 1964.404)

Views of Villages in Brabant and Campine: A Moated Village (c. 1561): Art, History and Details

Views of Villages in Brabant and Campine: A Moated Village at the Cleveland Museum of Art: c. 1561, etching and engraving. Explore the work's context, creator attribution and collection history.

Statuette of a Reclining Woman (c. 100 BCE–100 CE; Cleveland 1964.418)

Statuette of a Reclining Woman (c. 100 BCE–100 CE): Art, History and Details

Statuette of a Reclining Woman at the Cleveland Museum of Art: c. 100 BCE–100 CE, amber. Explore the work's context, creator attribution and collection history.

Herengracht, Amsterdam (c. 1661; Cleveland 1964.419)

Herengracht, Amsterdam (c. 1661): Art, History and Details

Herengracht, Amsterdam at the Cleveland Museum of Art: c. 1661, oil on canvas. Explore the work's context, creator attribution and collection history.

Panoramic View of the Alps, Les Dents du Midi (1877; Cleveland 1964.420)

Panoramic View of the Alps, Les Dents du Midi (1877): Art, History and Details

Panoramic View of the Alps, Les Dents du Midi at the Cleveland Museum of Art: 1877, oil on fabric. Explore the work's context, creator attribution and collection history.

Mars (c. 1584–87; Cleveland 1964.421)

Mars (c. 1584–87): Art, History and Details

Mars at the Cleveland Museum of Art: c. 1584–87, bronze. Explore the work's context, creator attribution and collection history.

Solidus with Romanus I Lecapenus and His Son Christopher (920–944; Cleveland 1964.422)

Solidus with Romanus I Lecapenus and His Son Christopher (920–944): Art, History and Details

Solidus with Romanus I Lecapenus and His Son Christopher at the Cleveland Museum of Art: 920–944, gold. Explore the work's context, creator attribution and collection history.

Solidus with Romanus I Lecapenus and His Son Christopher (obverse) (920–944; Cleveland 1964.422.a)

Solidus with Romanus I Lecapenus and His Son Christopher (obverse) (920–944): Art, History and Details

Solidus with Romanus I Lecapenus and His Son Christopher (obverse) at the Cleveland Museum of Art: 920–944, gold. Explore the work's context, creator attribution and collection history.

Solidus with Romanus I Lecapenus and his Son Christopher (reverse) (920–944; Cleveland 1964.422.b)

Solidus with Romanus I Lecapenus and his Son Christopher (reverse) (920–944): Art, History and Details

Solidus with Romanus I Lecapenus and his Son Christopher (reverse) at the Cleveland Museum of Art: 920–944, gold. Explore the work's context, creator attribution and collection history.

Nomisma with Nicephorus II Phocas (c. 963–969; Cleveland 1964.423)

Nomisma with Nicephorus II Phocas (c. 963–969): Art, History and Details

Nomisma with Nicephorus II Phocas at the Cleveland Museum of Art: c. 963–969, gold. Explore the work's context, creator attribution and collection history.

Nomisma with Nicephorus II Phocas (obverse) (c. 963–969; Cleveland 1964.423.a)

Nomisma with Nicephorus II Phocas (obverse) (c. 963–969): Art, History and Details

Nomisma with Nicephorus II Phocas (obverse) at the Cleveland Museum of Art: c. 963–969, gold. Explore the work's context, creator attribution and collection history.

Nomisma with Nicephorus II Phocas (reverse) (963–969; Cleveland 1964.423.b)

Nomisma with Nicephorus II Phocas (reverse) (963–969): Art, History and Details

Nomisma with Nicephorus II Phocas (reverse) at the Cleveland Museum of Art: 963–969, gold. Explore the work's context, creator attribution and collection history.

Nomisma with Constantine IX Monomachus (1042–1055; Cleveland 1964.424)

Nomisma with Constantine IX Monomachus (1042–1055): Art, History and Details

Nomisma with Constantine IX Monomachus at the Cleveland Museum of Art: 1042–1055, gold. Explore the work's context, creator attribution and collection history.

Nomisma with Constantine IX Monomachus (obverse) (1042–1055; Cleveland 1964.424.a)

Nomisma with Constantine IX Monomachus (obverse) (1042–1055): Art, History and Details

Nomisma with Constantine IX Monomachus (obverse) at the Cleveland Museum of Art: 1042–1055, gold. Explore the work's context, creator attribution and collection history.

Nomisma with Constantine IX Monomachus (reverse) (1042–1055; Cleveland 1964.424.b)

Nomisma with Constantine IX Monomachus (reverse) (1042–1055): Art, History and Details

Nomisma with Constantine IX Monomachus (reverse) at the Cleveland Museum of Art: 1042–1055, gold. Explore the work's context, creator attribution and collection history.

Nomisma with Eudocia and Romanus IV Diogenes (1068–1071; Cleveland 1964.425)

Nomisma with Eudocia and Romanus IV Diogenes (1068–1071): Art, History and Details

Nomisma with Eudocia and Romanus IV Diogenes at the Cleveland Museum of Art: 1068–1071, gold. Explore the work's context, creator attribution and collection history.