Landscape at Loosduinen (1905): Art, History and Details
Landscape at Loosduinen at the Cleveland Museum of Art: 1905, black chalk (extended with water in places), watercolor, and gouache; framing line in graphite (bottom edge). Explore the work's context, creator attribution and collection histo

Landscape at Loosduinen (1905) is in the Cleveland Museum of Art collection. The museum's creator attribution is Piet Mondrian (Dutch, 1872–1944).
The work and its context
The museum's open-access catalogue describes the work:
Although Mondrian is best known for his De Stijl paintings and as a founder of modern, abstract art, he began as a landscape and figurative artist. Between 1897 and 1907, he executed about fifty landscapes each year, comprising nearly half of his entire oeuvre. In 1905, a large exhibition of Vincent van Gogh’s work was held at the Stedelijk Museum in Amsterdam. The spindly, bare trees, low horizon, and the lone peasant in Landscape at Loosduinen reveal the influence of the Dutch master upon Mondrian. The drawing’s degree of finish suggests that it was either done on commission or intended for exhibition and sale.
Object facts
- Title: Landscape at Loosduinen
- Date: 1905
- Creator attribution: Piet Mondrian (Dutch, 1872–1944)
- Culture: Netherlands, early 20th Century
- Type: Drawing
- Technique: black chalk (extended with water in places), watercolor, and gouache; framing line in graphite (bottom edge)
- Dimensions: Sheet: 25.8 x 35.9 cm (10 3/16 x 14 1/8 in.)
- Collection: DR - Dutch
- Department: Drawings
- Accession number: 1972.213
Collection credit
Mr. and Mrs. Charles G. Prasse Collection
Further reading listed by the museum
- Neet, Jane. “Mondrian’s ‘Chrysanthemum.’” The Bulletin of the Cleveland Museum of Art 74, no. 7 (September 1987): 282–303.
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



