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Art & Design archive — Page 241

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Clearing Autumn Mists in the Chu Mountains (1600s; Cleveland 1971.231)

Clearing Autumn Mists in the Chu Mountains (1600s): Art, History and Details

Clearing Autumn Mists in the Chu Mountains at the Cleveland Museum of Art: 1600s, hanging scroll, ink and light color on silk. Explore the work's context, creator attribution and collection history.

Tiger in Wind (1800s; Cleveland 1971.232)

Tiger in Wind (1800s): Art, History and Details

Tiger in Wind at the Cleveland Museum of Art: 1800s, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.

Moon Viewing, from The Tale of Heike (1700s; Cleveland 1971.233)

Moon Viewing, from The Tale of Heike (1700s): Art, History and Details

Moon Viewing, from The Tale of Heike at the Cleveland Museum of Art: 1700s, hanging scroll; ink and light color on paper. Explore the work's context, creator attribution and collection history.

Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana” (c. 1560–70; Cleveland 1971.234)

Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana” (c. 1560–70): Art, History and Details

Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana” at the Cleveland Museum of Art: c. 1560–70, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.

Chasuble (1675–99; Cleveland 1971.235)

Chasuble (1675–99): Art, History and Details

Chasuble at the Cleveland Museum of Art: 1675–99, Silk and metallic threads on silk tabby sewn down on a linen tabby ground; embroidery. Explore the work's context, creator attribution and collection history.

Soldier Embracing a Woman (1505–36; Cleveland 1971.246)

Soldier Embracing a Woman (1505–36): Art, History and Details

Soldier Embracing a Woman at the Cleveland Museum of Art: 1505–36, etching. Explore the work's context, creator attribution and collection history.

Three Trees: Italy (1871; Cleveland 1971.263)

Three Trees: Italy (1871): Art, History and Details

Three Trees: Italy at the Cleveland Museum of Art: 1871, oil on card on canvas. Explore the work's context, creator attribution and collection history.

Statuette of a Kouros (600–480 BCE; Cleveland 1971.264)

Statuette of a Kouros (600–480 BCE): Art, History and Details

Statuette of a Kouros at the Cleveland Museum of Art: 600–480 BCE, bronze. Explore the work's context, creator attribution and collection history.

Tankard (c. 1680; Cleveland 1971.266)

Tankard (c. 1680): Art, History and Details

Tankard at the Cleveland Museum of Art: c. 1680, cut and seamed silver sheet, repoussé and chased ornament, cast handle and feet, partially gilded. Explore the work's context, creator attribution and collection history.

Female Bust (c. 1470–1500; Cleveland 1971.269)

Female Bust (c. 1470–1500): Art, History and Details

Female Bust at the Cleveland Museum of Art: c. 1470–1500, painted and gilded lindenwood. Explore the work's context, creator attribution and collection history.

Pair of Panels from a Choir Stall (c. 1330–1340; Cleveland 1971.270)

Pair of Panels from a Choir Stall (c. 1330–1340): Art, History and Details

Pair of Panels from a Choir Stall at the Cleveland Museum of Art: c. 1330–1340, walnut. Explore the work's context, creator attribution and collection history.

Panel from a Choir Stall (c. 1330–1340; Cleveland 1971.270.a)

Panel from a Choir Stall (c. 1330–1340): Art, History and Details

Panel from a Choir Stall at the Cleveland Museum of Art: c. 1330–1340, walnut. Explore the work's context, creator attribution and collection history.

Panel from a Choir Stall (c. 1330–1340; Cleveland 1971.270.b)

Panel from a Choir Stall (c. 1330–1340): Art, History and Details

Panel from a Choir Stall at the Cleveland Museum of Art: c. 1330–1340, walnut. Explore the work's context, creator attribution and collection history.

Saint Elizabeth of Hungary (c. 1515; Cleveland 1971.274)

Saint Elizabeth of Hungary (c. 1515): Art, History and Details

Saint Elizabeth of Hungary at the Cleveland Museum of Art: c. 1515, lindenwood with polychromy and gilding. Explore the work's context, creator attribution and collection history.

Face Mask (Tehe gla) (early 1900s; Cleveland 1971.294)

Face Mask (Tehe gla) (early 1900s): Art, History and Details

Face Mask (Tehe gla) at the Cleveland Museum of Art: early 1900s, Wood, boar tusks, pelt, cloth, human hair, probably aluminum, reeds, iron alloy, copper alloy, plant fiber, and paint. Explore the work's context, creator attribution and col

Face Mask (early 1900s; Cleveland 1971.296)

Face Mask (early 1900s): Art, History and Details

Face Mask at the Cleveland Museum of Art: early 1900s, Wood, paint, and colorant. Explore the work's context, creator attribution and collection history.

