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Art & Design archive — Page 223

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Two-faced Carpet Fragment (1100s; Cleveland 1966.132)

Two-faced Carpet Fragment (1100s): Art, History and Details

Two-faced Carpet Fragment at the Cleveland Museum of Art: 1100s, senna knot. Explore the work's context, creator attribution and collection history.

Ogives with Winged Quadrupeds and Peacocks (1517–1950 (radiocarbon date, 95% probability); Cleveland 1966.134)

Ogives with Winged Quadrupeds and Peacocks (1517–1950 (radiocarbon date, 95% probability)): Art, History and Details

Ogives with Winged Quadrupeds and Peacocks at the Cleveland Museum of Art: 1517–1950 (radiocarbon date, 95% probability), Silk: lampas weave. Explore the work's context, creator attribution and collection history.

Fragments with Griffins in Roundels (before 1966; Cleveland 1966.136)

Fragments with Griffins in Roundels (before 1966): Art, History and Details

Fragments with Griffins in Roundels at the Cleveland Museum of Art: before 1966, Silk: lampas weave. Explore the work's context, creator attribution and collection history.

Fragments with Griffins in Roundels (before 1966; Cleveland 1966.136.a)

Fragments with Griffins in Roundels (before 1966): Art, History and Details

Fragments with Griffins in Roundels at the Cleveland Museum of Art: before 1966, Silk: lampas weave. Explore the work's context, creator attribution and collection history.

Fragments with Griffins in Roundels (before 1966; Cleveland 1966.136.b)

Fragments with Griffins in Roundels (before 1966): Art, History and Details

Fragments with Griffins in Roundels at the Cleveland Museum of Art: before 1966, Silk: lampas weave. Explore the work's context, creator attribution and collection history.

Fragments with Eight-Pointed Star (Two Pieces) (before 1966; Cleveland 1966.137)

Fragments with Eight-Pointed Star (Two Pieces) (before 1966): Art, History and Details

Fragments with Eight-Pointed Star (Two Pieces) at the Cleveland Museum of Art: before 1966, Silk: compound weave. Explore the work's context, creator attribution and collection history.

Ravana addresses Sita in the garden of Lanka, from Chapters 53 and 54 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey) (c. 1725; Cleveland 1966.143)

Ravana addresses Sita in the garden of Lanka, from Chapters 53 and 54 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey) (c. 1725): Art, History and Details

Ravana addresses Sita in the garden of Lanka, from Chapters 53 and 54 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey) at the Cleveland Museum of Art: c. 1725, Gum tempera, gold, and silver on paper. Explore the work'

David with the Head of Goliath (1620s–30s; Cleveland 1966.167)

David with the Head of Goliath (1620s–30s): Art, History and Details

David with the Head of Goliath at the Cleveland Museum of Art: 1620s–30s, engraving. Explore the work's context, creator attribution and collection history.

The Bewitched Groom (1544–45; Cleveland 1966.172)

The Bewitched Groom (1544–45): Art, History and Details

The Bewitched Groom at the Cleveland Museum of Art: 1544–45, woodcut. Explore the work's context, creator attribution and collection history.

St. Jerome in Penitence (c. 1497; Cleveland 1966.175)

St. Jerome in Penitence (c. 1497): Art, History and Details

St. Jerome in Penitence at the Cleveland Museum of Art: c. 1497, engraving. Explore the work's context, creator attribution and collection history.

Estérel Village (c. 1890; Cleveland 1966.177)

Estérel Village (c. 1890): Art, History and Details

Estérel Village at the Cleveland Museum of Art: c. 1890, color monotype. Explore the work's context, creator attribution and collection history.

The Skylark (1850; Cleveland 1966.181)

The Skylark (1850): Art, History and Details

The Skylark at the Cleveland Museum of Art: 1850, etching. Explore the work's context, creator attribution and collection history.

The Vine (1852; Cleveland 1966.185)

The Vine (1852): Art, History and Details

The Vine at the Cleveland Museum of Art: 1852, etching. Explore the work's context, creator attribution and collection history.

The Bellman (1879; Cleveland 1966.198)

The Bellman (1879): Art, History and Details

The Bellman at the Cleveland Museum of Art: 1879, etching. Explore the work's context, creator attribution and collection history.

