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Art & Design archive — Page 156

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Cup (c. 900–600 BCE; Cleveland 1954.797)

Cup (c. 900–600 BCE): Art, History and Details

Cup at the Cleveland Museum of Art: c. 900–600 BCE, steatite. Explore the work's context, creator attribution and collection history.

Inkwell and Candlestick with the Infant Hercules Killing the Serpents (c. 1510–20; Cleveland 1954.798)

Inkwell and Candlestick with the Infant Hercules Killing the Serpents (c. 1510–20): Art, History and Details

Inkwell and Candlestick with the Infant Hercules Killing the Serpents at the Cleveland Museum of Art: c. 1510–20, bronze. Explore the work's context, creator attribution and collection history.

Ornamental Panel (from a Ceiling?) (500s (frame) and 700s (central panel); Cleveland 1954.799)

Ornamental Panel (from a Ceiling?) (500s (frame) and 700s (central panel)): Art, History and Details

Ornamental Panel (from a Ceiling?) at the Cleveland Museum of Art: 500s (frame) and 700s (central panel), wood with paint. Explore the work's context, creator attribution and collection history.

Mink Lake, Adirondacks (1892; Cleveland 1954.833)

Mink Lake, Adirondacks (1892): Art, History and Details

Mink Lake, Adirondacks at the Cleveland Museum of Art: 1892, watercolor. Explore the work's context, creator attribution and collection history.

Virgin and Child Enthroned (1419; Cleveland 1954.834)

Virgin and Child Enthroned (1419): Art, History and Details

Virgin and Child Enthroned at the Cleveland Museum of Art: 1419, tempera and gold on wood. Explore the work's context, creator attribution and collection history.

Celt with Deity (1000–300 BCE; Cleveland 1954.856)

Celt with Deity (1000–300 BCE): Art, History and Details

Celt with Deity at the Cleveland Museum of Art: 1000–300 BCE, stone. Explore the work's context, creator attribution and collection history.

Seated Figure (300 BCE–700 CE (thermoluminescence date, 285 BCE–515 CE); Cleveland 1954.857)

Seated Figure (300 BCE–700 CE (thermoluminescence date, 285 BCE–515 CE)): Art, History and Details

Seated Figure at the Cleveland Museum of Art: 300 BCE–700 CE (thermoluminescence date, 285 BCE–515 CE), ceramic, slip. Explore the work's context, creator attribution and collection history.

Etchings of Paris: The Little Bridge (1850; Cleveland 1954.881)

Etchings of Paris: The Little Bridge (1850): Art, History and Details

Etchings of Paris: The Little Bridge at the Cleveland Museum of Art: 1850, etching and engraving. Explore the work's context, creator attribution and collection history.

Etchings of Paris: The Mortuary (1854; Cleveland 1954.893)

Etchings of Paris: The Mortuary (1854): Art, History and Details

Etchings of Paris: The Mortuary at the Cleveland Museum of Art: 1854, etching and drypoint. Explore the work's context, creator attribution and collection history.

Landscape after Guo Zhongshu (c. 1680–1705; Cleveland 1955.36)

Landscape after Guo Zhongshu (c. 1680–1705): Art, History and Details

Landscape after Guo Zhongshu at the Cleveland Museum of Art: c. 1680–1705, Hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.

Album of Seasonal Landscapes (1684; Cleveland 1955.37)

Album of Seasonal Landscapes (1684): Art, History and Details

Album of Seasonal Landscapes at the Cleveland Museum of Art: 1684, Album of twelve leaves; ink or ink and light color on paper. Explore the work's context, creator attribution and collection history.

Landscape Album in Various Styles: Spring Plowing (1684; Cleveland 1955.37.2)

Landscape Album in Various Styles: Spring Plowing (1684): Art, History and Details

Landscape Album in Various Styles: Spring Plowing at the Cleveland Museum of Art: 1684, Album leaf; ink and light color on paper. Explore the work's context, creator attribution and collection history.

Landscape Album in Various Styles: The Stream of Wuling (1684; Cleveland 1955.37.4)

Landscape Album in Various Styles: The Stream of Wuling (1684): Art, History and Details

Landscape Album in Various Styles: The Stream of Wuling at the Cleveland Museum of Art: 1684, album leaf, ink and light color on paper. Explore the work's context, creator attribution and collection history.