Figure Pair (asye usu) (late 1800s–early 1900s; Cleveland 1971.297)

Figure Pair (asye usu) (late 1800s–early 1900s): Art, History and Details

Figure Pair (asye usu) at the Cleveland Museum of Art: late 1800s–early 1900s, Wood, resin, glass beads, plant fiber, and metal. Explore the work's context, creator attribution and collection history.

Male Figure from a Pair (asye usu) (late 1800s–early 1900s; Cleveland 1971.297.1)

Male Figure from a Pair (asye usu) (late 1800s–early 1900s): Art, History and Details

Male Figure from a Pair (asye usu) at the Cleveland Museum of Art: late 1800s–early 1900s, Wood, resin, glass beads, plant fiber, and metal. Explore the work's context, creator attribution and collection history.

Female Figure from a Pair (asye usu) (late 1800s–early 1900s; Cleveland 1971.297.2)

Female Figure from a Pair (asye usu) (late 1800s–early 1900s): Art, History and Details

Female Figure from a Pair (asye usu) at the Cleveland Museum of Art: late 1800s–early 1900s, Wood, resin, glass beads, plant fiber, and metal. Explore the work's context, creator attribution and collection history.

Heddle Pulley (Bo Nun Amuin mask) (1900s; Cleveland 1971.300)

Heddle Pulley (Bo Nun Amuin mask) (1900s): Art, History and Details

Heddle Pulley (Bo Nun Amuin mask) at the Cleveland Museum of Art: 1900s, Wood, metal, and plant fiber. Explore the work's context, creator attribution and collection history.

Krishna returns with the cowherds to Braj, from a Bhagavata Purana (c. 1830; Cleveland 1971.301)

Krishna returns with the cowherds to Braj, from a Bhagavata Purana (c. 1830): Art, History and Details

Krishna returns with the cowherds to Braj, from a Bhagavata Purana at the Cleveland Museum of Art: c. 1830, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.

Rustam Lassoing his Horse, Rakhsh, in a Landscape (recto); Calligraphy, Persian Verses (verso) (late 1500s; Cleveland 1971.305)

Rustam Lassoing his Horse, Rakhsh, in a Landscape (recto); Calligraphy, Persian Verses (verso) (late 1500s): Art, History and Details

Rustam Lassoing his Horse, Rakhsh, in a Landscape (recto); Calligraphy, Persian Verses (verso) at the Cleveland Museum of Art: late 1500s, opaque watercolor, ink, gold and silver on paper. Explore the work's context, creator attribution and

Rustam Lassoing his Horse, Rakhsh, in a Landscape (recto) (1400s-1500s; Cleveland 1971.305.a)

Rustam Lassoing his Horse, Rakhsh, in a Landscape (recto) (1400s-1500s): Art, History and Details

Rustam Lassoing his Horse, Rakhsh, in a Landscape (recto) at the Cleveland Museum of Art: 1400s-1500s, opaque watercolor, gold, and silver on paper. Explore the work's context, creator attribution and collection history.

Doorknocker with Gorgon Head (mid-1500s; Cleveland 1972.1)

Doorknocker with Gorgon Head (mid-1500s): Art, History and Details

Doorknocker with Gorgon Head at the Cleveland Museum of Art: mid-1500s, bronze. Explore the work's context, creator attribution and collection history.

Lions and Tigers in Peony and Bamboo (1668; Cleveland 1972.10)

Lions and Tigers in Peony and Bamboo (1668): Art, History and Details

Lions and Tigers in Peony and Bamboo at the Cleveland Museum of Art: 1668, pair of six-panel folding screens; ink and color on gilded paper. Explore the work's context, creator attribution and collection history.

Lions and Tigers in Peony and Bamboo (1668; Cleveland 1972.10.1)

Lions and Tigers in Peony and Bamboo (1668): Art, History and Details

Lions and Tigers in Peony and Bamboo at the Cleveland Museum of Art: 1668, One of a pair of six-panel folding screens; ink and color on gilded paper. Explore the work's context, creator attribution and collection history.