Set of figures (1745–1750; Cleveland 1966.225)

Set of figures (1745–1750): Art, History and Details

Set of figures at the Cleveland Museum of Art: 1745–1750, faience. Explore the work's context, creator attribution and collection history.

Figure (1745–50; Cleveland 1966.225.1)

Figure (1745–50): Art, History and Details

Figure at the Cleveland Museum of Art: 1745–50, faience. Explore the work's context, creator attribution and collection history.

Figure (1745–50; Cleveland 1966.225.2)

Figure (1745–50): Art, History and Details

Figure at the Cleveland Museum of Art: 1745–50, faience. Explore the work's context, creator attribution and collection history.

Potpourri Vase with Cover (c. 1750; Cleveland 1966.233)

Potpourri Vase with Cover (c. 1750): Art, History and Details

Potpourri Vase with Cover at the Cleveland Museum of Art: c. 1750, soft-paste porcelain. Explore the work's context, creator attribution and collection history.

Figure Group of the Festival at the Chateau (La fête au château) or the Model Fidelity (La fidélité modèle) (1766; Cleveland 1966.234)

Figure Group of the Festival at the Chateau (La fête au château) or the Model Fidelity (La fidélité modèle) (1766): Art, History and Details

Figure Group of the Festival at the Chateau (La fête au château) or the Model Fidelity (La fidélité modèle) at the Cleveland Museum of Art: 1766, unglazed soft-paste porcelain (biscuit). Explore the work's context, creator attribution and c

Figure Group of Love Carried by the Three Graces (c. 1768–78; Cleveland 1966.235)

Figure Group of Love Carried by the Three Graces (c. 1768–78): Art, History and Details

Figure Group of Love Carried by the Three Graces at the Cleveland Museum of Art: c. 1768–78, unglazed soft-paste porcelain (biscuit). Explore the work's context, creator attribution and collection history.

Virgin and Child with Saints (c. 1230s; Cleveland 1966.237)

Virgin and Child with Saints (c. 1230s): Art, History and Details

Virgin and Child with Saints at the Cleveland Museum of Art: c. 1230s, triptych (tabernacle); tempera and gold on poplar panel. Explore the work's context, creator attribution and collection history.

Virgin and Child with Saints (c. 1230s; Cleveland 1966.237.a)

Virgin and Child with Saints (c. 1230s): Art, History and Details

Virgin and Child with Saints at the Cleveland Museum of Art: c. 1230s, tempera and gold on wood. Explore the work's context, creator attribution and collection history.

The Crucifixion of St. Andrew, with St. Francis and St. Paul below (c. 1230s; Cleveland 1966.237.b)

The Crucifixion of St. Andrew, with St. Francis and St. Paul below (c. 1230s): Art, History and Details

The Crucifixion of St. Andrew, with St. Francis and St. Paul below at the Cleveland Museum of Art: c. 1230s, tempera and gold on wood. Explore the work's context, creator attribution and collection history.

Christ in a Mandorla, with the instruments of the Passion, with St. Stephen and St. Lawrence below (c. 1230s; Cleveland 1966.237.c)

Christ in a Mandorla, with the instruments of the Passion, with St. Stephen and St. Lawrence below (c. 1230s): Art, History and Details

Christ in a Mandorla, with the instruments of the Passion, with St. Stephen and St. Lawrence below at the Cleveland Museum of Art: c. 1230s, tempera and gold on wood. Explore the work's context, creator attribution and collection history.

John the Baptist (c. 1410; Cleveland 1966.238)

John the Baptist (c. 1410): Art, History and Details

John the Baptist at the Cleveland Museum of Art: c. 1410, oil on oak panel. Explore the work's context, creator attribution and collection history.

Seated Woman Searching for Fleas (c. 1671; Cleveland 1966.239)

Seated Woman Searching for Fleas (c. 1671): Art, History and Details

Seated Woman Searching for Fleas at the Cleveland Museum of Art: c. 1671, red chalk over black chalk; framing lines in pen and brown ink. Explore the work's context, creator attribution and collection history.

