Spray of Flowers (c. 1774–1800): Art, History and Details
Spray of Flowers at the Cleveland Museum of Art: c. 1774–1800, chalk-manner etching. Explore the work's context, creator attribution and collection history.
Art & Design archive — Page 158
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Spray of Flowers (c. 1774–1800): Art, History and Details
Spray of Flowers at the Cleveland Museum of Art: c. 1774–1800, crayon manner etching. Explore the work's context, creator attribution and collection history.
Large Flowering Sensitive Plant, Plate 16 (1799): Art, History and Details
Large Flowering Sensitive Plant, Plate 16 at the Cleveland Museum of Art: 1799, Etching with printed and hand-applied color, aquatint, stipple, and engraving. Explore the work's context, creator attribution and collection history.
Head of a Fisherman (1922): Art, History and Details
Head of a Fisherman at the Cleveland Museum of Art: 1922, woodcut. Explore the work's context, creator attribution and collection history.
Pierre Bonnard (1902): Art, History and Details
Pierre Bonnard at the Cleveland Museum of Art: 1902, lithograph. Explore the work's context, creator attribution and collection history.
Crossbow Fibula (c. 350–400): Art, History and Details
Crossbow Fibula at the Cleveland Museum of Art: c. 350–400, bronze, gilt-bronze, silver, and niello. Explore the work's context, creator attribution and collection history.
Celtic Head (100–300 CE): Art, History and Details
Celtic Head at the Cleveland Museum of Art: 100–300 CE, sandstone with traces of original red paint. Explore the work's context, creator attribution and collection history.
Fragment of a Capital with Scenes from Mary’s Infancy (early 1100s): Art, History and Details
Fragment of a Capital with Scenes from Mary’s Infancy at the Cleveland Museum of Art: early 1100s, fine-grained limestone. Explore the work's context, creator attribution and collection history.
Paris Gate (c. 1923): Art, History and Details
Paris Gate at the Cleveland Museum of Art: c. 1923, etching. Explore the work's context, creator attribution and collection history.
Durga Slaying Mahisha (c. 1830): Art, History and Details
Durga Slaying Mahisha at the Cleveland Museum of Art: c. 1830, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Athlete Making an Offering (c. 450–425 BCE): Art, History and Details
Athlete Making an Offering at the Cleveland Museum of Art: c. 450–425 BCE, bronze (hollow cast). Explore the work's context, creator attribution and collection history.
Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025) (1444): Art, History and Details
Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025) at the Cleveland Museum of Art: 1444, opaque watercolor, ink, gold and silver on paper. Expl
Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025) (1444): Art, History and Details
Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025) at the Cleveland Museum of Art: 1444, Opaque watercolor, ink, gold, and silver on paper. Exp
Preface (verso) from a double-page frontispiece of a Shahnama of Firdausi (940-1019 or 1025) (c. 1444): Art, History and Details
Preface (verso) from a double-page frontispiece of a Shahnama of Firdausi (940-1019 or 1025) at the Cleveland Museum of Art: c. 1444, opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection
Luxury Ewer Extending Good Fortune to the Owner (1223): Art, History and Details
Luxury Ewer Extending Good Fortune to the Owner at the Cleveland Museum of Art: 1223, brass inlaid with silver; lid and base added later. Explore the work's context, creator attribution and collection history.
Mirror with a Handle in the Form of a Herakles Knot (c. 280–400 CE): Art, History and Details
Mirror with a Handle in the Form of a Herakles Knot at the Cleveland Museum of Art: c. 280–400 CE, silver. Explore the work's context, creator attribution and collection history.
Spouted Pitcher (300–600 CE): Art, History and Details
Spouted Pitcher at the Cleveland Museum of Art: 300–600 CE, silver. Explore the work's context, creator attribution and collection history.
Sketch for "The Wolf Turned Shepherd" (recto) (c. 1868): Art, History and Details
Sketch for "The Wolf Turned Shepherd" (recto) at the Cleveland Museum of Art: c. 1868, graphite. Explore the work's context, creator attribution and collection history.
Kali (900s–1000s): Art, History and Details
Kali at the Cleveland Museum of Art: 900s–1000s, bronze. Explore the work's context, creator attribution and collection history.
Bodhisattva of Wisdom (Manjushri) (1400s): Art, History and Details
Bodhisattva of Wisdom (Manjushri) at the Cleveland Museum of Art: 1400s, gilded copper. Explore the work's context, creator attribution and collection history.
