Pendant (1900s): Art, History and Details
Pendant at the Cleveland Museum of Art: 1900s, Gold. Explore the work's context, creator attribution and collection history.
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Pendant at the Cleveland Museum of Art: 1900s, Gold. Explore the work's context, creator attribution and collection history.

Roundel from a Tunic with Palmette Tree at the Cleveland Museum of Art: 650–850, Silk; complementary weft-faced twill weave with inner warps (samite). Explore the work's context, creator attribution and collection history.

Roundel with curvilinear palmette tree, from a tunic at the Cleveland Museum of Art: 600–850, Silk; complementary weft-faced twill weave with inner warps (samite). Explore the work's context, creator attribution and collection history.

Silk with lattice of animals in medallions at the Cleveland Museum of Art: 600s–800s, Silk: samite. Explore the work's context, creator attribution and collection history.

Roundel with Amazons, from a tunic at the Cleveland Museum of Art: 600s–800s, samite: silk. Explore the work's context, creator attribution and collection history.

Fragment with arcade and palmettes at the Cleveland Museum of Art: 1200s, Silk and gold thread: tapestry weave. Explore the work's context, creator attribution and collection history.

Historiated Initial (A) Excised from a Gradual: Christ in Majesty with King David and Prophets at the Cleveland Museum of Art: c. 1300–1340, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection

Horse at the Cleveland Museum of Art: 1630s or later, bronze. Explore the work's context, creator attribution and collection history.

Front Cover for a Gospel Book of French Cardinal Jean La Balou (1421–1491) at the Cleveland Museum of Art: c. 1467–68, nielloed silver plaques within gilt-silver borders. Explore the work's context, creator attribution and collection histor

Madonna and Child at the Cleveland Museum of Art: c. 1350, tempera and gold on poplar panel. Explore the work's context, creator attribution and collection history.

Saint Nicholas of Bari at the Cleveland Museum of Art: 1472, Tempera and gold leaf on wood panel. Explore the work's context, creator attribution and collection history.

The Mass of Saint Gregory at the Cleveland Museum of Art: 1511, oil and tempera on wood. Explore the work's context, creator attribution and collection history.

The Laundress at the Cleveland Museum of Art: 1888, black and gray wash with white paint, scratched away in places, on gray cardboard prepared with white ground. Explore the work's context, creator attribution and collection history.

Pendant: Face in Crescent at the Cleveland Museum of Art: 1900s, Gold. Explore the work's context, creator attribution and collection history.

Lampas with griffins in roundels, from the Reliquary of Saint Librada in Siguenza Cathedral at the Cleveland Museum of Art: 1100–50, Silk and gold thread: lampas and plain-weave variant. Explore the work's context, creator attribution and c

Shawl with boteh at the Cleveland Museum of Art: 1820–1830, 2/2 twill tapestry weave, double interlocked: wool, possibly pashmina. Explore the work's context, creator attribution and collection history.
![Title Page of Abbot Berno's "Tonarius:" Initial D[omino] (c.1030; Cleveland 1952.88)](https://openaccess-cdn.clevelandart.org/1952.88/1952.88_web.jpg)
Title Page of Abbot Berno's "Tonarius:" Initial D[omino] at the Cleveland Museum of Art: c.1030, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Reliquary of the True Cross at the Cleveland Museum of Art: c. 1214, silver, gilded silver, niello, precious stones, walnut core. Explore the work's context, creator attribution and collection history.

Bodhisattva at the Cleveland Museum of Art: c. 1200–1250, lacquered wood with color, gilt copper, and cut-gold (kirikane). Explore the work's context, creator attribution and collection history.

Self-Portrait at the Cleveland Museum of Art: 1802, watercolor on ivory in a gold frame. Explore the work's context, creator attribution and collection history.

Incense Burner at the Cleveland Museum of Art: 100s BCE, bronze. Explore the work's context, creator attribution and collection history.

The Archangel Michael Piercing the Dragon at the Cleveland Museum of Art: c. 1475, engraving. Explore the work's context, creator attribution and collection history.

The Deities: Demogorgon in the Cave of Eternity at the Cleveland Museum of Art: 1588–90, chiaroscuro woodcut. Explore the work's context, creator attribution and collection history.

The Promenade (Landscape with Cypresses) at the Cleveland Museum of Art: 1897, color lithograph on chine collé. Explore the work's context, creator attribution and collection history.

The American Cowslip, Plate 26 at the Cleveland Museum of Art: 1801, Etching with printed and hand-applied color, aquatint, stipple, and engraving. Explore the work's context, creator attribution and collection history.

Christ on the Cross at the Cleveland Museum of Art: c. 1600–1610, oil on canvas. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen) at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 1r, Calendar Page for January at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 1v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 2r, Calendar Page for February at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 2v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 3r, Calendar Page for March at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 3v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 10r, Calendar Page for October at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 10v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 111r, Calendar Page for November at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 11v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 12r, Calendar Page for December at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 12v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Book of Hours (Use of Rouen): fol. 13r, The Four Evangelists at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.