Angel (c. 1250; Cleveland 1966.360)

Angel (c. 1250): Art, History and Details

Angel at the Cleveland Museum of Art: c. 1250, walnut with traces of gilding and polychromy. Explore the work's context, creator attribution and collection history.

Tlaloc (c. 1200–1519; Cleveland 1966.361)

Tlaloc (c. 1200–1519): Art, History and Details

Tlaloc at the Cleveland Museum of Art: c. 1200–1519, stone. Explore the work's context, creator attribution and collection history.

Crucifixion (c. 1680; Cleveland 1966.363)

Crucifixion (c. 1680): Art, History and Details

Crucifixion at the Cleveland Museum of Art: c. 1680, terracotta. Explore the work's context, creator attribution and collection history.

Square Dish with Design of Plovers over Waves (c. 1700; Cleveland 1966.365)

Square Dish with Design of Plovers over Waves (c. 1700): Art, History and Details

Square Dish with Design of Plovers over Waves at the Cleveland Museum of Art: c. 1700, Glazed stoneware with iron oxide underglaze slip. Explore the work's context, creator attribution and collection history.

The Mountain of Five Cataracts (c. 1630; Cleveland 1966.366)

The Mountain of Five Cataracts (c. 1630): Art, History and Details

The Mountain of Five Cataracts at the Cleveland Museum of Art: c. 1630, hanging scroll; ink on silk. Explore the work's context, creator attribution and collection history.

Spring Landscape (1666; Cleveland 1966.367)

Spring Landscape (1666): Art, History and Details

Spring Landscape at the Cleveland Museum of Art: 1666, double album leaf mounted as a handscroll; ink and color on paper. Explore the work's context, creator attribution and collection history.

Celestial banquet hanging, from the tomb of Bishop Gurb (1200–1284; Cleveland 1966.368)

Celestial banquet hanging, from the tomb of Bishop Gurb (1200–1284): Art, History and Details

Celestial banquet hanging, from the tomb of Bishop Gurb at the Cleveland Museum of Art: 1200–1284, Silk and gold thread: plain weave with inwoven tapestry weave. Explore the work's context, creator attribution and collection history.

Bowl (500–700 CE; Cleveland 1966.369)

Bowl (500–700 CE): Art, History and Details

Bowl at the Cleveland Museum of Art: 500–700 CE, silver. Explore the work's context, creator attribution and collection history.

Inlay: Head of a King (380–246 BCE; Cleveland 1966.370)

Inlay: Head of a King (380–246 BCE): Art, History and Details

Inlay: Head of a King at the Cleveland Museum of Art: 380–246 BCE, red jasper. Explore the work's context, creator attribution and collection history.

The Vicarello Goblet (25 BCE–25 CE; Cleveland 1966.371)

The Vicarello Goblet (25 BCE–25 CE): Art, History and Details

The Vicarello Goblet at the Cleveland Museum of Art: 25 BCE–25 CE, silver. Explore the work's context, creator attribution and collection history.

Cabbage and Beetle (mid-1700s; Cleveland 1966.376)

Cabbage and Beetle (mid-1700s): Art, History and Details

Cabbage and Beetle at the Cleveland Museum of Art: mid-1700s, carved wood. Explore the work's context, creator attribution and collection history.

Vase (c. 1905–10; Cleveland 1966.380)

Vase (c. 1905–10): Art, History and Details

Vase at the Cleveland Museum of Art: c. 1905–10, favrile glass. Explore the work's context, creator attribution and collection history.

The Cliffs at Beg-ar-Fry, Saint-Jean-du-Doigt (1895; Cleveland 1966.382)

The Cliffs at Beg-ar-Fry, Saint-Jean-du-Doigt (1895): Art, History and Details

The Cliffs at Beg-ar-Fry, Saint-Jean-du-Doigt at the Cleveland Museum of Art: 1895, oil on fabric. Explore the work's context, creator attribution and collection history.

Portrait of Prince Alexander Bezborodko (mid- to late 1700s; Cleveland 1966.383)

Portrait of Prince Alexander Bezborodko (mid- to late 1700s): Art, History and Details

Portrait of Prince Alexander Bezborodko at the Cleveland Museum of Art: mid- to late 1700s, watercolor on ivory in a 19th-century gilt metal frame. Explore the work's context, creator attribution and collection history.