The Baptism of Christ (1500–05): Artwork and History
The Baptism of Christ at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Art & Design archive — Page 35
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Christ and the Woman of Samaria (1500–05): Artwork and History
Christ and the Woman of Samaria at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Nativity (1500–05): Artwork and History
The Nativity at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Noli Me Tangere (1500–05): Artwork and History
Noli Me Tangere at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Processional Cross with Saint Mary Magdalene and a Blessed Hermit (1392–95): Artwork and History
Processional Cross with Saint Mary Magdalene and a Blessed Hermit at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Suzani (large embroidered hanging or cover) (19th century): Artwork and History
Suzani (large embroidered hanging or cover) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Diptych of the Virgin and Child Enthroned and the Crucifixion (c. 1280): Artwork and History
Diptych of the Virgin and Child Enthroned and the Crucifixion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Virgin and Child Crowned by Angels (c. 1490): Artwork and History
Virgin and Child Crowned by Angels at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Ornamental Square from a Tunic (400s CE): Art, History and Details
Ornamental Square from a Tunic at the Cleveland Museum of Art: 400s CE, Linen, undyed; wool, dyed; tapestry weave with supplementary weft wrapping. Explore the work's context, creator attribution and collection history.
Capital with Addorsed Quadrupeds (late 1100s-early 1200s): Art, History and Details
Capital with Addorsed Quadrupeds at the Cleveland Museum of Art: late 1100s-early 1200s, limestone. Explore the work's context, creator attribution and collection history.
Capital with Addorsed Harpies (1200s): Art, History and Details
Capital with Addorsed Harpies at the Cleveland Museum of Art: 1200s, limestone. Explore the work's context, creator attribution and collection history.
Capital with Dragons (1200s): Art, History and Details
Capital with Dragons at the Cleveland Museum of Art: 1200s, limestone. Explore the work's context, creator attribution and collection history.
Engaged Capital with Birds and Dragons (late 1100s): Art, History and Details
Engaged Capital with Birds and Dragons at the Cleveland Museum of Art: late 1100s, limestone. Explore the work's context, creator attribution and collection history.
Fragment of a Mold for Arretine Bowl (27 BCE–14 CE): Art, History and Details
Fragment of a Mold for Arretine Bowl at the Cleveland Museum of Art: 27 BCE–14 CE, terracotta. Explore the work's context, creator attribution and collection history.
Fragment of a Mold for Arretine Bowl (27 BCE–14 CE): Art, History and Details
Fragment of a Mold for Arretine Bowl at the Cleveland Museum of Art: 27 BCE–14 CE, terracotta. Explore the work's context, creator attribution and collection history.
Head of Sekhmet (c. 1391–1353 BCE): Art, History and Details
Head of Sekhmet at the Cleveland Museum of Art: c. 1391–1353 BCE, granodiorite. Explore the work's context, creator attribution and collection history.
Mirror with Engraved Scene: Two Female Figures (330–300 BCE): Art, History and Details
Mirror with Engraved Scene: Two Female Figures at the Cleveland Museum of Art: 330–300 BCE, bronze. Explore the work's context, creator attribution and collection history.
Female Statuette (600–480 BCE): Art, History and Details
Female Statuette at the Cleveland Museum of Art: 600–480 BCE, bronze. Explore the work's context, creator attribution and collection history.
Doorway (Portal) (late 1400s): Art, History and Details
Doorway (Portal) at the Cleveland Museum of Art: late 1400s, gray sandstone. Explore the work's context, creator attribution and collection history.
Door and Frame (late 1400s): Art, History and Details
Door and Frame at the Cleveland Museum of Art: late 1400s, oak with traces of polychromy. Explore the work's context, creator attribution and collection history.
Engaged Capitals (1400s): Art, History and Details
Engaged Capitals at the Cleveland Museum of Art: 1400s, limestone. Explore the work's context, creator attribution and collection history.
Engaged Capital (1400s): Art, History and Details
Engaged Capital at the Cleveland Museum of Art: 1400s, limestone. Explore the work's context, creator attribution and collection history.
Engaged Capital (1400s): Art, History and Details
Engaged Capital at the Cleveland Museum of Art: 1400s, limestone. Explore the work's context, creator attribution and collection history.
Engaged Capital (1400s): Art, History and Details
Engaged Capital at the Cleveland Museum of Art: 1400s, limestone. Explore the work's context, creator attribution and collection history.
Engaged Capital (1400s): Art, History and Details
Engaged Capital at the Cleveland Museum of Art: 1400s, limestone. Explore the work's context, creator attribution and collection history.
Engaged Capital (1400s): Art, History and Details
Engaged Capital at the Cleveland Museum of Art: 1400s, limestone. Explore the work's context, creator attribution and collection history.
Portrait of Benjamin West (1818 or later): Art, History and Details
Portrait of Benjamin West at the Cleveland Museum of Art: 1818 or later, oil on canvas. Explore the work's context, creator attribution and collection history.
Pair of Gothic Fan-Shaped Pauldron (c. 1485–1500): Art, History and Details
Pair of Gothic Fan-Shaped Pauldron at the Cleveland Museum of Art: c. 1485–1500, steel. Explore the work's context, creator attribution and collection history.
Lamentation over the Body of Christ (c. 1500): Artwork and History
Lamentation over the Body of Christ at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Holy Family (c. 1450): Artwork and History
Holy Family at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Christ Presented to the People (c. 1480): Artwork and History
Christ Presented to the People at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Virgin and Child (c. 1485): Artwork and History
Virgin and Child at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso) (1460–64): Artwork and History
Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Virgin and Child (c. 1460): Artwork and History
Virgin and Child at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child (c. 1495): Artwork and History
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint John the Baptist (c. 1495): Artwork and History
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint John the Baptist at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Last Supper (c. 1495): Artwork and History
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Last Supper at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Ascension (c. 1495): Artwork and History
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Ascension at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost (c. 1495): Artwork and History
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint Honoré (c. 1495): Artwork and History
Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint Honoré at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.