Art & Design archive — Page 308

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Matra Reinhard (1868): Art, History and Details

Matra Reinhard at the Cleveland Museum of Art: 1868, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Buddhist Deities (1700s–1800s): Art, History and Details

Buddhist Deities at the Cleveland Museum of Art: 1700s–1800s, Four-panel folding screen; ink and color on silk. Explore the work's context, creator attribution and collection history.

Spirit House (late 1800s): Art, History and Details

Spirit House at the Cleveland Museum of Art: late 1800s, iron inlaid with silver and copper decoration. Explore the work's context, creator attribution and collection history.

Spirit House (late 1800s): Art, History and Details

Spirit House at the Cleveland Museum of Art: late 1800s, iron inlaid with silver and copper decoration. Explore the work's context, creator attribution and collection history.

Folding Table (Che-Sang) for Memorial Service (1900s): Art, History and Details

Folding Table (Che-Sang) for Memorial Service at the Cleveland Museum of Art: 1900s, pine nut wood. Explore the work's context, creator attribution and collection history.

Altar High Chair (Kyo-Yi) (1800s): Art, History and Details

Altar High Chair (Kyo-Yi) at the Cleveland Museum of Art: 1800s, pine nut wood. Explore the work's context, creator attribution and collection history.

Jug with Oblong Body: Sueki Ware (700s): Art, History and Details

Jug with Oblong Body: Sueki Ware at the Cleveland Museum of Art: 700s, stoneware, with impressed decoration and natural ash glaze. Explore the work's context, creator attribution and collection history.

Leaf from a Bible: Initial E: Entwined Lions and Serpents (1 of 2 Excised Leaves) (c. 1225–50): Art, History and Details

Leaf from a Bible: Initial E: Entwined Lions and Serpents (1 of 2 Excised Leaves) at the Cleveland Museum of Art: c. 1225–50, tempera and ink on vellum. Explore the work's context, creator attribution and collection history.

Initial I with Elimelech and Naomi: Leaf from a Latin Bible (c. 1250): Art, History and Details

Initial I with Elimelech and Naomi: Leaf from a Latin Bible at the Cleveland Museum of Art: c. 1250, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Psalter: Initial C: David Seated with a Book (1 of 2 Excised Leaves) (c. 1270–1280): Art, History and Details

Leaf from a Psalter: Initial C: David Seated with a Book (1 of 2 Excised Leaves) at the Cleveland Museum of Art: c. 1270–1280, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Psalter: Historiated Initial D with The Trinity (c.1310): Art, History and Details

Leaf from a Psalter: Historiated Initial D with The Trinity at the Cleveland Museum of Art: c.1310, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Initial D: Massacre of the Innocents (1 of 2 Excised Leaves) (c. 1300–1330): Art, History and Details

Leaf from a Book of Hours: Initial D: Massacre of the Innocents (1 of 2 Excised Leaves) at the Cleveland Museum of Art: c. 1300–1330, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: Christ Carrying the Cross (Sext, Hours of the Cross) (c. 1410–1420): Art, History and Details

Leaf from a Book of Hours: Christ Carrying the Cross (Sext, Hours of the Cross) at the Cleveland Museum of Art: c. 1410–1420, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves) (c. 1420–30): Art, History and Details

Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves) at the Cleveland Museum of Art: c. 1420–30, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Christ before Pilate: Leaf from a Book of Hours (2 of 6 Excised Leaves) (c. 1420–30): Art, History and Details

Christ before Pilate: Leaf from a Book of Hours (2 of 6 Excised Leaves) at the Cleveland Museum of Art: c. 1420–30, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Book of Hours: The Last Judgment (1430s): Art, History and Details

Leaf from a Book of Hours: The Last Judgment at the Cleveland Museum of Art: 1430s, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from an Antiphonary: Historiated Initial P with the Prophet Samuel; Arms of the Visconti Family and the Olivetan Order (c. 1439–47): Art, History and Details

Leaf from an Antiphonary: Historiated Initial P with the Prophet Samuel; Arms of the Visconti Family and the Olivetan Order at the Cleveland Museum of Art: c. 1439–47, ink, tempera and gold on vellum. Explore the work's context, creator att

Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) and Music (verso) (c. 1420–50): Art, History and Details

Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) and Music (verso) at the Cleveland Museum of Art: c. 1420–50, ink, tempera, and gold on vellum. Explore the work's context, creator attribution

Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) (c. 1420–1450): Art, History and Details

Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) at the Cleveland Museum of Art: c. 1420–1450, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection h

Leaf from a Gradual with Music (verso) (c. 1420–1450): Art, History and Details

Leaf from a Gradual with Music (verso) at the Cleveland Museum of Art: c. 1420–1450, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf Excised from a Book of Hours: Angel with a Banderole within a Flourished Border (Prayer to the Holy Trinity) (c. 1475): Art, History and Details

Leaf Excised from a Book of Hours: Angel with a Banderole within a Flourished Border (Prayer to the Holy Trinity) at the Cleveland Museum of Art: c. 1475, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and

Still Life with Statuary and Drapery (c. 1850): Art, History and Details

Still Life with Statuary and Drapery at the Cleveland Museum of Art: c. 1850, albumenized salt print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Landscape with Seated Figure on Stream Bank (c. 1856): Art, History and Details

Landscape with Seated Figure on Stream Bank at the Cleveland Museum of Art: c. 1856, salted paper print from waxed paper negative. Explore the work's context, creator attribution and collection history.