Landscape Album in Various Styles: Traveling in Autumn Mountains (1684; Cleveland 1955.37.6)

Landscape Album in Various Styles: Traveling in Autumn Mountains (1684): Art, History and Details

Landscape Album in Various Styles: Traveling in Autumn Mountains at the Cleveland Museum of Art: 1684, album leaf, ink and light color on paper. Explore the work's context, creator attribution and collection history.

Landscape Album in Various Styles: Landscape after Mi Fei (1684; Cleveland 1955.37.8)

Landscape Album in Various Styles: Landscape after Mi Fei (1684): Art, History and Details

Landscape Album in Various Styles: Landscape after Mi Fei at the Cleveland Museum of Art: 1684, album leaf, ink and light color on paper. Explore the work's context, creator attribution and collection history.

Landscape Album in Various Styles: Pleasure in a Mountain Brook (1684; Cleveland 1955.37.9)

Landscape Album in Various Styles: Pleasure in a Mountain Brook (1684): Art, History and Details

Landscape Album in Various Styles: Pleasure in a Mountain Brook at the Cleveland Museum of Art: 1684, album leaf, ink and light color on paper. Explore the work's context, creator attribution and collection history.

Pair of Roundback Armchairs: Lohan Type (1600–1700s; Cleveland 1955.40)

Pair of Roundback Armchairs: Lohan Type (1600–1700s): Art, History and Details

Pair of Roundback Armchairs: Lohan Type at the Cleveland Museum of Art: 1600–1700s, Rosewood (huanghuali). Explore the work's context, creator attribution and collection history.

Roundback Armchair: Lohan Type (1600s–1700s; Cleveland 1955.40.1)

Roundback Armchair: Lohan Type (1600s–1700s): Art, History and Details

Roundback Armchair: Lohan Type at the Cleveland Museum of Art: 1600s–1700s, Rosewood (huanghuali). Explore the work's context, creator attribution and collection history.

Roundback Armchair: Lohan Type (1600s–1700s; Cleveland 1955.40.2)

Roundback Armchair: Lohan Type (1600s–1700s): Art, History and Details

Roundback Armchair: Lohan Type at the Cleveland Museum of Art: 1600s–1700s, Rosewood (huanghuali). Explore the work's context, creator attribution and collection history.

Side Table with Everted Ends (late 1500s–1600s; Cleveland 1955.42)

Side Table with Everted Ends (late 1500s–1600s): Art, History and Details

Side Table with Everted Ends at the Cleveland Museum of Art: late 1500s–1600s, redwood veneer and camphor wood. Explore the work's context, creator attribution and collection history.

The White Path Between Two Rivers (1200s; Cleveland 1955.44)

The White Path Between Two Rivers (1200s): Art, History and Details

The White Path Between Two Rivers at the Cleveland Museum of Art: 1200s, hanging scroll; ink, color, gold, silver, and cut gold on silk. Explore the work's context, creator attribution and collection history.

The New-born Buddha (400s CE; Cleveland 1955.46)

The New-born Buddha (400s CE): Art, History and Details

The New-born Buddha at the Cleveland Museum of Art: 400s CE, gilt bronze with inlays of blue glass and turquoise. Explore the work's context, creator attribution and collection history.

Head of Lokeshvara (late 1100s–early 1200s; Cleveland 1955.47)

Head of Lokeshvara (late 1100s–early 1200s): Art, History and Details

Head of Lokeshvara at the Cleveland Museum of Art: late 1100s–early 1200s, Sandstone. Explore the work's context, creator attribution and collection history.

Royal women shooting from a pavilion (c. 1810; Cleveland 1955.48)

Royal women shooting from a pavilion (c. 1810): Art, History and Details

Royal women shooting from a pavilion at the Cleveland Museum of Art: c. 1810, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Seven Leaves from a Manuscript of the Gandavyuha-sutra (Scripture of the Supreme Array) (1000s-1100s; Cleveland 1955.49)

Seven Leaves from a Manuscript of the Gandavyuha-sutra (Scripture of the Supreme Array) (1000s-1100s): Art, History and Details

Seven Leaves from a Manuscript of the Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000s-1100s, Gum tempera and ink on palm leaves. Explore the work's context, creator attribution and collection history.

Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso) (1000–1100s; Cleveland 1955.49.1)

Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso) (1000–1100s): Art, History and Details

Folio 20 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and a parrot (recto); Text (verso) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaf. Explore the work's context, creator attribution and

Sudhana and a parrot, folio 20 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) (1000–1100s; Cleveland 1955.49.1.a)

Sudhana and a parrot, folio 20 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) (1000–1100s): Art, History and Details

Sudhana and a parrot, folio 20 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection his

Text, folio 20 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array) (1000–1100s; Cleveland 1955.49.1.b)

Text, folio 20 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array) (1000–1100s): Art, History and Details

Text, folio 20 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000–1100s, ink on palm leaf. Explore the work's context, creator attribution and collection history.