Lions and Tigers in Peony and Bamboo (1668; Cleveland 1972.10.2)

Lions and Tigers in Peony and Bamboo (1668): Art, History and Details

Lions and Tigers in Peony and Bamboo at the Cleveland Museum of Art: 1668, One of a pair of six-panel folding screens; ink and color on gilded paper. Explore the work's context, creator attribution and collection history.

The Saltmaker's Story (early 1600s; Cleveland 1972.12)

The Saltmaker's Story (early 1600s): Art, History and Details

The Saltmaker's Story at the Cleveland Museum of Art: early 1600s, Pair of handscrolls; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.

The Saltmaker's Story (early 1600s; Cleveland 1972.12.1)

The Saltmaker's Story (early 1600s): Art, History and Details

The Saltmaker's Story at the Cleveland Museum of Art: early 1600s, One of a pair of handscrolls; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.

The Saltmaker's Story (early 1600s; Cleveland 1972.12.2)

The Saltmaker's Story (early 1600s): Art, History and Details

The Saltmaker's Story at the Cleveland Museum of Art: early 1600s, One of a pair of handscrolls; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.

Jar with Dragon and Phoenix Design (1522–66; Cleveland 1972.14)

Jar with Dragon and Phoenix Design (1522–66): Art, History and Details

Jar with Dragon and Phoenix Design at the Cleveland Museum of Art: 1522–66, carved lacquer in cinnabar and other colors. Explore the work's context, creator attribution and collection history.

Gazing at a Waterfall (1790; Cleveland 1972.16)

Gazing at a Waterfall (1790): Art, History and Details

Gazing at a Waterfall at the Cleveland Museum of Art: 1790, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.

General Jean-Baptiste Kléber and Egyptian Family (Sketches for "The Battle of the Pyramids") (c. 1835; Cleveland 1972.17)

General Jean-Baptiste Kléber and Egyptian Family (Sketches for "The Battle of the Pyramids") (c. 1835): Art, History and Details

General Jean-Baptiste Kléber and Egyptian Family (Sketches for "The Battle of the Pyramids") at the Cleveland Museum of Art: c. 1835, oil on linen. Explore the work's context, creator attribution and collection history.

General Jean-Baptiste Kléber (Sketch for "The Battle of the Pyramids") (c. 1835; Cleveland 1972.17.1)

General Jean-Baptiste Kléber (Sketch for "The Battle of the Pyramids") (c. 1835): Art, History and Details

General Jean-Baptiste Kléber (Sketch for "The Battle of the Pyramids") at the Cleveland Museum of Art: c. 1835, oil on linen. Explore the work's context, creator attribution and collection history.

Egyptian Family (Sketch for "The Battle of the Pyramids") (c. 1835; Cleveland 1972.17.2)

Egyptian Family (Sketch for "The Battle of the Pyramids") (c. 1835): Art, History and Details

Egyptian Family (Sketch for "The Battle of the Pyramids") at the Cleveland Museum of Art: c. 1835, oil on linen. Explore the work's context, creator attribution and collection history.

Return from the Fields (c. 1846–47; Cleveland 1972.19)

Return from the Fields (c. 1846–47): Art, History and Details

Return from the Fields at the Cleveland Museum of Art: c. 1846–47, oil on fabric. Explore the work's context, creator attribution and collection history.

Engaged Capital with a Lion and a Basilisk (1175–1200; Cleveland 1972.20)

Engaged Capital with a Lion and a Basilisk (1175–1200): Art, History and Details

Engaged Capital with a Lion and a Basilisk at the Cleveland Museum of Art: 1175–1200, marble. Explore the work's context, creator attribution and collection history.

Engaged Capital with Figures of a Man and of an Eagle (1175–1200; Cleveland 1972.21)

Engaged Capital with Figures of a Man and of an Eagle (1175–1200): Art, History and Details

Engaged Capital with Figures of a Man and of an Eagle at the Cleveland Museum of Art: 1175–1200, marble. Explore the work's context, creator attribution and collection history.

Fragment of a Capital with the Ox of Saint Luke (c. 1175–1200; Cleveland 1972.22)

Fragment of a Capital with the Ox of Saint Luke (c. 1175–1200): Art, History and Details

Fragment of a Capital with the Ox of Saint Luke at the Cleveland Museum of Art: c. 1175–1200, marble. Explore the work's context, creator attribution and collection history.

Ornament (250–550 CE; Cleveland 1972.3)

Ornament (250–550 CE): Art, History and Details

Ornament at the Cleveland Museum of Art: 250–550 CE, jadeite. Explore the work's context, creator attribution and collection history.