Pair of Arched Fibulae (725–675 BCE): Art, History and Details

Pair of Arched Fibulae at the Cleveland Museum of Art: 725–675 BCE, bronze. Explore the work's context, creator attribution and collection history.

Arched Fibulae (1 of 2) (725–675 BCE): Art, History and Details

Arched Fibulae (1 of 2) at the Cleveland Museum of Art: 725–675 BCE, bronze. Explore the work's context, creator attribution and collection history.

Arched Fibulae (2 of 2) (725–675 BCE): Art, History and Details

Arched Fibulae (2 of 2) at the Cleveland Museum of Art: 725–675 BCE, bronze. Explore the work's context, creator attribution and collection history.

Daedalic Pendant with Potnia Theron (Mistress of Animals) (650–600 BCE): Art, History and Details

Daedalic Pendant with Potnia Theron (Mistress of Animals) at the Cleveland Museum of Art: 650–600 BCE, gold and glass. Explore the work's context, creator attribution and collection history.

Pair of Portraits of Samurai-Officials: Hirai Kyosei and Hirai Rinsei (1776): Art, History and Details

Pair of Portraits of Samurai-Officials: Hirai Kyosei and Hirai Rinsei at the Cleveland Museum of Art: 1776, hanging scrolls; ink and color on silk. Explore the work's context, creator attribution and collection history.

Portrait of Samurai-Official: Hirai KyoseiHirai Kyosei (1776): Art, History and Details

Portrait of Samurai-Official: Hirai KyoseiHirai Kyosei at the Cleveland Museum of Art: 1776, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.

Portrait of Samurai-Official: Hirai Rinsei (1776): Art, History and Details

Portrait of Samurai-Official: Hirai Rinsei at the Cleveland Museum of Art: 1776, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.

Waves (late 1700s-early 1800s): Art, History and Details

Waves at the Cleveland Museum of Art: late 1700s-early 1800s, fan painting mounted as a hanging scroll; ink and color with gold on paper. Explore the work's context, creator attribution and collection history.

Vessel with Two Lugs (100s BCE): Art, History and Details

Vessel with Two Lugs at the Cleveland Museum of Art: 100s BCE, earthenware. Explore the work's context, creator attribution and collection history.

Bottle with a Flattened Side (700s–800s): Art, History and Details

Bottle with a Flattened Side at the Cleveland Museum of Art: 700s–800s, stoneware with incised designs. Explore the work's context, creator attribution and collection history.

Leaf Excised from a Book of Hours: Decorated Initial H (c. 1470–1480): Art, History and Details

Leaf Excised from a Book of Hours: Decorated Initial H at the Cleveland Museum of Art: c. 1470–1480, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Cutting from a Missal: Initial O with Christ Performing an Exorcism (c. 1520): Art, History and Details

Cutting from a Missal: Initial O with Christ Performing an Exorcism at the Cleveland Museum of Art: c. 1520, ink, tempera, and liquid gold on vellum. Explore the work's context, creator attribution and collection history.

Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) and Ornamental Boarder with Carnations, a Thistle, and a Cook Ladling Soup (verso) (1 of 3 Excise

Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) and Ornamental Boarder with Carnations, a Thistle, and a Cook Ladling Soup (verso) (1 of 3 Excised Leaves) at the Cleveland Museum of Art

Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) (c. 1524): Art, History and Details

Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) at the Cleveland Museum of Art: c. 1524, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and coll

Leaf from a Psalter and Prayerbook: Ornamental Border with Carnations, a Thistle, and a Cook Ladling Soup (verso) (c. 1524): Art, History and Details

Leaf from a Psalter and Prayerbook: Ornamental Border with Carnations, a Thistle, and a Cook Ladling Soup (verso) at the Cleveland Museum of Art: c. 1524, ink, tempera and liquid gold on vellum. Explore the work's context, creator attributi

Three Cuttings from a Missal (c. 1470–1500): Art, History and Details

Three Cuttings from a Missal at the Cleveland Museum of Art: c. 1470–1500, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Three Cuttings from a Missal: Initial L with the Annunciation to the Shepherds (c. 1470–1500): Art, History and Details

Three Cuttings from a Missal: Initial L with the Annunciation to the Shepherds at the Cleveland Museum of Art: c. 1470–1500, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.