Bowl (900s): Art, History and Details
Bowl at the Cleveland Museum of Art: 900s, earthenware with underglaze slip-painted decoration. Explore the work's context, creator attribution and collection history.
They Have Flown, Plate 61 (1799): Art, History and Details
They Have Flown, Plate 61 at the Cleveland Museum of Art: 1799, etching and aquatint. Explore the work's context, creator attribution and collection history.
When Day Breaks We Will Be Off, Plate 71 (1799): Art, History and Details
When Day Breaks We Will Be Off, Plate 71 at the Cleveland Museum of Art: 1799, etching and aquatint. Explore the work's context, creator attribution and collection history.
A Lady with Three Suitors (c. 1500): Art, History and Details
A Lady with Three Suitors at the Cleveland Museum of Art: c. 1500, pen and brown ink, brush and brown wash, with traces of black chalk. Explore the work's context, creator attribution and collection history.
Crucifixion with the Two Thieves (1450–1500): Art, History and Details
Crucifixion with the Two Thieves at the Cleveland Museum of Art: 1450–1500, pen and brown ink and black chalk. Explore the work's context, creator attribution and collection history.
Miniature Metate (700–1000): Art, History and Details
Miniature Metate at the Cleveland Museum of Art: 700–1000, stone. Explore the work's context, creator attribution and collection history.
The Illustrated Miraculous Origins of the Yūzū Nenbutsu School (early 1300s): Art, History and Details
The Illustrated Miraculous Origins of the Yūzū Nenbutsu School at the Cleveland Museum of Art: early 1300s, Handscroll; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.
Tiger in the Jungle (1893): Art, History and Details
Tiger in the Jungle at the Cleveland Museum of Art: 1893, color lithograph. Explore the work's context, creator attribution and collection history.
Christ (1887): Art, History and Details
Christ at the Cleveland Museum of Art: 1887, lithograph. Explore the work's context, creator attribution and collection history.
Panel with a Pattern of Trees and Unidentified Animals (1800s): Art, History and Details
Panel with a Pattern of Trees and Unidentified Animals at the Cleveland Museum of Art: 1800s, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in two directions). Explore the work's context, creator attribution and
Set of Ovid's Metamorphoses (1704–31): Art, History and Details
Set of Ovid's Metamorphoses at the Cleveland Museum of Art: 1704–31, tapestry weave. Explore the work's context, creator attribution and collection history.
Diana's Return from the Chase (from Set of Ovid's Metamorphoses) (1704–1731): Art, History and Details
Diana's Return from the Chase (from Set of Ovid's Metamorphoses) at the Cleveland Museum of Art: 1704–1731, tapestry weave. Explore the work's context, creator attribution and collection history.
Flora and Zephyrus (from Set of Ovid's Metamorphoses) (1704–1731): Art, History and Details
Flora and Zephyrus (from Set of Ovid's Metamorphoses) at the Cleveland Museum of Art: 1704–1731, tapestry weave. Explore the work's context, creator attribution and collection history.
Apollo and the Serpent Python (from Set of Ovid's Metamorphoses) (1700–1730): Art, History and Details
Apollo and the Serpent Python (from Set of Ovid's Metamorphoses) at the Cleveland Museum of Art: 1700–1730, tapestry weave. Explore the work's context, creator attribution and collection history.
The Trinity (1544): Art, History and Details
The Trinity at the Cleveland Museum of Art: 1544, silver. Explore the work's context, creator attribution and collection history.
Mask: Eagle (1800s): Art, History and Details
Mask: Eagle at the Cleveland Museum of Art: 1800s, wood, pigment, restored eye inlays. Explore the work's context, creator attribution and collection history.
Sunny Autumn Day (1892): Art, History and Details
Sunny Autumn Day at the Cleveland Museum of Art: 1892, oil on canvas. Explore the work's context, creator attribution and collection history.
St. John the Evangelist (c. 1700–1702): Art, History and Details
St. John the Evangelist at the Cleveland Museum of Art: c. 1700–1702, black, red, and white chalk. Explore the work's context, creator attribution and collection history.
Chestnut Vendor, St. Martin's Day Fair (Pontoise) (1878): Art, History and Details
Chestnut Vendor, St. Martin's Day Fair (Pontoise) at the Cleveland Museum of Art: 1878, drypoint. Explore the work's context, creator attribution and collection history.
The Shepherd and the Shepherdess (1874): Art, History and Details
The Shepherd and the Shepherdess at the Cleveland Museum of Art: 1874, etching. Explore the work's context, creator attribution and collection history.