Folio 94 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and the rishi Bhishmottaranirgosha (recto); text (verso) (1000–1100s; Cleveland 1955.49.2)

Folio 94 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and the rishi Bhishmottaranirgosha (recto); text (verso) (1000–1100s): Art, History and Details

Folio 94 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and the rishi Bhishmottaranirgosha (recto); text (verso) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaf. Explore the work's context, cr

Sudhana and the rishi Bhishmottaranirgosha, folio 94 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) (1000–1100s; Cleveland 1955.49.2.a)

Sudhana and the rishi Bhishmottaranirgosha, folio 94 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) (1000–1100s): Art, History and Details

Sudhana and the rishi Bhishmottaranirgosha, folio 94 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaves. Explore the work's context, creator attrib

Folio 348 from a Gandavyuha-sutra (Scripture of the Supreme Array): Bodhisattva Manjushri with two forms of Avalokiteshvara (recto); Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri (verso) (1000–1100s; Cleveland 1955.49.7)

Folio 348 from a Gandavyuha-sutra (Scripture of the Supreme Array): Bodhisattva Manjushri with two forms of Avalokiteshvara (recto); Bodhisattva Samantabhadra purifies the path to enlightenment, with

Folio 348 from a Gandavyuha-sutra (Scripture of the Supreme Array): Bodhisattva Manjushri with two forms of Avalokiteshvara (recto); Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri (verso) at the Cleveland Museu

Bodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) (1000–1100s; Cleveland 1955.49.7.a)

Bodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) (1000–1100s): Art, History and Details

Bodhisattva Manjushri with two forms of Avalokiteshvara, folio 348 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaf. Explore the work's context, cr

Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array) (1000–1100s; Cleveland 1955.49.7.b)

Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array) (1000–1100s): Art, History and Details

Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri, folio 348 (verso) from a Gandavyuha-sutra (Scripture of the Supreme Array) at the Cleveland Museum of Art: 1000–1100s, gum tempera and ink on palm leaf. Explore t

Herakles Epitrapezios (Hercules on/at the Table) (c. 1–100 CE; Cleveland 1955.50)

Herakles Epitrapezios (Hercules on/at the Table) (c. 1–100 CE): Art, History and Details

Herakles Epitrapezios (Hercules on/at the Table) at the Cleveland Museum of Art: c. 1–100 CE, marble. Explore the work's context, creator attribution and collection history.

Agni, God of Fire (c. 1000; Cleveland 1955.51)

Agni, God of Fire (c. 1000): Art, History and Details

Agni, God of Fire at the Cleveland Museum of Art: c. 1000, sandstone. Explore the work's context, creator attribution and collection history.

Fragment of Tomb Cover (before 1955; Cleveland 1955.52)

Fragment of Tomb Cover (before 1955): Art, History and Details

Fragment of Tomb Cover at the Cleveland Museum of Art: before 1955, Silk: double-face compound twill. Explore the work's context, creator attribution and collection history.

Herakles Epitrapezios (Hercules of the Table) (1–100 CE; Cleveland 1955.50.a)

Herakles Epitrapezios (Hercules of the Table) (1–100 CE): Art, History and Details

Herakles Epitrapezios (Hercules of the Table) at the Cleveland Museum of Art: 1–100 CE, marble. Explore the work's context, creator attribution and collection history.

Base for Herakles Epitrapezios (Hercules of the Table) (1–100 CE; Cleveland 1955.50.b)

Base for Herakles Epitrapezios (Hercules of the Table) (1–100 CE): Art, History and Details

Base for Herakles Epitrapezios (Hercules of the Table) at the Cleveland Museum of Art: 1–100 CE, marble. Explore the work's context, creator attribution and collection history.

Spatula with Carved Head (500–900; Cleveland 1955.57)

Spatula with Carved Head (500–900): Art, History and Details

Spatula with Carved Head at the Cleveland Museum of Art: 500–900, bone with shell inlay. Explore the work's context, creator attribution and collection history.

Dancing Pan (c. 350–500; Cleveland 1955.68)

Dancing Pan (c. 350–500): Art, History and Details

Dancing Pan at the Cleveland Museum of Art: c. 350–500, limestone with traces of red polychromy. Explore the work's context, creator attribution and collection history.