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Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint Hugh of Lincoln at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Portrait of Louise de Halluin, dame de Cipierre at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Annunciation at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Annunciation at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Triptych of the Virgin and Child with Saints at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Mountain Road with Travelers at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
An Elegant Company at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Gothic Fan-Shaped Pauldron (right) at the Cleveland Museum of Art: c. 1485–1500, steel. Explore the work's context, creator attribution and collection history.
Gothic Fan-Shaped Pauldron (left) at the Cleveland Museum of Art: c.1485–1500, steel. Explore the work's context, creator attribution and collection history.
Gothic Mitten Gauntlet for the Right Hand at the Cleveland Museum of Art: c. 1490, steel. Explore the work's context, creator attribution and collection history.
Cranequin at the Cleveland Museum of Art: c. 1480–1500, steel and brass; incised decoration; pierced traceried Gothic windows. Explore the work's context, creator attribution and collection history.
Jar at the Cleveland Museum of Art: 1522–66, porcelain with underglaze blue decoration. Explore the work's context, creator attribution and collection history.
Landscape at the Cleveland Museum of Art: 1644–1911, soapstone. Explore the work's context, creator attribution and collection history.
Sarong at the Cleveland Museum of Art: mid-1800s, Cotton: plain weave, wax-resist dyed (batik). Explore the work's context, creator attribution and collection history.
Tradition at the Cleveland Museum of Art: 1916, oil on canvas. Explore the work's context, creator attribution and collection history.
Sarong at the Cleveland Museum of Art: early 1900s, batik; cotton. Explore the work's context, creator attribution and collection history.
Slendang (Shoulder Cloth) at the Cleveland Museum of Art: 1800s–early 1900s, tabby weave, batik; cotton. Explore the work's context, creator attribution and collection history.
The Thinker at the Cleveland Museum of Art: 1880–81, bronze. Explore the work's context, creator attribution and collection history.
Hubbell Revival-Style Rug with Moki (Moqui) Stripes at the Cleveland Museum of Art: c. 1890–1910, Wool (Germantown): tapestry weave. Explore the work's context, creator attribution and collection history.
Beach Scene at the Cleveland Museum of Art: c. 1865–1867, oil on wood panel. Explore the work's context, creator attribution and collection history.
An Old Man Had Come out of One of the Houses, from "Not Honorably Discharged" at the Cleveland Museum of Art: 1904, Black and white gouache and black chalk on paper. Explore the work's context, creator attribution and collection history.
Chopstick at the Cleveland Museum of Art: 918–1392, . Explore the work's context, creator attribution and collection history.
Departure from Kashima at the Cleveland Museum of Art: 1336–92, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.
Landscape at the Cleveland Museum of Art: 1368–1644, handscroll; ink and slight color on silk. Explore the work's context, creator attribution and collection history.
Courtesan at the Cleveland Museum of Art: early 1700s, hanging scroll; ink and color on paper. Explore the work's context, creator attribution and collection history.
Chopstick at the Cleveland Museum of Art: 918–1392, silver bronze. Explore the work's context, creator attribution and collection history.
Friar Pedro Wrests the Gun from El Maragato at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Friar Pedro Clubs El Maragato with the Butt of the Gun at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Friar Pedro Shoots El Maragato as His Horse Runs Off at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Friar Pedro Binds El Maragato with a Rope at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Fishing Boats off an Estuary at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Portrait of a Gentleman at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Music Lesson at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Innocence Prefers Love to Riches at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Virgin and Child with Saints Dominic and Hyacinth at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Rinaldo and Armida in Her Garden at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Bay of Marseille, Seen from L'Estaque at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Armida Encounters the Sleeping Rinaldo at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Armida Abandoned by Rinaldo at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.