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Pradyumna and Samvara fight with maces, from the "Large Basohli Bhagavata Purana" at the Cleveland Museum of Art: c. 1760–65, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Vase at the Cleveland Museum of Art: c. 1900–1902, favrile glass. Explore the work's context, creator attribution and collection history.
Christ Taken before Caiaphas at the Cleveland Museum of Art: c. 1641–42, pen and brown ink and brush and brown wash, with white gouache. Explore the work's context, creator attribution and collection history.
Arrival of the "Southern Barbarians" at the Cleveland Museum of Art: c. 1600, Pair of six-panel folding screens; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.
Arrival of the "Southern Barbarians" at the Cleveland Museum of Art: c. 1600, One of a pair of six-panel folding screens; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.
Arrival of the "Southern Barbarians" at the Cleveland Museum of Art: c. 1600, One of a pair of six-panel folding screens; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.
Incense Burner with Lid at the Cleveland Museum of Art: late 1300s, black lacquer on wood with decoration in maki-e; metal rims; bronze lid. Explore the work's context, creator attribution and collection history.
Incense Burner at the Cleveland Museum of Art: late 1300s, black lacquer on wood with decoration in maki-e; metal rims; bronze lid. Explore the work's context, creator attribution and collection history.
Incense Burner (lid) at the Cleveland Museum of Art: late 1300s, bronze with metal rim. Explore the work's context, creator attribution and collection history.
Buddha of Infinite Life and Light (Amida Nyorai) at the Cleveland Museum of Art: 1269, Cypress with lacquer, color, gold, cut gold, rock-crystal inlaid eyes, and quartz. Explore the work's context, creator attribution and collection history
Locket at the Cleveland Museum of Art: 1700s, gold and enamel. Explore the work's context, creator attribution and collection history.
Rustam meets the challenge of Ashkabus, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) at the Cleveland Museum of Art: c. 1590–1600, Opaque watercolor, ink, and gold on paper. Explore the work's context, creator attr
Page from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) at the Cleveland Museum of Art: c. 1590–1600, Opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection history.
Rustam meets the challenge of Ashkabus, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020) at the Cleveland Museum of Art: c. 1590–1600, opaque watercolor and gold on paper. Explore the work's context, creator attributio
Vajradhara, Nairatmya, and mahasiddhas Virupa and Kanha at the Cleveland Museum of Art: c. 1450, Gum tempera and gold on cotton. Explore the work's context, creator attribution and collection history.
Four seated Masters at the Cleveland Museum of Art: c. 1450, Gum tempera and gold on cotton. Explore the work's context, creator attribution and collection history.
Mandala of Chakrasamvara and Vajravarahi at the Cleveland Museum of Art: late 1400s, Gum tempera on cloth. Explore the work's context, creator attribution and collection history.
Fan at the Cleveland Museum of Art: c. 1850–1870, Leaf: gouache on paper; sticks and guards: mother-of-pearl; pivot: gold. Explore the work's context, creator attribution and collection history.
Border of Heads and Palmettes from a Large Hanging at the Cleveland Museum of Art: 500s CE, Dyed wool, undyed linen; slit-tapestry weave. Explore the work's context, creator attribution and collection history.
Decorated Band from a Tunic or Curtain at the Cleveland Museum of Art: 600s, tapestry weave with supplementary weft wrapping; undyed linen and dyed wool. Explore the work's context, creator attribution and collection history.
A Myriad of Birds at the Cleveland Museum of Art: 1700s–1800s, silk: satin weave with polychrome silk embroidery. Explore the work's context, creator attribution and collection history.
Scepter (Gui) with Miscellaneous Poems by Tao Qian (365–427 CE) at the Cleveland Museum of Art: 1122 or later, translucent white jade. Explore the work's context, creator attribution and collection history.
Eight Views of Xiao-Xiang at the Cleveland Museum of Art: early-mid 1700s, One of a pair of six-panel folding screens; ink on paper. Explore the work's context, creator attribution and collection history.
Bodhisattva Manjushri: Lord of Wisdom at the Cleveland Museum of Art: 1000s–1100s, Bronze with gilding and inlay of semiprecious stones. Explore the work's context, creator attribution and collection history.
Tripod Cauldron (Ding) at the Cleveland Museum of Art: 1200–1100 BCE, bronze. Explore the work's context, creator attribution and collection history.
Covered Bowl at the Cleveland Museum of Art: c. 1775, tin-glazed earthenware (faience) with enamel decoration. Explore the work's context, creator attribution and collection history.
Bowl at the Cleveland Museum of Art: c. 1775, tin-glazed earthenware (faience) with enamel decoration. Explore the work's context, creator attribution and collection history.
Cover for a Bowl at the Cleveland Museum of Art: c. 1775, tin-glazed earthenware (faience) with enamel decoration. Explore the work's context, creator attribution and collection history.
Pair of Plates (Assiettes) at the Cleveland Museum of Art: c. 1748–51, Soft-paste porcelain with enamel and gilt decoration. Explore the work's context, creator attribution and collection history.
Figure Pair of the Dancer (La Danseuse) and the Bagpiper (Le Joueur de Musette) at the Cleveland Museum of Art: 1748–52, unglazed soft-paste porcelain (biscuit porcelain). Explore the work's context, creator attribution and collection histo
Figure of the Dancer (La Danseuse) at the Cleveland Museum of Art: 1748–52, unglazed soft-paste porcelain (biscuit porcelain). Explore the work's context, creator attribution and collection history.
Figure of the Bagpiper (Le Joueur de musette) at the Cleveland Museum of Art: 1748–52, unglazed soft-paste porcelain (biscuit). Explore the work's context, creator attribution and collection history.
Figure of a Bird Charmer at the Cleveland Museum of Art: 1764–66, Unglazed soft-paste porcelain (biscuit). Explore the work's context, creator attribution and collection history.
Figure of a Mischief Maker at the Cleveland Museum of Art: 1766, Unglazed soft-paste porcelain (biscuit). Explore the work's context, creator attribution and collection history.
Seated Buddha at the Cleveland Museum of Art: 600s, gilt bronze. Explore the work's context, creator attribution and collection history.
Plaque from a Reliquary Shrine at the Cleveland Museum of Art: c. 1170, gilded copper; champlevé and cloisonné enamel. Explore the work's context, creator attribution and collection history.
Adam and Eve at the Cleveland Museum of Art: c. 1520, bronze. Explore the work's context, creator attribution and collection history.
God the Father at the Cleveland Museum of Art: c. 1760, painted and gilded wood. Explore the work's context, creator attribution and collection history.
Head Fragment at the Cleveland Museum of Art: c. 900–300 BCE, jadeite. Explore the work's context, creator attribution and collection history.
Master of Animals Cheekpiece at the Cleveland Museum of Art: c. 700 BCE, bronze, cast and incised. Explore the work's context, creator attribution and collection history.