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Landscape Album in Various Styles: Landscape after Mi Fei at the Cleveland Museum of Art: 1684, album leaf, ink and light color on paper. Explore the work's context, creator attribution and collection history.
Landscape Album in Various Styles: Pleasure in a Mountain Brook at the Cleveland Museum of Art: 1684, album leaf, ink and light color on paper. Explore the work's context, creator attribution and collection history.
Pair of Roundback Armchairs: Lohan Type at the Cleveland Museum of Art: 1600–1700s, Rosewood (huanghuali). Explore the work's context, creator attribution and collection history.
Roundback Armchair: Lohan Type at the Cleveland Museum of Art: 1600s–1700s, Rosewood (huanghuali). Explore the work's context, creator attribution and collection history.
Roundback Armchair: Lohan Type at the Cleveland Museum of Art: 1600s–1700s, Rosewood (huanghuali). Explore the work's context, creator attribution and collection history.
Side Table with Everted Ends at the Cleveland Museum of Art: late 1500s–1600s, redwood veneer and camphor wood. Explore the work's context, creator attribution and collection history.
The White Path Between Two Rivers at the Cleveland Museum of Art: 1200s, hanging scroll; ink, color, gold, silver, and cut gold on silk. Explore the work's context, creator attribution and collection history.
The New-born Buddha at the Cleveland Museum of Art: 400s CE, gilt bronze with inlays of blue glass and turquoise. Explore the work's context, creator attribution and collection history.
Head of Lokeshvara at the Cleveland Museum of Art: late 1100s–early 1200s, Sandstone. Explore the work's context, creator attribution and collection history.
Royal women shooting from a pavilion at the Cleveland Museum of Art: c. 1810, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Seven Leaves from a Manuscript of the Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000s-1100s, Gum tempera and ink on palm leaves. Explore the work's context, creator attribution and collection history.
Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaf. Explore the work's context, creator attribution and
Sudhana and a parrot, folio 20 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection his
Text, folio 20 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000–1100s, ink on palm leaf. Explore the work's context, creator attribution and collection history.
Folio 94 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and the rishi Bhishmottaranirgosha (recto); text (verso) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaf. Explore the work's context, cr
Sudhana and the rishi Bhishmottaranirgosha, folio 94 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaves. Explore the work's context, creator attrib
Folio 348 from a Gandavyuha-sutra (Scripture of the Supreme Array): Bodhisattva Manjushri with two forms of Avalokiteshvara (recto); Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri (verso) at the Cleveland Museu
Bodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaf. Explore the work's context, cr
Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaf. Explore t
Herakles Epitrapezios (Hercules on/at the Table) at the Cleveland Museum of Art: c. 1–100 CE, marble. Explore the work's context, creator attribution and collection history.
Agni, God of Fire at the Cleveland Museum of Art: c. 1000, sandstone. Explore the work's context, creator attribution and collection history.
Fragment of Tomb Cover at the Cleveland Museum of Art: before 1955, Silk: double-face compound twill. Explore the work's context, creator attribution and collection history.
Herakles Epitrapezios (Hercules of the Table) at the Cleveland Museum of Art: 1–100 CE, marble. Explore the work's context, creator attribution and collection history.
Base for Herakles Epitrapezios (Hercules of the Table) at the Cleveland Museum of Art: 1–100 CE, marble. Explore the work's context, creator attribution and collection history.
Spatula with Carved Head at the Cleveland Museum of Art: 500–900, bone with shell inlay. Explore the work's context, creator attribution and collection history.
Dancing Pan at the Cleveland Museum of Art: c. 350–500, limestone with traces of red polychromy. Explore the work's context, creator attribution and collection history.
Marriage Beaker at the Cleveland Museum of Art: late 1400s, opaque glass (milk glass or lattimo), enameled. Explore the work's context, creator attribution and collection history.
Heraldic Roundel with Arms of the Canton of Zürich at the Cleveland Museum of Art: 1593, white glass with silver stain and pot metal. Explore the work's context, creator attribution and collection history.
Title Page of St. Gregory's "Moralia": Job Visited by His Three Friends (above) and Gregory the Great and His Deacon Peter (below) at the Cleveland Museum of Art: c. 1143–1178, ink, tempera, and gold on vellum. Explore the work's context, c
Leaf from a Gradual: Initial (R) with the Three Marys at the Tomb and "Noli me Tangere" at the Cleveland Museum of Art: c. 1270–1300, Ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Pair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin at the Cleveland Museum of Art: c. 1415, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Bifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso) at the Cleveland Museum of Art: c. 1415, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Spatula with Carved Lizard at the Cleveland Museum of Art: 100 BCE–700 CE, bone with shell inlay. Explore the work's context, creator attribution and collection history.
Still Life with Birds and Fruit at the Cleveland Museum of Art: c. 1650, watercolor with graphite, heightened with lead white. Explore the work's context, creator attribution and collection history.
The Botanical Magazine or Flower Garden Displayed: White Cape - Coast Lily at the Cleveland Museum of Art: 1806, engraving, hand-colored. Explore the work's context, creator attribution and collection history.
The Botanical Magazine or Flower Garden Displayed: Umbel-Flowering Bulb-Bearing Orange-Lily at the Cleveland Museum of Art: 1807, engraving, hand-colored. Explore the work's context, creator attribution and collection history.
A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto); Three Sketches of Arches (verso) at the Cleveland Museum of Art: 1782, pen and brown ink with brush and brown wash. Explore
A Procession of Triumphal Cars in the Piazza San Marco, Venice, Celebrating the Visit of the Conti del Nord (recto) at the Cleveland Museum of Art: 1782, pen and brown ink with brush and brown wash. Explore the work's context, creator attri
Three Sketches of Arches (verso) at the Cleveland Museum of Art: 1782, pen and brown ink. Explore the work's context, creator attribution and collection history.
Sketch for "The Assumption of the Virgin" (for St. James, Zbraslav, near Prague)? at the Cleveland Museum of Art: c. 1744, oil on canvas. Explore the work's context, creator attribution and collection history.